Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
36,50 €*
Versandkostenfrei per Post / DHL
Aktuell nicht verfügbar
Kategorien:
Beschreibung
""Still Moving" engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work--on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies--emerges from the tension of still and moving images."--Tom Conley, author of "Cartographic Cinema"
""Still Moving" engages new debate in a field central and crucial to cinema, media, and cultural studies. The collection explores the nature of photography and cinema both before and after the advent of digital media. As a result, some stunning work--on acceleration and simulation, on filming and editing in photographic and electronic media, on the fortunes of memory and oblivion, and on the dialogue and conflict of technologies--emerges from the tension of still and moving images."--Tom Conley, author of "Cartographic Cinema"
Über den Autor
Karen Beckman is Elliot and Roslyn Jaffe Professor of Film Studies at the University of Pennsylvania. She is the author of Vanishing Women: Magic, Film, and Feminism, also published by Duke University Press.
Jean Ma is Assistant Professor in the Department of Art and Art History at Stanford University.
Inhaltsverzeichnis
Acknowledgments vii
Introduction / Karen Beckman and Jean Ma 1
One. Beyond Referentiality
1. What's the Point of an Index? or, Faking Photographs / Tom Gunning 23
2. "The Forgotten Image between Two Shots": Photos, Photograms, and the Essayistic / Timothy Corrigan 41
3. Structural Film: Noise / Juan A. Suárez 62
Two. Nation, Memory, History
4. An Essay on Calendar / Atom Egoyan 93
5. Photography's Absent Times / Jean Ma 98
6. The Idea of Still / Rececca Baron, interviewed by Janet Sarbanes 119
7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman 134
8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's Speeder Kills / Rita Gonzalez 158
Three. Working Between Media
9. Photography's Expanded Field / George Baker 175
10. Weekend Campus / Nancy Davenport 189
11. Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan 196
12. Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff 226
13. Concerning "the Photographic" / Raymond Bellour 253
References 277
Contributors 293
Index 297
Introduction / Karen Beckman and Jean Ma 1
One. Beyond Referentiality
1. What's the Point of an Index? or, Faking Photographs / Tom Gunning 23
2. "The Forgotten Image between Two Shots": Photos, Photograms, and the Essayistic / Timothy Corrigan 41
3. Structural Film: Noise / Juan A. Suárez 62
Two. Nation, Memory, History
4. An Essay on Calendar / Atom Egoyan 93
5. Photography's Absent Times / Jean Ma 98
6. The Idea of Still / Rececca Baron, interviewed by Janet Sarbanes 119
7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman 134
8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's Speeder Kills / Rita Gonzalez 158
Three. Working Between Media
9. Photography's Expanded Field / George Baker 175
10. Weekend Campus / Nancy Davenport 189
11. Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan 196
12. Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff 226
13. Concerning "the Photographic" / Raymond Bellour 253
References 277
Contributors 293
Index 297
Details
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780822341550 |
| ISBN-10: | 0822341557 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Redrobe, Karen |
| Hersteller: | Duke University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 226 x 155 x 20 mm |
| Von/Mit: | Karen Redrobe |
| Erscheinungsdatum: | 17.09.2008 |
| Gewicht: | 0,431 kg |
Über den Autor
Karen Beckman is Elliot and Roslyn Jaffe Professor of Film Studies at the University of Pennsylvania. She is the author of Vanishing Women: Magic, Film, and Feminism, also published by Duke University Press.
Jean Ma is Assistant Professor in the Department of Art and Art History at Stanford University.
Inhaltsverzeichnis
Acknowledgments vii
Introduction / Karen Beckman and Jean Ma 1
One. Beyond Referentiality
1. What's the Point of an Index? or, Faking Photographs / Tom Gunning 23
2. "The Forgotten Image between Two Shots": Photos, Photograms, and the Essayistic / Timothy Corrigan 41
3. Structural Film: Noise / Juan A. Suárez 62
Two. Nation, Memory, History
4. An Essay on Calendar / Atom Egoyan 93
5. Photography's Absent Times / Jean Ma 98
6. The Idea of Still / Rececca Baron, interviewed by Janet Sarbanes 119
7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman 134
8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's Speeder Kills / Rita Gonzalez 158
Three. Working Between Media
9. Photography's Expanded Field / George Baker 175
10. Weekend Campus / Nancy Davenport 189
11. Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan 196
12. Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff 226
13. Concerning "the Photographic" / Raymond Bellour 253
References 277
Contributors 293
Index 297
Introduction / Karen Beckman and Jean Ma 1
One. Beyond Referentiality
1. What's the Point of an Index? or, Faking Photographs / Tom Gunning 23
2. "The Forgotten Image between Two Shots": Photos, Photograms, and the Essayistic / Timothy Corrigan 41
3. Structural Film: Noise / Juan A. Suárez 62
Two. Nation, Memory, History
4. An Essay on Calendar / Atom Egoyan 93
5. Photography's Absent Times / Jean Ma 98
6. The Idea of Still / Rececca Baron, interviewed by Janet Sarbanes 119
7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility / Karen Beckman 134
8. Surplus Memories: From the Slide Show to the Digital Bulletin Board to Jim Mendiola's Speeder Kills / Rita Gonzalez 158
Three. Working Between Media
9. Photography's Expanded Field / George Baker 175
10. Weekend Campus / Nancy Davenport 189
11. Aleph Beat: Wallace Berman between Photography and Film / Louis Kaplan 196
12. Mental Images: The Dramatization of Psychological Disturbance / Zoe Beloff 226
13. Concerning "the Photographic" / Raymond Bellour 253
References 277
Contributors 293
Index 297
Details
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780822341550 |
| ISBN-10: | 0822341557 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Redrobe, Karen |
| Hersteller: | Duke University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 226 x 155 x 20 mm |
| Von/Mit: | Karen Redrobe |
| Erscheinungsdatum: | 17.09.2008 |
| Gewicht: | 0,431 kg |
Sicherheitshinweis