35,35 €*
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
- Dedication
- Note on Transliteration
- Introduction: Composing Thoughts on Sound and Violence
- -In Lieu of an Epigraph: Sound-centered Memories of Operation Iraqi Freedom
- -The Belliphonic
- -Intellectual Predecessors
- -A Necessary Detour
- -Approaches and Challenges
- Fragment #1: The Presence of Mind to Save an Ear: Ali's Story
- Section I: Sonic Matériel
- Chapter 1: Belliphonic Sounds and Indoctrinated Ears: The Elements of Wartime Audition
- -Charting the Belliphonic
- -Listening, Structure, and Positionality
- -Vehicular Sounds
- -Communications
- -Civilian Sounds
- -Weapons
- Chapter 2: Mapping Zones of Wartime (In)audition
- -The Zone of the Audible Inaudible
- -The Narrational Zone
- -The Tactical Zone
- -The Trauma Zone
- -A Complicating Factor: Iraqi Civilian Auditors
- -Another Complicating Factor: Sound and Psychological Trauma
- -Conclusion
- Fragment #2: Stealth and Improvisation in the Desert: Jason's Story
- Fragment #3: Loudly Searching in the Resonant Darkness: The Anatomy of a Nighttime House Raid
- Section II: Structures of Listening, Sounding, and Emplacement
- Introduction to section II
- Chapter 3: Auditory Regimes
- -Ideals of Military Audition
- -National Audition
- -Oblique Indoctrination of Belliphonic Ears
- -Situational Awareness
- -The Inclusive Auditory Regime of Iraqi Civilians
- -Auditory Literacy, Competence, Virtuosity
- -Incommensurability
- Chapter 4: Sonic Campaigns
- -Sound (and Violence)
- -Violence (and Sound)
- -The Omnidirectionality of Sound and Violence
- -Sonic Campaigns
- Chapter 5: Acoustic Territories
- -Emplacement, Displacement, Transplacement
- -Sound and Territoriality
- -The Virtual Acoustic Territory of Recorded Sound
- -The Radiant Acoustic Territories of Wartime
- -The Resonant Acoustic Territories of Baghdad
- -The Resonant Acoustic Territory of the body
- -Life at the Intersection of Regime, Campaign and Territory
- Fragment #4: Fatal Mishearing
- Section III: Music, Mediation, and Survival
- Chapter 6: Mobile Music in the Military
- -Introducing the Wartime iPod
- -A Century of Recorded Music on the Battlefield
- -iPods in the Iraq War
- -Amping Up, Staying Focused, Cooling Down: Technologies of Self-regulation in Combat
- -Moving Bodies, Loosening Tongues, Adjusting Crosshairs: Technologies for Manipulating Others in Combat
- -Concluding Thoughts
- Fragment #5: From "Hell's Bells" to "Silent Night": A Conversation about Music in the Military
- Fragment #6: Keeping the Music Turned Down Low: Shymaa's Story
- Chapter 7: A Time of Troubles for Iraqi Music
- -Iraq's Musical Legacy
- -Post-invasion Challenges
- -Political Violence
- -Sectarian Violence
- -U.S. Forces Targeting Music
- -The Attenuated Acoustic Territory of Iraqi Musical Practice
- Conclusion: The Amplitude of Violence
- Fragment #7: Listening as Poiesis: Tareq's Story
- Acknowledgments
- Glossary
- Works Cited
- Index
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Seiten: | 360 |
| Inhalt: | Buch |
| ISBN-13: | 9780190887834 |
| ISBN-10: | 0190887834 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Daughtry, J. Martin |
| Hersteller: | Oxford University Press Inc |
| Maße: | 230 x 154 x 22 mm |
| Von/Mit: | J. Martin Daughtry |
| Erscheinungsdatum: | 22.10.2020 |
| Gewicht: | 0,532 kg |
- Dedication
- Note on Transliteration
