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Wagner & Cinema
Forew. by Palmer, Tony
Taschenbuch von Jeongwon Joe (u. a.)
Sprache: Englisch

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Foreword by Tony Palmer

Introduction: Why Wagner and Cinema? Tolkien Was Wrong Jeongwon Joe

Part 1. Wagner and the Silent Film

1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908¿1913 James Buhler

2. Underscoring DramäPicturing Music Peter Franklin

3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter Paul Fryer

4. Listening for Wagner in Fritz Lang's Die Nibelungen Adeline Mueller

Part 2. Wagnerian Resonance in Film Scoring

5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner David Neumeyer

6. Wagner's Influence on Gender Roles in Early Hollywood Film Eva Rieger

7. The Penumbra of Wagner's Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still William H. Rosar

Part 3. Wagner in Hollywood

8. "Soll ich lauschen?": Love-Death in Humoresque Marcia J. Citron

9. Hollywood's German Fantasy: Ridley Scott's Gladiator Marc A. Weiner

10. Reading Wagner in Bugs Bunny Nips the Nips (1944) Neil Lerner

11. Piercing Wagner: The Ring in Golden Earrings Scott D. Paulin

Part 4. Wagner in German Cinema

12. Wagner as Leitmotif: The New German Cinema and Beyond Roger Hillman

13. The Power of Emotion: Wagner and Film Jeremy Tambling

14. Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964) Joy H. Calico

Part 5. Wagner beyond the Soundtrack

15. Nocturnal Wagner: The Cultural Survival of Tristan und Isolde in Hollywood Elisabeth Bronfen

16. Ludwig's Wagner and Visconti's Ludwig Giorgio Biancorosso

17. The Tristan Project: Time in Wagner and Viola Jeongwon Joe

18. "The Threshold of the Visible World": Wagner, Bill Viola, and Tristan Lawrence Kramer

Postlude: Looking for Richard: An Archival Search for Wagner Warren M. Sherk

Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception Sander L. Gilman

Interview with Bill Viola Jeongwon Joe

Filmography Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin

List of Contributors

Index

Foreword by Tony Palmer

Introduction: Why Wagner and Cinema? Tolkien Was Wrong Jeongwon Joe

Part 1. Wagner and the Silent Film

1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908¿1913 James Buhler

2. Underscoring DramäPicturing Music Peter Franklin

3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter Paul Fryer

4. Listening for Wagner in Fritz Lang's Die Nibelungen Adeline Mueller

Part 2. Wagnerian Resonance in Film Scoring

5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner David Neumeyer

6. Wagner's Influence on Gender Roles in Early Hollywood Film Eva Rieger

7. The Penumbra of Wagner's Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still William H. Rosar

Part 3. Wagner in Hollywood

8. "Soll ich lauschen?": Love-Death in Humoresque Marcia J. Citron

9. Hollywood's German Fantasy: Ridley Scott's Gladiator Marc A. Weiner

10. Reading Wagner in Bugs Bunny Nips the Nips (1944) Neil Lerner

11. Piercing Wagner: The Ring in Golden Earrings Scott D. Paulin

Part 4. Wagner in German Cinema

12. Wagner as Leitmotif: The New German Cinema and Beyond Roger Hillman

13. The Power of Emotion: Wagner and Film Jeremy Tambling

14. Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964) Joy H. Calico

Part 5. Wagner beyond the Soundtrack

15. Nocturnal Wagner: The Cultural Survival of Tristan und Isolde in Hollywood Elisabeth Bronfen

16. Ludwig's Wagner and Visconti's Ludwig Giorgio Biancorosso

17. The Tristan Project: Time in Wagner and Viola Jeongwon Joe

18. "The Threshold of the Visible World": Wagner, Bill Viola, and Tristan Lawrence Kramer

Postlude: Looking for Richard: An Archival Search for Wagner Warren M. Sherk

Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception Sander L. Gilman

Interview with Bill Viola Jeongwon Joe

Filmography Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin

List of Contributors

Index

Details
Empfohlen (von): 18
Erscheinungsjahr: 2010
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780253221636
ISBN-10: 0253221633
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Joe, Jeongwon
Gilman, Sander L.
Hersteller: Indiana University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Abbildungen: 28 b&w illus., 35 musical exx.
Maße: 229 x 152 x 27 mm
Von/Mit: Jeongwon Joe (u. a.)
Erscheinungsdatum: 02.09.2010
Gewicht: 0,748 kg
Artikel-ID: 132525044
Details
Empfohlen (von): 18
Erscheinungsjahr: 2010
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780253221636
ISBN-10: 0253221633
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Joe, Jeongwon
Gilman, Sander L.
Hersteller: Indiana University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Abbildungen: 28 b&w illus., 35 musical exx.
Maße: 229 x 152 x 27 mm
Von/Mit: Jeongwon Joe (u. a.)
Erscheinungsdatum: 02.09.2010
Gewicht: 0,748 kg
Artikel-ID: 132525044
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