Participation in Art and Architecture

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Beschreibung

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.

Über den Autor

Martino Stierli is Chief Curator of Architecture and Design at the Museum of Modern Art (MoMA) in New York, USA. He was previously SNSF Professor for the History of Architecture & Art at the Art History Institute, University of Zurich, Switzerland.

Mechtild Widrich is Professor of Art History at the School of the Art Institute of Chicago, USA. She was previously Postdoctoral Fellow and Lecturer at the Department for the History and Theory of Architecture at ETH Zurich, Switzerland.

Inhaltsverzeichnis

List of Illustrations
Acknowledgements

Whose Participation? Introductory Remarks - Martino Stierli and Mechtild WidrichPart I: Agency
1. The Infrastructure of Participation: Cultural Centres in Postwar Europe - Kenny Cupers
2. Occupied Sites: Tlatelolco and Metropol Parasol - Ana María León
3. Aesthetics and Politics of Participation in 1960s Brazil: From Hélio Oiticica's 'Parangolés' to the Paulista School of Architecture - Martino Stierli
4. Putting on the Map: Suzanne Lacy's International Dinner Party - Elke Krasny
5. Exhibitions in Damaged and Destroyed Architectural Objects in Besieged Sarajevo: Spaces of Gathering and Socialization - Asja Mandic
6. City of Revolution: On the Politics of Participation and Municipal Management in Cairo - Mohamed Elshahed
7. Disobedient Objects - Gavin GrindonPart II: Display
8. Between Theatre and Agora: Thoughts on Exhibition, Drama and Participation - Werner Hanak-Lettner
9. 1912 - Hellerau as Spielraum - Lutz Robbers
10. Participatory Aesthetics: Alexander Dorner's Reorganization of the Provinzialmuseum Hannover (1923-1926) - Sandra Löschke
11. 'The Ultimate Erotic Act': On the Performative in Architecture - Mechtild Widrich
12. Echo-Logy: Working with Allan Kaprow - Philip Ursprung
13. Documentary (Non-)Interventions: Mediated Presence in Public Space and its Artistic Reflection - Katja Kwastek

Author Biographies
Index

Erscheinungsjahr:	2022
Genre:	Kunst
Rubrik:	Kunst & Musik
Thema:	Kunstgeschichte
Medium:	Taschenbuch
Seiten:	344
Inhalt:	Kartoniert / Broschiert
ISBN-13:	9781350297012
ISBN-10:	1350297011
Sprache:	Englisch
Einband:	Kartoniert / Broschiert
Autor:	STIERLI MARTINO
Redaktion:	Stierli, Martino Widrich, Mechtild
Hersteller:	Bloomsbury Publishing PLC
Maße:	213 x 140 x 22 mm
Von/Mit:	Martino Stierli (u. a.)
Erscheinungsdatum:	30.06.2022
Gewicht:	0,604 kg

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