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Documents unpopular African music genres and artists
Captures African varied experiences through music lens
Serves as an identity creation and recreation's agency
Part I The Nature, Philosophies and Genres of Indigenous African Popular Music
2 Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo's Chimurenga Music Genre
3 Rhythmic Signifying in Popular Venda Music
4 Baansi ni Yila: A Critical History of the Music Industry in Northern Ghana
5 Indigenous and Indigenised Yoruba Popular Music
6 Social Cognition and Advertisement in Yusuf Olatunji's Music
7 Exploring the Value Systems Embedded in Indigenous Yorùbá Music Genres and Yorùbá Nursery Rhymes
8 Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Music
9 Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization and Contradictions: Discourse Narrative
10 Dung Chollom and Berom Ethnic Popular Music
Part II Indigenous African Popular Music Artists as Prophets and Philosophers
11 Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music
12 Forewarned Is Forearmed: Exploring the Apocalyptic Voice of Popular Music in the Post-colonial Zimbabwe
13 Reeling Nostalgia: 'Aremote' and the Enduring Sakara Music in Nigeria
14 Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour)
15 Yorùbá Socio-Cultural Norms and Values in Selected Songs of Bùkö¿lá ¿lémìdé (Ás¿à)
16 Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation
Part III Indigenous African Popular Music and the World
17 Valódia: A Transatlantic Praise Song
18 The Adaptation of Zimbabwean Mbira Dzavadzimu Music, from Traditional to Modern Popular Band Format; the Case of Thomas Mapfumo
19 Macheso's Sungura and Social Identity Narratives in Postcolonial Zimbabwe
20 "One Beat, One Pound": Kasumu Isola Sanni-The Sákárà Master Drummer
21 When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Seiten: | 428 |
Reihe: | Pop Music, Culture and Identity |
Inhalt: |
xxiii
401 S. 23 s/w Illustr. 401 p. 23 illus. |
ISBN-13: | 9783030978839 |
ISBN-10: | 3030978834 |
Sprache: | Englisch |
Ausstattung / Beilage: | HC runder Rücken kaschiert |
Einband: | Gebunden |
Redaktion: |
Fadipe, Israel A.
Salawu, Abiodun |
Herausgeber: | Abiodun Salawu/Israel A Fadipe |
Auflage: | 1st ed. 2022 |
Hersteller: |
Springer International Publishing
Springer International Publishing AG Pop Music, Culture and Identity |
Maße: | 216 x 153 x 28 mm |
Von/Mit: | Israel A. Fadipe (u. a.) |
Erscheinungsdatum: | 01.06.2022 |
Gewicht: | 0,663 kg |
Documents unpopular African music genres and artists
Captures African varied experiences through music lens
Serves as an identity creation and recreation's agency
Part I The Nature, Philosophies and Genres of Indigenous African Popular Music
2 Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo's Chimurenga Music Genre
3 Rhythmic Signifying in Popular Venda Music
4 Baansi ni Yila: A Critical History of the Music Industry in Northern Ghana
5 Indigenous and Indigenised Yoruba Popular Music
6 Social Cognition and Advertisement in Yusuf Olatunji's Music
7 Exploring the Value Systems Embedded in Indigenous Yorùbá Music Genres and Yorùbá Nursery Rhymes
8 Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Music
9 Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization and Contradictions: Discourse Narrative
10 Dung Chollom and Berom Ethnic Popular Music
Part II Indigenous African Popular Music Artists as Prophets and Philosophers
11 Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura's Music
12 Forewarned Is Forearmed: Exploring the Apocalyptic Voice of Popular Music in the Post-colonial Zimbabwe
13 Reeling Nostalgia: 'Aremote' and the Enduring Sakara Music in Nigeria
14 Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour)
15 Yorùbá Socio-Cultural Norms and Values in Selected Songs of Bùkö¿lá ¿lémìdé (Ás¿à)
16 Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation
Part III Indigenous African Popular Music and the World
17 Valódia: A Transatlantic Praise Song
18 The Adaptation of Zimbabwean Mbira Dzavadzimu Music, from Traditional to Modern Popular Band Format; the Case of Thomas Mapfumo
19 Macheso's Sungura and Social Identity Narratives in Postcolonial Zimbabwe
20 "One Beat, One Pound": Kasumu Isola Sanni-The Sákárà Master Drummer
21 When Culture and Tradition Aren't Archaic: The Song Semantics of Zimbabwean Mbira's International Appeal
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Seiten: | 428 |
Reihe: | Pop Music, Culture and Identity |
Inhalt: |
xxiii
401 S. 23 s/w Illustr. 401 p. 23 illus. |
ISBN-13: | 9783030978839 |
ISBN-10: | 3030978834 |
Sprache: | Englisch |
Ausstattung / Beilage: | HC runder Rücken kaschiert |
Einband: | Gebunden |
Redaktion: |
Fadipe, Israel A.
Salawu, Abiodun |
Herausgeber: | Abiodun Salawu/Israel A Fadipe |
Auflage: | 1st ed. 2022 |
Hersteller: |
Springer International Publishing
Springer International Publishing AG Pop Music, Culture and Identity |
Maße: | 216 x 153 x 28 mm |
Von/Mit: | Israel A. Fadipe (u. a.) |
Erscheinungsdatum: | 01.06.2022 |
Gewicht: | 0,663 kg |