- Introduction: Composing Thoughts on Sound and Violence
- -In Lieu of an Epigraph: Sound-centered Memories of Operation Iraqi Freedom
- -The Belliphonic
- -Intellectual Predecessors
- -A Necessary Detour
- -Approaches and Challenges
- Fragment #1: The Presence of Mind to Save an Ear: Ali's Story
- Section I: Sonic Matériel
- Chapter 1: Belliphonic Sounds and Indoctrinated Ears: The Elements of Wartime Audition
- -Charting the Belliphonic
- -Listening, Structure, and Positionality
- -Vehicular Sounds
- -Communications
- -Civilian Sounds
- -Weapons
- Chapter 2: Mapping Zones of Wartime (In)audition
- -The Zone of the Audible Inaudible
- -The Narrational Zone
- -The Tactical Zone
- -The Trauma Zone
- -A Complicating Factor: Iraqi Civilian Auditors
- -Another Complicating Factor: Sound and Psychological Trauma
- -Conclusion
- Fragment #2: Stealth and Improvisation in the Desert: Jason's Story
- Fragment #3: Loudly Searching in the Resonant Darkness: The Anatomy of a Nighttime House Raid
- Section II: Structures of Listening, Sounding, and Emplacement
- Introduction to section II
- Chapter 3: Auditory Regimes
- -Ideals of Military Audition
- -National Audition
- -Oblique Indoctrination of Belliphonic Ears
- -Situational Awareness
- -The Inclusive Auditory Regime of Iraqi Civilians
- -Auditory Literacy, Competence, Virtuosity
- -Incommensurability
- Chapter 4: Sonic Campaigns
- -Sound (and Violence)
- -Violence (and Sound)
- -The Omnidirectionality of Sound and Violence
- -Sonic Campaigns
- Chapter 5: Acoustic Territories
- -Emplacement, Displacement, Transplacement
- -Sound and Territoriality
- -The Virtual Acoustic Territory of Recorded Sound
- -The Radiant Acoustic Territories of Wartime
- -The Resonant Acoustic Territories of Baghdad
- -The Resonant Acoustic Territory of the body
- -Life at the Intersection of Regime, Campaign and Territory
- Fragment #4: Fatal Mishearing
- Section III: Music, Mediation, and Survival
- Chapter 6: Mobile Music in the Military
- -Introducing the Wartime iPod
- -A Century of Recorded Music on the Battlefield
- -iPods in the Iraq War
- -Amping Up, Staying Focused, Cooling Down: Technologies of Self-regulation in Combat
- -Moving Bodies, Loosening Tongues, Adjusting Crosshairs: Technologies for Manipulating Others in Combat
- -Concluding Thoughts
- Fragment #5: From "Hell's Bells" to "Silent Night": A Conversation about Music in the Military
- Fragment #6: Keeping the Music Turned Down Low: Shymaa's Story
- Chapter 7: A Time of Troubles for Iraqi Music
- -Iraq's Musical Legacy
- -Post-invasion Challenges
- -Political Violence
- -Sectarian Violence
- -U.S. Forces Targeting Music
- -The Attenuated Acoustic Territory of Iraqi Musical Practice
- Conclusion: The Amplitude of Violence
- Fragment #7: Listening as Poiesis: Tareq's Story
- Acknowledgments
- Glossary
- Works Cited
- Index
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Seiten: | 360 |
| Inhalt: | Buch |
| ISBN-13: | 9780190887834 |
| ISBN-10: | 0190887834 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Daughtry, J. Martin |
| Hersteller: | Oxford University Press Inc |
| Maße: | 230 x 154 x 22 mm |
| Von/Mit: | J. Martin Daughtry |
| Erscheinungsdatum: | 22.10.2020 |
| Gewicht: | 0,532 kg |
Ähnliche Produkte
Lieferzeit 4-7 Werktage
Lieferzeit 1-2 Wochen
Lieferzeit 1-2 Wochen
Lieferzeit 1-2 Wochen
Lieferzeit 1-2 Wochen
Lieferzeit 1-2 Wochen
Aktuell nicht verfügbar