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Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas.
* Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas
* Makes the case for 'world art' long before the fashion of globalization
* Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of 'contemporary art' to the past.
* Written by a well-known art historian and co-editor of the landmark Art in Theory volumes
* Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas
* Makes the case for 'world art' long before the fashion of globalization
* Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of 'contemporary art' to the past.
* Written by a well-known art historian and co-editor of the landmark Art in Theory volumes
Western Art and the Wider World explores the evolving relationship between the Western canon of art, as it has developed since the Renaissance, and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas.
* Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas
* Makes the case for 'world art' long before the fashion of globalization
* Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of 'contemporary art' to the past.
* Written by a well-known art historian and co-editor of the landmark Art in Theory volumes
* Explores the origins, influences, and evolving relationship between the Western canon of art as it has developed since the Renaissance and the art and culture of the Islamic world, the Far East, Australasia, Africa and the Americas
* Makes the case for 'world art' long before the fashion of globalization
* Charts connections between areas of study in art that long were considered in isolation, such as the Renaissance encounter with the Ottoman Empire, the influence of Japanese art on the 19th-century French avant-garde and of African art on early modernism, as well as debates about the relation of 'contemporary art' to the past.
* Written by a well-known art historian and co-editor of the landmark Art in Theory volumes
Über den Autor
Paul Wood is Senior Lecturer in Art History at the Open University, England. He has published widely in the field of modern and contemporary art, and is co-editor, with Charles Harrison and Jason Gaiger, of the landmark three-volume collection Art in Theory: An Anthology of Changing Ideas.
Inhaltsverzeichnis
List of Illustrations viii
Acknowledgments x
Introduction 1
1 Renaissance and Old World 12
2 Enlightenment and New World 52
3 Modernism and Modern World 100
4 Avant-Garde, Contemporary, and Globalized World 185
5 "World Art History" and "Contemporary Art" 253
Index 292
Acknowledgments x
Introduction 1
1 Renaissance and Old World 12
2 Enlightenment and New World 52
3 Modernism and Modern World 100
4 Avant-Garde, Contemporary, and Globalized World 185
5 "World Art History" and "Contemporary Art" 253
Index 292
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Allgemeine Kunst |
Medium: | Taschenbuch |
Seiten: | 320 |
Inhalt: | 314 S. |
ISBN-13: | 9781444333923 |
ISBN-10: | 1444333925 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Wood, Paul |
Hersteller: |
John Wiley & Sons
Turner Publishing Company |
Maße: | 244 x 169 x 20 mm |
Von/Mit: | Paul Wood |
Erscheinungsdatum: | 23.12.2013 |
Gewicht: | 0,62 kg |
Über den Autor
Paul Wood is Senior Lecturer in Art History at the Open University, England. He has published widely in the field of modern and contemporary art, and is co-editor, with Charles Harrison and Jason Gaiger, of the landmark three-volume collection Art in Theory: An Anthology of Changing Ideas.
Inhaltsverzeichnis
List of Illustrations viii
Acknowledgments x
Introduction 1
1 Renaissance and Old World 12
2 Enlightenment and New World 52
3 Modernism and Modern World 100
4 Avant-Garde, Contemporary, and Globalized World 185
5 "World Art History" and "Contemporary Art" 253
Index 292
Acknowledgments x
Introduction 1
1 Renaissance and Old World 12
2 Enlightenment and New World 52
3 Modernism and Modern World 100
4 Avant-Garde, Contemporary, and Globalized World 185
5 "World Art History" and "Contemporary Art" 253
Index 292
Details
Erscheinungsjahr: | 2013 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Allgemeine Kunst |
Medium: | Taschenbuch |
Seiten: | 320 |
Inhalt: | 314 S. |
ISBN-13: | 9781444333923 |
ISBN-10: | 1444333925 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Wood, Paul |
Hersteller: |
John Wiley & Sons
Turner Publishing Company |
Maße: | 244 x 169 x 20 mm |
Von/Mit: | Paul Wood |
Erscheinungsdatum: | 23.12.2013 |
Gewicht: | 0,62 kg |
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