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The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory.
The authors include many of the leading researchers in this domain, and the book will be of value to researchers working in computational music, particularly in the areas of counterpoint, gesture, and Topos theory.
Presents and explains important ideas in counterpoint, gesture, and Topos theory
Contributors among leading researchers in this domain
Valuable for researchers working in the area of computational music
Introduction.- Extended Counterpoint Symmetries and Continuous Counterpoint.- A Survey of Applications of the Discrete Fourier Transform in Music Theory.- Gestures on Locales and Localic Topoi.- A Proposal for a Music Writing for the Visually Impaired.- Group Theory for Pitch Sequence Representation.- The Mechanics of Tipping Points.- Lexicographic Orderings of Modes and Morphisms.- Music of Quantum Circles.- Algebraic Combinatorics on Modes.- Proportion, Perception, Speculation.- Models and Algorithms for Music Generated by Physiological Processes.- Music, Expectation, and Information Theory.- Gestural Dynamics in Modulation: (Towards) A Musical String Theory.- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization.- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation.- Wooden Idiophones: Classification Through Phase Synchronization Analysis.- A Fuzzy Rule Model for High-Level Musical Featureson Automated Composition Systems.- The Musical Experience Between Measurement and Computation.- Generic Additive Synthesis.- Dynamical Virtual Sounding Networks.- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem.- Diagrams, Games and Time (Towards the Analysis of Open Form Scores).- On Minimal Change Musical Morphologies.
| Erscheinungsjahr: | 2017 |
|---|---|
| Fachbereich: | Anwendungs-Software |
| Genre: | Informatik |
| Rubrik: | Naturwissenschaften & Technik |
| Medium: | Buch |
| Seiten: | 376 |
| Reihe: | Computational Music Science |
| Inhalt: |
xxix
345 S. 101 s/w Illustr. 43 farbige Illustr. 345 p. 144 illus. 43 illus. in color. |
| ISBN-13: | 9783319473369 |
| ISBN-10: | 3319473360 |
| Sprache: | Englisch |
| Herstellernummer: | 978-3-319-47336-9 |
| Ausstattung / Beilage: | HC runder Rücken kaschiert |
| Einband: | Gebunden |
| Redaktion: |
Pareyon, Gabriel
Lluis-Puebla, Emilio Agustín-Aquino, Octavio A. Pina-Romero, Silvia |
| Herausgeber: | Gabriel Pareyon/Silvia Pina-Romero/Octavio A Agustín-Aquino et al |
| Auflage: | 1st ed. 2017 |
| Hersteller: |
Springer International Publishing
Computational Music Science |
| Maße: | 241 x 160 x 26 mm |
| Von/Mit: | Gabriel Pareyon (u. a.) |
| Erscheinungsdatum: | 30.10.2017 |
| Gewicht: | 0,729 kg |
Presents and explains important ideas in counterpoint, gesture, and Topos theory
Contributors among leading researchers in this domain
Valuable for researchers working in the area of computational music
Introduction.- Extended Counterpoint Symmetries and Continuous Counterpoint.- A Survey of Applications of the Discrete Fourier Transform in Music Theory.- Gestures on Locales and Localic Topoi.- A Proposal for a Music Writing for the Visually Impaired.- Group Theory for Pitch Sequence Representation.- The Mechanics of Tipping Points.- Lexicographic Orderings of Modes and Morphisms.- Music of Quantum Circles.- Algebraic Combinatorics on Modes.- Proportion, Perception, Speculation.- Models and Algorithms for Music Generated by Physiological Processes.- Music, Expectation, and Information Theory.- Gestural Dynamics in Modulation: (Towards) A Musical String Theory.- The Sense of Subdominant: A Fregean Perspective on Music-Theoretical Conceptualization.- How Learned Patterns Allow Artist-Level Improvisers to Focus on Planning and Interaction During Improvisation.- Wooden Idiophones: Classification Through Phase Synchronization Analysis.- A Fuzzy Rule Model for High-Level Musical Featureson Automated Composition Systems.- The Musical Experience Between Measurement and Computation.- Generic Additive Synthesis.- Dynamical Virtual Sounding Networks.- Melodic Pattern Segmentation of Polyphonic Music as a Set Partitioning Problem.- Diagrams, Games and Time (Towards the Analysis of Open Form Scores).- On Minimal Change Musical Morphologies.
| Erscheinungsjahr: | 2017 |
|---|---|
| Fachbereich: | Anwendungs-Software |
| Genre: | Informatik |
| Rubrik: | Naturwissenschaften & Technik |
| Medium: | Buch |
| Seiten: | 376 |
| Reihe: | Computational Music Science |
| Inhalt: |
xxix
345 S. 101 s/w Illustr. 43 farbige Illustr. 345 p. 144 illus. 43 illus. in color. |
| ISBN-13: | 9783319473369 |
| ISBN-10: | 3319473360 |
| Sprache: | Englisch |
| Herstellernummer: | 978-3-319-47336-9 |
| Ausstattung / Beilage: | HC runder Rücken kaschiert |
| Einband: | Gebunden |
| Redaktion: |
Pareyon, Gabriel
Lluis-Puebla, Emilio Agustín-Aquino, Octavio A. Pina-Romero, Silvia |
| Herausgeber: | Gabriel Pareyon/Silvia Pina-Romero/Octavio A Agustín-Aquino et al |
| Auflage: | 1st ed. 2017 |
| Hersteller: |
Springer International Publishing
Computational Music Science |
| Maße: | 241 x 160 x 26 mm |
| Von/Mit: | Gabriel Pareyon (u. a.) |
| Erscheinungsdatum: | 30.10.2017 |
| Gewicht: | 0,729 kg |
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