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Cover: 9780367598938 | The Passion for Music: A Sociology of Mediation | Hennion (u. a.)
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The Passion for Music: A Sociology of Mediation
Taschenbuch von Antoine Hennion (u. a.)

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Beschreibung
Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. Learning from music - this art of infinite mediations - allows us to confront sociology with a different way of considering objects. For this task, Hennion draws on aesthetics, art history, science, technology and popular music studies. He sh
Music is an accumulation of mediators: instruments, languages, sheets, performers, scenes, media and so on. Learning from music - this art of infinite mediations - allows us to confront sociology with a different way of considering objects. For this task, Hennion draws on aesthetics, art history, science, technology and popular music studies. He sh
Über den Autor
Antoine Hennion is one of the masters of music sociology. He is well known in the Anglophone world for his many articles published in journals such as Theory, Culture and Society, Poetics and Cultural Sociology and in key edited collections, such as Cultural Musicology (2003) and Derek Scott's Ashgate Research Companion to Popular Musicology (2009). Hennion has held many important offices in international sociology associations (such as President of the ISA Network on Arts Sociology in the mid-1990s) and is a predominant figure in French Sociology today. He has been a visiting Professor at Princeton and Columbia.
Inhaltsverzeichnis
Contents: Preface; Introduction; Lasting things: Durkheim as a founding father of the sociology of culture; Transition: restoring the mediators: one method for two programmes; Before mediation: social readings of arts; Sociology and the art object: belief, illusion, artefacts; The social history of art: reinserting the works into society; The new history of art: the social in the art work; Transition: linear causes or circular causalities?; The Baroque case: musical upheavals; Transition: 'unhappy music' which 'fade[s] away as soon as it is born'...: painting-and-objects versus music-and-society?; 'What can you hear?': an ethnographic study of a solfège lesson; Transition: music as a theory of mediation; 'Bach today'; Intermezzo: a sociologist at the Zénith concert hall...; Music lovers: taste as an activity; Conclusion: the representation of music: in praise of musical artifice; Epilogue: 'Vor deinen Thron'...; Bibliography; Index.
Details
Erscheinungsjahr: 2020
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Seiten: 352
ISBN-13: 9780367598938
ISBN-10: 0367598930
Einband: Kartoniert / Broschiert
Autor: Hennion, Antoine
Rigaud, Translated By Margaret
Hersteller: Taylor & Francis Ltd
Maße: 156 x 231 x 24 mm
Von/Mit: Antoine Hennion (u. a.)
Erscheinungsdatum: 30.06.2020
Gewicht: 0,536 kg
preigu-id: 125953811
Über den Autor
Antoine Hennion is one of the masters of music sociology. He is well known in the Anglophone world for his many articles published in journals such as Theory, Culture and Society, Poetics and Cultural Sociology and in key edited collections, such as Cultural Musicology (2003) and Derek Scott's Ashgate Research Companion to Popular Musicology (2009). Hennion has held many important offices in international sociology associations (such as President of the ISA Network on Arts Sociology in the mid-1990s) and is a predominant figure in French Sociology today. He has been a visiting Professor at Princeton and Columbia.
Inhaltsverzeichnis
Contents: Preface; Introduction; Lasting things: Durkheim as a founding father of the sociology of culture; Transition: restoring the mediators: one method for two programmes; Before mediation: social readings of arts; Sociology and the art object: belief, illusion, artefacts; The social history of art: reinserting the works into society; The new history of art: the social in the art work; Transition: linear causes or circular causalities?; The Baroque case: musical upheavals; Transition: 'unhappy music' which 'fade[s] away as soon as it is born'...: painting-and-objects versus music-and-society?; 'What can you hear?': an ethnographic study of a solfège lesson; Transition: music as a theory of mediation; 'Bach today'; Intermezzo: a sociologist at the Zénith concert hall...; Music lovers: taste as an activity; Conclusion: the representation of music: in praise of musical artifice; Epilogue: 'Vor deinen Thron'...; Bibliography; Index.
Details
Erscheinungsjahr: 2020
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Seiten: 352
ISBN-13: 9780367598938
ISBN-10: 0367598930
Einband: Kartoniert / Broschiert
Autor: Hennion, Antoine
Rigaud, Translated By Margaret
Hersteller: Taylor & Francis Ltd
Maße: 156 x 231 x 24 mm
Von/Mit: Antoine Hennion (u. a.)
Erscheinungsdatum: 30.06.2020
Gewicht: 0,536 kg
preigu-id: 125953811
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