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The Acoustic World of Early Modern England
Attending to the O-Factor
Taschenbuch von Bruce R Smith
Sprache: Englisch

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Beschreibung
We know how a Shakespeare play sounds when performed today, but what would listeners have heard within the wooden "O" of the Globe Theater in 1599? What sounds would have filled the air in early modern England, and what would these sounds have meant to people in that largely oral culture?
In this ear-opening journey into the sound-worlds of Shakespeare's contemporaries, Bruce R. Smith explores both the physical aspects of human speech (ears, lungs, tongue) and the surrounding environment (buildings, landscape, climate), as well as social and political structures. Drawing on a staggeringly wide range of evidence, he crafts a historical phenomenology of sound, from reconstructions of the "soundscapes" of city, country, and court to detailed accounts of the acoustic properties of the Globe and Blackfriars theaters and how scripts designed for the two spaces exploited sound very differently.
Critical for anyone who wants to understand the world of early modern England, Smith's pathbreaking "ecology" of voice and listening also has much to offer musicologists and acoustic ecologists.

We know how a Shakespeare play sounds when performed today, but what would listeners have heard within the wooden "O" of the Globe Theater in 1599? What sounds would have filled the air in early modern England, and what would these sounds have meant to people in that largely oral culture?
In this ear-opening journey into the sound-worlds of Shakespeare's contemporaries, Bruce R. Smith explores both the physical aspects of human speech (ears, lungs, tongue) and the surrounding environment (buildings, landscape, climate), as well as social and political structures. Drawing on a staggeringly wide range of evidence, he crafts a historical phenomenology of sound, from reconstructions of the "soundscapes" of city, country, and court to detailed accounts of the acoustic properties of the Globe and Blackfriars theaters and how scripts designed for the two spaces exploited sound very differently.
Critical for anyone who wants to understand the world of early modern England, Smith's pathbreaking "ecology" of voice and listening also has much to offer musicologists and acoustic ecologists.

Details
Erscheinungsjahr: 1999
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: XIV
388 S.
ISBN-13: 9780226763774
ISBN-10: 0226763773
Sprache: Englisch
Einband: Paperback
Autor: Smith, Bruce R
Hersteller: John Wiley & Sons Ltd
Verantwortliche Person für die EU: Petersen Buchimport GmbH, Vertrieb, Weidestr. 122a, D-22083 Hamburg, gpsr@petersen-buchimport.com
Maße: 236 x 154 x 23 mm
Von/Mit: Bruce R Smith
Erscheinungsdatum: 15.04.1999
Gewicht: 0,584 kg
Artikel-ID: 129367800
Details
Erscheinungsjahr: 1999
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Inhalt: XIV
388 S.
ISBN-13: 9780226763774
ISBN-10: 0226763773
Sprache: Englisch
Einband: Paperback
Autor: Smith, Bruce R
Hersteller: John Wiley & Sons Ltd
Verantwortliche Person für die EU: Petersen Buchimport GmbH, Vertrieb, Weidestr. 122a, D-22083 Hamburg, gpsr@petersen-buchimport.com
Maße: 236 x 154 x 23 mm
Von/Mit: Bruce R Smith
Erscheinungsdatum: 15.04.1999
Gewicht: 0,584 kg
Artikel-ID: 129367800
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