Dekorationsartikel gehören nicht zum Leistungsumfang.
Burning with Desire
The Conception of Photography
Taschenbuch von Geoffrey Batchen
Sprache: Englisch

44,90 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the medium's undeniable conceptual, political, and historical complexity.
Über den Autor
Geoffrey Batchen
Details
Empfohlen (von): 18
Erscheinungsjahr: 1999
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 286
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262522595
ISBN-10: 0262522594
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Batchen, Geoffrey
Hersteller: MIT Press Ltd
Maße: 229 x 189 x 17 mm
Von/Mit: Geoffrey Batchen
Erscheinungsdatum: 15.03.1999
Gewicht: 0,658 kg
preigu-id: 108353841
Über den Autor
Geoffrey Batchen
Details
Empfohlen (von): 18
Erscheinungsjahr: 1999
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Seiten: 286
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262522595
ISBN-10: 0262522594
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Batchen, Geoffrey
Hersteller: MIT Press Ltd
Maße: 229 x 189 x 17 mm
Von/Mit: Geoffrey Batchen
Erscheinungsdatum: 15.03.1999
Gewicht: 0,658 kg
preigu-id: 108353841
Warnhinweis

Ähnliche Produkte

Ähnliche Produkte

Buch