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Lisa Cartwright is Professor of Communication and Science Studies at the University of California, San Diego.
- Acknowledgements
- Introduction
- Chapter 1. Images, Power, and Politics
- Representation
- Vision and Visuality
- The Myth of Photographic Truth
- Myth, Connotation, and the Meaning of Images
- Semiotics and Signs
- Images and Ideology
- Image Icons
- Chapter 2. Viewers Make Meaning
- Producers' Intended Meanings
- Aesthetics and Taste
- Value, Collecting, and Institutional Critique
- Reading Images as Ideological Subjects
- Viewing Strategies
- Appropriation and Re-Appropriation
- Chapter 3. Modernity: Spectatorship, the Gaze, and Power
- Modernity
- Modernism
- The Concept of the Modern Subject
- Spectatorship and the Gaze
- Power and the Surveillance Gaze
- The Other
- Gender and the Gaze
- Gaming and the Gaze
- Chapter 4. Realism and Perspective: From Renaissance Painting to Digital Media
- Perspective
- Perspective and the Body
- The Camera Obscura
- Challenges to Perspective
- Perspective in Digital Media
- Chapter 5. Visual Technologies, Reproduction, and the Copy
- Visualization and Technology
- Visual Technologies
- The Reproduced Image and the Copy
- Walter Benjamin and Mechanical Reproduction
- The Politics of Reproducibility
- Ownership and Copyright
- Reproduction and the Digital Image
- 3D Reproduction and Simulation
- Chapter 6. Media in Everyday Life
- The Media, Singular and Plural
- Everyday Life
- Mass Culture and Mass Media
- Critiques of Mass Culture
- Media Infrastructures
- Media as Nation and Public Sphere
- Democracy and Citizen Journalism
- Global Media Events
- Chapter 7. Brand Culture: The Images and Spaces of Consumption
- The Rise of Brands as Image, Symbol, and Icon
- The Spaces of Modern Consumerism
- Brands in Consumer Society
- Social Awareness and the Selling of Humanitarianism
- Social Media, Consumer Data, and the Changing Spaces of Consumption
- DIY Culture and the Share Economy, and New Entrepreneurism
- Chapter 8. Postmodernism: Irony, Parody, and Pastiche
- Postmodernity/Postmodernism
- Simulation and the Politics of Postmodernity
- Reflexivity and Distanced Knowing
- Jaded Knowing and Irony
- Remix and Parody
- Pastiche
- Postmodern Space, Architecture, and Design
- Chapter 9. Scientific Looking, Looking at Science
- Opening Up the Body to the Empirical Medical Gaze
- Medicine as Spectacle: The Anatomical and Surgical
- Theater
- Evidence, Classification, and Identification
- Bodily Interiors and Biomedical Personhood
- The Genetic and Digital Body
- Visualizing Pharmaceuticals and Science Activism
- Chapter 10. The Global Flow of Visual Culture
- The History of Global Image Reproduction
- Concepts of Globalization
- The World Image
- Global Television
- The Global Flow of Film
- Social Movements, Indigenous Media, and Visual Activism
- The Global Museum and Contests of Culture
- Refugees and Borders
- Glossary
- Credits
- Index
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Seiten: | 504 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780190265717 |
| ISBN-10: | 019026571X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Cartwright, Lisa
Sturken, Marita |
| Hersteller: | Oxford University Press Inc |
| Maße: | 279 x 215 x 30 mm |
| Von/Mit: | Lisa Cartwright (u. a.) |
| Erscheinungsdatum: | 17.07.2017 |
| Gewicht: | 1,046 kg |
Lisa Cartwright is Professor of Communication and Science Studies at the University of California, San Diego.
- Acknowledgements
- Introduction
- Chapter 1. Images, Power, and Politics
- Representation
- Vision and Visuality
- The Myth of Photographic Truth
- Myth, Connotation, and the Meaning of Images
- Semiotics and Signs
- Images and Ideology
- Image Icons
- Chapter 2. Viewers Make Meaning
- Producers' Intended Meanings
- Aesthetics and Taste
- Value, Collecting, and Institutional Critique
- Reading Images as Ideological Subjects
- Viewing Strategies
- Appropriation and Re-Appropriation
- Chapter 3. Modernity: Spectatorship, the Gaze, and Power
- Modernity
- Modernism
- The Concept of the Modern Subject
- Spectatorship and the Gaze
- Power and the Surveillance Gaze
- The Other
- Gender and the Gaze
- Gaming and the Gaze
- Chapter 4. Realism and Perspective: From Renaissance Painting to Digital Media
- Perspective
- Perspective and the Body
- The Camera Obscura
- Challenges to Perspective
- Perspective in Digital Media
- Chapter 5. Visual Technologies, Reproduction, and the Copy
- Visualization and Technology
- Visual Technologies
- The Reproduced Image and the Copy
- Walter Benjamin and Mechanical Reproduction
- The Politics of Reproducibility
- Ownership and Copyright
- Reproduction and the Digital Image
- 3D Reproduction and Simulation
- Chapter 6. Media in Everyday Life
- The Media, Singular and Plural
- Everyday Life
- Mass Culture and Mass Media
- Critiques of Mass Culture
- Media Infrastructures
- Media as Nation and Public Sphere
- Democracy and Citizen Journalism
- Global Media Events
- Chapter 7. Brand Culture: The Images and Spaces of Consumption
- The Rise of Brands as Image, Symbol, and Icon
- The Spaces of Modern Consumerism
- Brands in Consumer Society
- Social Awareness and the Selling of Humanitarianism
- Social Media, Consumer Data, and the Changing Spaces of Consumption
- DIY Culture and the Share Economy, and New Entrepreneurism
- Chapter 8. Postmodernism: Irony, Parody, and Pastiche
- Postmodernity/Postmodernism
- Simulation and the Politics of Postmodernity
- Reflexivity and Distanced Knowing
- Jaded Knowing and Irony
- Remix and Parody
- Pastiche
- Postmodern Space, Architecture, and Design
- Chapter 9. Scientific Looking, Looking at Science
- Opening Up the Body to the Empirical Medical Gaze
- Medicine as Spectacle: The Anatomical and Surgical
- Theater
- Evidence, Classification, and Identification
- Bodily Interiors and Biomedical Personhood
- The Genetic and Digital Body
- Visualizing Pharmaceuticals and Science Activism
- Chapter 10. The Global Flow of Visual Culture
- The History of Global Image Reproduction
- Concepts of Globalization
- The World Image
- Global Television
- The Global Flow of Film
- Social Movements, Indigenous Media, and Visual Activism
- The Global Museum and Contests of Culture
- Refugees and Borders
- Glossary
- Credits
- Index
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Seiten: | 504 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780190265717 |
| ISBN-10: | 019026571X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Cartwright, Lisa
Sturken, Marita |
| Hersteller: | Oxford University Press Inc |
| Maße: | 279 x 215 x 30 mm |
| Von/Mit: | Lisa Cartwright (u. a.) |
| Erscheinungsdatum: | 17.07.2017 |
| Gewicht: | 1,046 kg |
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