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Atomic Light (Shadow Optics)
Taschenbuch von Akira Mizuta Lippit
Sprache: Englisch

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Beschreibung
Dreams, x-rays, atomic radiation, and "invisible men" are phenomena that are visual in nature but unseen. Atomic Light (Shadow Optics) reveals these hidden interiors of cultural life, the "avisual" as it has emerged in the writings of Jorge Luis Borges and Jacques Derrida, Tanizaki Jun'ichirô and Sigmund Freud, and H. G. Wells and Ralph Ellison, and in the early cinema and the postwar Japanese films of Kobayashi Masaki, Teshigahara Hiroshi, Kore-eda Hirokazu, and Kurosawa Kiyoshi, all under the shadow cast by the atomic bombings of Hiroshima and Nagasaki.

Akira Mizuta Lippit focuses on historical moments in which such modes of avisuality came into being-the arrival of cinema, which brought imagination to life; psychoanalysis, which exposed the psyche; the discovery of x-rays, which disclosed the inside of the body; and the "catastrophic light" of Hiroshima and Nagasaki, which instituted an era of atomic discourses.

With a taut, poetic style, Lippit produces speculative readings of secret and shadow archives and visual structures or phenomenologies of the inside, charting the materiality of what both can and cannot be seen in the radioactive light of the twentieth century.

Akira Mizuta Lippit is professor of cinema, comparative literature, and Japanese culture at the University of Southern California. He is the author of Electric Animal: Toward a Rhetoric of Wildlife (Minnesota, 2000).
Dreams, x-rays, atomic radiation, and "invisible men" are phenomena that are visual in nature but unseen. Atomic Light (Shadow Optics) reveals these hidden interiors of cultural life, the "avisual" as it has emerged in the writings of Jorge Luis Borges and Jacques Derrida, Tanizaki Jun'ichirô and Sigmund Freud, and H. G. Wells and Ralph Ellison, and in the early cinema and the postwar Japanese films of Kobayashi Masaki, Teshigahara Hiroshi, Kore-eda Hirokazu, and Kurosawa Kiyoshi, all under the shadow cast by the atomic bombings of Hiroshima and Nagasaki.

Akira Mizuta Lippit focuses on historical moments in which such modes of avisuality came into being-the arrival of cinema, which brought imagination to life; psychoanalysis, which exposed the psyche; the discovery of x-rays, which disclosed the inside of the body; and the "catastrophic light" of Hiroshima and Nagasaki, which instituted an era of atomic discourses.

With a taut, poetic style, Lippit produces speculative readings of secret and shadow archives and visual structures or phenomenologies of the inside, charting the materiality of what both can and cannot be seen in the radioactive light of the twentieth century.

Akira Mizuta Lippit is professor of cinema, comparative literature, and Japanese culture at the University of Southern California. He is the author of Electric Animal: Toward a Rhetoric of Wildlife (Minnesota, 2000).
Details
Erscheinungsjahr: 2005
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 220
ISBN-13: 9780816646111
ISBN-10: 0816646112
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lippit, Akira Mizuta
Hersteller: University of Minnesota Press
Maße: 229 x 152 x 13 mm
Von/Mit: Akira Mizuta Lippit
Erscheinungsdatum: 25.12.2005
Gewicht: 0,326 kg
preigu-id: 102298412
Details
Erscheinungsjahr: 2005
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 220
ISBN-13: 9780816646111
ISBN-10: 0816646112
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Lippit, Akira Mizuta
Hersteller: University of Minnesota Press
Maße: 229 x 152 x 13 mm
Von/Mit: Akira Mizuta Lippit
Erscheinungsdatum: 25.12.2005
Gewicht: 0,326 kg
preigu-id: 102298412
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