Dekorationsartikel gehören nicht zum Leistungsumfang.
The Routledge Companion to Puppetry and Material Performance
Taschenbuch von Claudia Orenstein (u. a.)
Sprache: Englisch

56,50 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Aktuell nicht verfügbar

Kategorien:
Beschreibung

The Routledge Companion to Puppetry and Material Performance offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its twenty-eight essays aim to advance the study of the puppet not only as a theatrical object, but also as a vibrant artistic and scholarly discipline.

The Routledge Companion to Puppetry and Material Performance offers a wide ranging perspective on how scholars and artists are currently reevaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its twenty-eight essays aim to advance the study of the puppet not only as a theatrical object, but also as a vibrant artistic and scholarly discipline.

Über den Autor

Dassia N. Posner is Assistant Professor of Theatre at Northwestern University. A theatre historian, dramaturg, and puppeteer, she is the author of numerous articles and chapters on Russian theatre, the history of directing, and puppetry and is Peer-Review Editor for Puppetry International. Recent dramaturgy includes Three Sisters and Russian Transport at Steppenwolf.

Claudia Orenstein is Associate Professor of Theatre at Hunter College and the Graduate Center at CUNY. Publications include The World of Theatre: Tradition and Innovation, and Festive Revolutions: The Politics of Popular Theatre and the San Francisco Mime Troupe. She is a board member of UNIMA-USA and Associate Editor of Asian Theatre Journal.

John Bell is Director of the Ballard Institute and Museum of Puppetry and Associate Professor of Dramatic Arts at the University of Connecticut. An active puppeteer with Great Small Works and Bread & Puppet Theater, as well as a theatre historian, his publications include American Puppet Modernism (2008) and Puppets, Masks, and Performing Objects (2001).

Inhaltsverzeichnis

Part I: Theory and Practice

Edited and Introduced by John Bell

Section I: Theoretical Approaches to the Puppet

  1. "The Death of 'The Puppet'?" by Margaret Williams
  2. "Co-presence and Ontological Ambiguity of the Puppet" by Paul Piris
  3. "Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects" by John Bell
  4. Section II: Perspectives from Practitioners

  5. "Visual Dramaturgy: Some Thoughts for Puppet Theater Makers" by Eric Bass
  6. "Puppetry, Authorship, and the Ur-Narrative" by Basil Jones
  7. "Petrushka's Voice" by Alexander Gref and Elena Slonimskaya
  8. "Clouds are Made of White!" by Rike Reiniger
  9. "Movement is Consciousness" by Kate Brehm
  10. "The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond" by Stephen Kaplin
  11. "The Third Thing" by Jim Lasko
  12. "Post-Decivilization Efforts in The Nonsense Suburb of Art" by Peter Schumann
  13. Part II: New Dialogues with History and Tradition

    Edited and Introduced by Claudia Orenstein

    Section III: Revisiting History

  14. "Making A Troublemaker: Charlotte Charke's Proto-Feminist Punch" by Amber West
  15. "Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet" by Dassia N. Posner
  16. "The Saracen of Opera dei Pupi: A Study of Race, Representation and Identity" by Lisa Morse
  17. "Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking Through Puppetry Performances" by Jane Marie Law
  18. "Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia" by Debra Hilborn
  19. Section IV: Negotiating Tradition

  20. "Traditional and Post-traditional Wayang Kulit in Java Today" by Matthew Isaac Cohen
  21. "Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition" by Kathy Foley
  22. "Forging New Paths for Kerala's Tolpavakoothu, Leather Shadow PuppetryTradition" by Claudia Orenstein
  23. "Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern Europe" by Ida Hledíková
  24. Part III: Contemporary Investigations and Hybridizations

    Edited and Introduced by Dassia N. Posner

    Section V: Material Performances in Contemporary Theatre

  25. "From Props to Prosopoeia: Making After Cardenio" by Jane Taylor
  26. "'A Total Spectacle but a Divided One:' Redefining Character in Handspring Puppet Company's Or You Could Kiss Me"by Dawn Tracey Brandes
  27. "Reading a Puppet Show: Understanding the Three-Dimensional Narrative" by Robert Smythe
  28. "Notes on New Model Theatres" by Mark Sussman
  29. Section VI: New Directions and Hybrid Forms

  30. "From Puppet to Robot: Technology and the Human in Japanese Theatre" by Cody Poulton
  31. "Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation" by Colette Searls
  32. "Programming Play: Puppets, Robots, and Engineering" by Elizabeth Ann Jochum and Todd Murphey
  33. "Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost" by Eleanor Margolies
Details
Erscheinungsjahr: 2015
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 376
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138913837
ISBN-10: 1138913839
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Posner, Dassia N.
Redaktion: Orenstein, Claudia
Posner, Dassia N.
Bell, John
Hersteller: Taylor & Francis Ltd
Maße: 247 x 177 x 19 mm
Von/Mit: Claudia Orenstein (u. a.)
Erscheinungsdatum: 22.05.2015
Gewicht: 0,741 kg
preigu-id: 121215392
Über den Autor

Dassia N. Posner is Assistant Professor of Theatre at Northwestern University. A theatre historian, dramaturg, and puppeteer, she is the author of numerous articles and chapters on Russian theatre, the history of directing, and puppetry and is Peer-Review Editor for Puppetry International. Recent dramaturgy includes Three Sisters and Russian Transport at Steppenwolf.

