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The Acoustical Unconscious
From Walter Benjamin to Alexander Kluge
Buch von Robert Ryder
Sprache: Englisch

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Beschreibung
Is there an acoustical equivalent to Walter Benjamin¿s idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to ¿hear otherwise,¿ that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck¿s Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge¿s films and short texts, where he develops what he calls ¿sound perspectives,¿ this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin¿s linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies.
Is there an acoustical equivalent to Walter Benjamin¿s idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our optical perception: the invention of the camera allowed us to see images and details that we could not consciously perceive before. This study argues that Benjamin was also concerned with how acoustical media allow us to ¿hear otherwise,¿ that is, to listen to sound structures previously lost to the naked ear. Crucially, they help sensitize us to the discursive sonority of words, which Benjamin was already alluding to in his autobiographical work. In five chapters that range in scope from Tieck¿s Blonde Eckbert, which Benjamin once called his locus classicus of his theory of forgetting, to Alexander Kluge¿s films and short texts, where he develops what he calls ¿sound perspectives,¿ this monograph discusses how the acoustical unconscious enriches our understanding of different media, from the written word to radio and film. As the first book-length study of Benjamin¿s linguistic, cultural-historical, and media-theoretical reflections on sound, this book will be particularly relevant to students and scholars of both German studies and sound studies.
Über den Autor
Robert G. Ryder, Northwestern University, Evanston, IL, USA.
Details
Erscheinungsjahr: 2022
Genre: Allgemeine Lexika
Rubrik: Literaturwissenschaft
Medium: Buch
Reihe: ISSN
Inhalt: X
265 S.
5 s/w Illustr.
1 farbige Illustr.
5 b/w and 1 col. ill.
ISBN-13: 9783110737776
ISBN-10: 3110737779
Sprache: Englisch
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Ryder, Robert
Hersteller: De Gruyter
ISSN
Maße: 236 x 160 x 25 mm
Von/Mit: Robert Ryder
Erscheinungsdatum: 07.03.2022
Gewicht: 0,623 kg
Artikel-ID: 120517987
Über den Autor
Robert G. Ryder, Northwestern University, Evanston, IL, USA.
Details
Erscheinungsjahr: 2022
Genre: Allgemeine Lexika
Rubrik: Literaturwissenschaft
Medium: Buch
Reihe: ISSN
Inhalt: X
265 S.
5 s/w Illustr.
1 farbige Illustr.
5 b/w and 1 col. ill.
ISBN-13: 9783110737776
ISBN-10: 3110737779
Sprache: Englisch
Ausstattung / Beilage: HC runder Rücken kaschiert
Einband: Gebunden
Autor: Ryder, Robert
Hersteller: De Gruyter
ISSN
Maße: 236 x 160 x 25 mm
Von/Mit: Robert Ryder
Erscheinungsdatum: 07.03.2022
Gewicht: 0,623 kg
Artikel-ID: 120517987
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