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In the first edition, Creed draws on Julia Kristeva's theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed's argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror.
This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman - while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane.
Barbara Creed's classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory.
In the first edition, Creed draws on Julia Kristeva's theory of abjection to challenge the popular view that women in horror are almost always victims, and argues that patriarchal ideology constructs women as monstrous in relation to her sexuality and reproductive body to justify her subjugation. Although a projection of male fears and paranoid fantasies, the monstrous-feminine is nonetheless a terrifying figure. Creed's argument contests Freudian and Lacanian theories of sexual difference to offer a provocative rereading of classical and contemporary horror.
This updated edition includes a new section examining contemporary feminist horror films in relation to nonhuman theory. Creed proposes a new concept of radical abjection to reinterpret the monstrous-feminine as a figure who embraces abjection by reclaiming her body and re-defining her otherness as nonhuman - while questioning patriarchy, anthropocentrism, misogyny and the meaning of the human. Films discussed include Ginger Snaps, Teeth, Atlantics, The Girl with All the Gifts, Border and Titane.
Barbara Creed's classic remains as relevant as ever and this edition will be of interest to academics and students of feminist theory, nonhuman theory, critical animal studies, race, and queer theory.
Barbara Creed is Redmond Barry Distinguished Professor Emeritus at the University of Melbourne. She is the author of seven books, including Darwin's Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema (2009); and Stray: Human- Animal Ethics in the Anthropocene (2017). She is the director of the Human Rights and Animal Ethics Research Network (HRAE). She has been on the boards of Writers Week, the Melbourne International Film Festival and the Melbourne Queer Film Festival.
Preface to the Second Edition
Part I Faces of the Monstrous-Feminine: Abjection and the Maternal
Introduction
1 Kristeva, Femininity, Abjection
2 Horror and the Archaic Mother: Alien
3 Woman as Possessed Monster: The Exorcist
4 Woman as Monstrous Womb: The Brood
5 Woman as Vampire: The Hunger
6 Woman as Witch: Carrie
Part II Medusa's Head: Psychoanalytic Theory and the
Femme Castratrice
Preface
7 'Little Hans' Reconsidered: or 'The Tale of Mother's Terrifying Widdler'
8 Medusa's Head: the Vagina Dentata and Freudian theory
9 The femme castratrice: I spit on your grave, sisters
10 The Castrating Mother: Psycho
11 The Medusa's Gaze
Part III Revolt of the Monstrous-Feminine: Embracing the Nonhuman
Introduction: The Nonhuman Turn an Women's Horror of theNew Millennium
12 Coming of Age: The Monstrous-Feminine as Virginal Dentata: Ginger Snaps: (2000), Teeth (2007), Jennifer's Body (2009).
13 The Monstrous-Feminine as Avenging Zombie: The Girl With All The Gifts (2016), The Dark (2018), Atlantics (2019).
14 The Monstrous-Feminine as Uncanny Creatrix: Border (2018), Little Joe (2019), Titane (2021).
Bibliography
Filmography
Index
| Erscheinungsjahr: | 2023 |
|---|---|
| Fachbereich: | Allgemeines |
| Genre: | Importe, Medienwissenschaften |
| Rubrik: | Wissenschaften |
| Thema: | Lexika |
| Medium: | Taschenbuch |
| Reihe: | Popular Fictions Series |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780367209452 |
| ISBN-10: | 0367209454 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Creed, Barbara |
| Auflage: | 2. Auflage |
| Hersteller: |
Routledge
Popular Fictions Series |
| Verantwortliche Person für die EU: | Taylor & Francis Verlag GmbH, Kaufingerstr. 24, D-80331 München, gpsr@taylorandfrancis.com |
| Maße: | 234 x 156 x 16 mm |
| Von/Mit: | Barbara Creed |
| Erscheinungsdatum: | 02.11.2023 |
| Gewicht: | 0,436 kg |
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