Claudia Orenstein is Associate Professor of Theatre at Hunter College and the Graduate Center at CUNY. Publications include The World of Theatre: Tradition and Innovation, and Festive Revolutions: The Politics of Popular Theatre and the San Francisco Mime Troupe. She is a board member of UNIMA-USA and Associate Editor of Asian Theatre Journal.

John Bell is Director of the Ballard Institute and Museum of Puppetry and Associate Professor of Dramatic Arts at the University of Connecticut. An active puppeteer with Great Small Works and Bread & Puppet Theater, as well as a theatre historian, his publications include American Puppet Modernism (2008) and Puppets, Masks, and Performing Objects (2001).

Inhaltsverzeichnis

Part I: Theory and Practice

Edited and Introduced by John Bell

Section I: Theoretical Approaches to the Puppet

  1. "The Death of 'The Puppet'?" by Margaret Williams
  2. "Co-presence and Ontological Ambiguity of the Puppet" by Paul Piris
  3. "Playing with the Eternal Uncanny: The Persistent Life of Lifeless Objects" by John Bell
  4. Section II: Perspectives from Practitioners

  5. "Visual Dramaturgy: Some Thoughts for Puppet Theater Makers" by Eric Bass
  6. "Puppetry, Authorship, and the Ur-Narrative" by Basil Jones
  7. "Petrushka's Voice" by Alexander Gref and Elena Slonimskaya
  8. "Clouds are Made of White!" by Rike Reiniger
  9. "Movement is Consciousness" by Kate Brehm
  10. "The Eye of Light: The Tension of Image and Object in Shadow Theatre and Beyond" by Stephen Kaplin
  11. "The Third Thing" by Jim Lasko
  12. "Post-Decivilization Efforts in The Nonsense Suburb of Art" by Peter Schumann
  13. Part II: New Dialogues with History and Tradition

    Edited and Introduced by Claudia Orenstein

    Section III: Revisiting History

  14. "Making A Troublemaker: Charlotte Charke's Proto-Feminist Punch" by Amber West
  15. "Life-Death and Disobedient Obedience: Russian Modernist Redefinitions of the Puppet" by Dassia N. Posner
  16. "The Saracen of Opera dei Pupi: A Study of Race, Representation and Identity" by Lisa Morse
  17. "Puppet Think: The Implication of Japanese Ritual Puppetry for Thinking Through Puppetry Performances" by Jane Marie Law
  18. "Relating to the Cross: A Puppet Perspective on the Holy Week Ceremonies of the Regularis Concordia" by Debra Hilborn
  19. Section IV: Negotiating Tradition

  20. "Traditional and Post-traditional Wayang Kulit in Java Today" by Matthew Isaac Cohen
  21. "Korean Puppetry and Heritage: Hyundai Puppet Theatre and Creative Group NONI Translating Tradition" by Kathy Foley
  22. "Forging New Paths for Kerala's Tolpavakoothu, Leather Shadow PuppetryTradition" by Claudia Orenstein
  23. "Integration of Puppetry Tradition into Contemporary Theatre: The Reinvigoration of the Vertep Puppet Nativity Play after Communism in Eastern Europe" by Ida Hledíková
  24. Part III: Contemporary Investigations and Hybridizations

    Edited and Introduced by Dassia N. Posner

    Section V: Material Performances in Contemporary Theatre

  25. "From Props to Prosopoeia: Making After Cardenio" by Jane Taylor
  26. "'A Total Spectacle but a Divided One:' Redefining Character in Handspring Puppet Company's Or You Could Kiss Me"by Dawn Tracey Brandes
  27. "Reading a Puppet Show: Understanding the Three-Dimensional Narrative" by Robert Smythe
  28. "Notes on New Model Theatres" by Mark Sussman
  29. Section VI: New Directions and Hybrid Forms

  30. "From Puppet to Robot: Technology and the Human in Japanese Theatre" by Cody Poulton
  31. "Unholy Alliances and Harmonious Hybrids: New Fusions in Puppetry and Animation" by Colette Searls
  32. "Programming Play: Puppets, Robots, and Engineering" by Elizabeth Ann Jochum and Todd Murphey
  33. "Return to the Mound: Animating Infinite Potential in Clay, Food, and Compost" by Eleanor Margolies
Details
Erscheinungsjahr: 2015
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 376
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138913837
ISBN-10: 1138913839
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Posner, Dassia N.
Redaktion: Orenstein, Claudia
Posner, Dassia N.
Bell, John
Hersteller: Taylor & Francis Ltd
Maße: 247 x 177 x 19 mm
Von/Mit: Claudia Orenstein (u. a.)
Erscheinungsdatum: 22.05.2015
Gewicht: 0,741 kg
preigu-id: 121215392
Warnhinweis

Ähnliche Produkte

Ähnliche Produkte