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Mark Lorenzen is a Professor at the Copenhagen Business School. He researches relations between innovation and economic organization in networks, projects, and clusters. Mark has published widely, convened sessions at DRUID, AOM, EGOS and AAG, raised extensive research funding and received awards for research excellence. He is editor-in-chief of Industry and Innovation and editor of Routledge Studies in Industial Dynamics. He is a member of the executive committee of the DRUID Society, is a keynote speaker and commentator and has received CBS award for excellence in research dissemination.
Dr Jonathan Sapsed is Academic Director of the Brighton Fuse project. He is a Principal Research Fellow at CENTRIM in University of Brighton's Business School and was an Innovation Fellow of the Advanced Institute of Management Research (AIM). He has researched creativity and innovation in digital creative firms in Silicon Valley in the US, UK video games developers, as well as companies such as Sun Microsystems, Ericsson, and QinetiQ. His research is published in journals such as Research Policy and Organization Studies.
- Part I: Introduction
- 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative Industries: A Typology of Change
- Part II: Creativity
- 2: Robert Sternberg and James Kaufman: The Creative Mind
- 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in Creative Industries
- 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity in Social Networks: A Core-Periphery Perspective
- 5: Richard Florida, Charlotta Mellander, and Patrick Adler: Creativity in the City
- Part III: Valuing Creativity and Creating Value
- 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic Goods: Translating Economic and Symbolic Capitals in Creative Industries
- 7: Anna Dempster: Trading Places: Auctions and the Rise of the Chinese Art Market
- 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and Inequalities
- 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative Industries
- 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad: Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
- 11: Mukthi Khaire: Entrepreneurship in Creative Industries and Cultural Change: Art, Fashion, and Modernity in India
- 12: Allegre Hadida: Performance in the Creative Industries
- Part IV: Organizing Creative Industries
- 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in Creative Industries
- 14: Robert DeFillippi: Managing Project-Based Organization in Creative Industries
- 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring and Maintaining Creative Fields
- 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User Innovation in Creative Industries
- 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music Software Industry: The Case of Sibelius
- 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and Classifications in the Creative Industries
- Part V: Industrial Organisation and Creative Economy
- 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
- 20: Stuart Cunningham and Jason Potts: Creative Industry and the Wider Economy
- 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social Networks in the Creative Industries
- 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions: Disintermediation and Glocalized Markets in Creative Industries
- Part VI:Policy and Development
- 23: Fiona Macmillan: Copyright, The Creative Industries and The Public Domain
- 24: Martin Kretschmer: Copyright and its Discontents
- 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public Policy for the Creative Industries
- 26: Neil Coe: Global Production Networks in the Creative Industries
- 27: Andy Pratt: Creative Industries and Development: Culture in Development, or the Cultures of Development?
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 574 |
| ISBN-13: | 9780198787792 |
| ISBN-10: | 0198787790 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Sapsed, Jonathan |
| Hersteller: | OUP Oxford |
| Maße: | 244 x 170 x 31 mm |
| Von/Mit: | Jonathan Sapsed |
| Erscheinungsdatum: | 05.10.2017 |
| Gewicht: | 0,977 kg |
Mark Lorenzen is a Professor at the Copenhagen Business School. He researches relations between innovation and economic organization in networks, projects, and clusters. Mark has published widely, convened sessions at DRUID, AOM, EGOS and AAG, raised extensive research funding and received awards for research excellence. He is editor-in-chief of Industry and Innovation and editor of Routledge Studies in Industial Dynamics. He is a member of the executive committee of the DRUID Society, is a keynote speaker and commentator and has received CBS award for excellence in research dissemination.
Dr Jonathan Sapsed is Academic Director of the Brighton Fuse project. He is a Principal Research Fellow at CENTRIM in University of Brighton's Business School and was an Innovation Fellow of the Advanced Institute of Management Research (AIM). He has researched creativity and innovation in digital creative firms in Silicon Valley in the US, UK video games developers, as well as companies such as Sun Microsystems, Ericsson, and QinetiQ. His research is published in journals such as Research Policy and Organization Studies.
- Part I: Introduction
- 1: Candace Jones, Mark Lorenzen, and Jonathan Sapsed: Creative Industries: A Typology of Change
- Part II: Creativity
- 2: Robert Sternberg and James Kaufman: The Creative Mind
- 3: Lucy Gilson: Creativity in Teams: Processes and Outcomes in Creative Industries
- 4: Gino Cattani, Simone Ferrani, and Mariachiara Colucci: Creativity in Social Networks: A Core-Periphery Perspective
- 5: Richard Florida, Charlotta Mellander, and Patrick Adler: Creativity in the City
- Part III: Valuing Creativity and Creating Value
- 6: Barbara Townley and Elizabeth Gulledge: The Market for Symbolic Goods: Translating Economic and Symbolic Capitals in Creative Industries
- 7: Anna Dempster: Trading Places: Auctions and the Rise of the Chinese Art Market
- 8: Pierre-Michel Menger: The Market for Creative Labor: Talent and Inequalities
- 9: Elizabeth Currid-Halkett: Stars and Stardom in the Creative Industries
- 10: Silviya Svejenova, Barbara Slavich, and Sondos AbdelGawad: Creative Entrepreneurs: The Business Models of Haute Cuisine Chefs
- 11: Mukthi Khaire: Entrepreneurship in Creative Industries and Cultural Change: Art, Fashion, and Modernity in India
- 12: Allegre Hadida: Performance in the Creative Industries
- Part IV: Organizing Creative Industries
- 13: Tara Vinodrai and Sean Keddy: Projects and Project Ecologies in Creative Industries
- 14: Robert DeFillippi: Managing Project-Based Organization in Creative Industries
- 15: Elke Schüßler and Jörg Sydow: Organizing Events for Configuring and Maintaining Creative Fields
- 16: Elonora di Maria, Vladi Finotto, and Francesco Rullani: User Innovation in Creative Industries
- 17: Paul Hirsch and Daniel Gruber: User Innovation in the Music Software Industry: The Case of Sibelius
- 18: Narasimhan Anand and Gregoire Croidieu: Niches, Genres, and Classifications in the Creative Industries
- Part V: Industrial Organisation and Creative Economy
- 19: Gerben Bakker: Sunk Costs and the Dynamics of Creative Industries
- 20: Stuart Cunningham and Jason Potts: Creative Industry and the Wider Economy
- 21: Pacey Foster and Richard Ocejo: Brokerage, Mediation, and Social Networks in the Creative Industries
- 22: Paul Hirsch and Daniel Gruber: Digitizing Fads and Fashions: Disintermediation and Glocalized Markets in Creative Industries
- Part VI:Policy and Development
- 23: Fiona Macmillan: Copyright, The Creative Industries and The Public Domain
- 24: Martin Kretschmer: Copyright and its Discontents
- 25: Hasan Bakhshi, Stuart Cunningham and Juan Mateos-Garcia: Public Policy for the Creative Industries
- 26: Neil Coe: Global Production Networks in the Creative Industries
- 27: Andy Pratt: Creative Industries and Development: Culture in Development, or the Cultures of Development?
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 574 |
| ISBN-13: | 9780198787792 |
| ISBN-10: | 0198787790 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Sapsed, Jonathan |
| Hersteller: | OUP Oxford |
| Maße: | 244 x 170 x 31 mm |
| Von/Mit: | Jonathan Sapsed |
| Erscheinungsdatum: | 05.10.2017 |
| Gewicht: | 0,977 kg |
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