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Cover: 9781138284548 | Artistic Practice as Research in Music: Theory, Criticism, Practice
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Artistic Practice as Research in Music
Theory, Criticism, Practice
Taschenbuch von Do&
Sprache: Englisch

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Beschreibung
Internationally renowned scholars and practitioners explore here the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings and explore further issues of assessment, methodology, technology, performer knowledge, live performance, artistic collaboration and the affordances of a musical instrument in relation to artistic research in musical performance.
Internationally renowned scholars and practitioners explore here the rapidly evolving area of artistic research in music. Through various theoretical positions and case studies, and by establishing robust connections between theoretical debates and concrete examples of artistic research projects, the authors discuss the conditions under which artistic practice becomes a research activity; how practice-led research is understood in conservatoire settings and explore further issues of assessment, methodology, technology, performer knowledge, live performance, artistic collaboration and the affordances of a musical instrument in relation to artistic research in musical performance.
Über den Autor
Mine Doğantan-Dack is a concert pianist and musicologist (BM/MM, The Juilliard School; PhD, Columbia University). She also holds a BA in Philosophy. Her books include Mathis Lussy: A Pioneer in Studies of Expressive Performance (2002) and the edited volume Recorded Music: Philosophical and Critical Reflections (2008). Mine is currently a Departmental Lecturer at the Faculty of Music, University of Oxford.
Inhaltsverzeichnis
Contents: Introduction, Mine Doğantan-Dack. Part I Institutional and Critical Perspectives: Performing research: some institutional perspectives, Nicholas Cook; Practising research, playing with knowledge, Celia Duffy and Stephen Broad; Artistic research and music scholarship: musings and models from a continental European perspective, Darla Crispin; Determination and negotiation in artistic practice as research in music, Anthony Gritten. Part II Disciplinary and Methodological Issues: Practice-based music research: lessons from a researcher's personal history, Jane W. Davidson; Following performance across the research frontier, Kathryn Whitney; The (f)utility of performance analysis, John Rink; Imaginary workspaces: creative practice and research through electroacoustic composition, John Young. Part III Specific Projects: The role of the musical instrument in performance as research: the piano as a research tool, Mine Doğantan-Dack; Creating new music for a redesigned instrument, Christopher Redgate; Improvisations towards an origin: the steel cello and the bow chime, Adrian Palka; FLAT TIME/sounding, David Toop; Index.
Details
Erscheinungsjahr: 2016
Medium: Taschenbuch
Seiten: 282
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138284548
ISBN-10: 1138284548
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Dogantan-Dack, Professor,Dr Mine
Redaktion: Do&
Hersteller: Taylor & Francis
Maße: 233 x 154 x 20 mm
Von/Mit: Do&
Erscheinungsdatum: 08.11.2016
Gewicht: 0,464 kg
preigu-id: 128127038
Über den Autor
Mine Doğantan-Dack is a concert pianist and musicologist (BM/MM, The Juilliard School; PhD, Columbia University). She also holds a BA in Philosophy. Her books include Mathis Lussy: A Pioneer in Studies of Expressive Performance (2002) and the edited volume Recorded Music: Philosophical and Critical Reflections (2008). Mine is currently a Departmental Lecturer at the Faculty of Music, University of Oxford.
Inhaltsverzeichnis
Contents: Introduction, Mine Doğantan-Dack. Part I Institutional and Critical Perspectives: Performing research: some institutional perspectives, Nicholas Cook; Practising research, playing with knowledge, Celia Duffy and Stephen Broad; Artistic research and music scholarship: musings and models from a continental European perspective, Darla Crispin; Determination and negotiation in artistic practice as research in music, Anthony Gritten. Part II Disciplinary and Methodological Issues: Practice-based music research: lessons from a researcher's personal history, Jane W. Davidson; Following performance across the research frontier, Kathryn Whitney; The (f)utility of performance analysis, John Rink; Imaginary workspaces: creative practice and research through electroacoustic composition, John Young. Part III Specific Projects: The role of the musical instrument in performance as research: the piano as a research tool, Mine Doğantan-Dack; Creating new music for a redesigned instrument, Christopher Redgate; Improvisations towards an origin: the steel cello and the bow chime, Adrian Palka; FLAT TIME/sounding, David Toop; Index.
Details
Erscheinungsjahr: 2016
Medium: Taschenbuch
Seiten: 282
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781138284548
ISBN-10: 1138284548
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Dogantan-Dack, Professor,Dr Mine
Redaktion: Do&
Hersteller: Taylor & Francis
Maße: 233 x 154 x 20 mm
Von/Mit: Do&
Erscheinungsdatum: 08.11.2016
Gewicht: 0,464 kg
preigu-id: 128127038
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