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Foreword by Tony Palmer
Introduction: Why Wagner and Cinema? Tolkien Was Wrong Jeongwon Joe
Part 1. Wagner and the Silent Film
1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908¿1913 James Buhler
2. Underscoring DramäPicturing Music Peter Franklin
3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter Paul Fryer
4. Listening for Wagner in Fritz Lang's Die Nibelungen Adeline Mueller
Part 2. Wagnerian Resonance in Film Scoring
5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner David Neumeyer
6. Wagner's Influence on Gender Roles in Early Hollywood Film Eva Rieger
7. The Penumbra of Wagner's Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still William H. Rosar
Part 3. Wagner in Hollywood
8. "Soll ich lauschen?": Love-Death in Humoresque Marcia J. Citron
9. Hollywood's German Fantasy: Ridley Scott's Gladiator Marc A. Weiner
10. Reading Wagner in Bugs Bunny Nips the Nips (1944) Neil Lerner
11. Piercing Wagner: The Ring in Golden Earrings Scott D. Paulin
Part 4. Wagner in German Cinema
12. Wagner as Leitmotif: The New German Cinema and Beyond Roger Hillman
13. The Power of Emotion: Wagner and Film Jeremy Tambling
14. Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964) Joy H. Calico
Part 5. Wagner beyond the Soundtrack
15. Nocturnal Wagner: The Cultural Survival of Tristan und Isolde in Hollywood Elisabeth Bronfen
16. Ludwig's Wagner and Visconti's Ludwig Giorgio Biancorosso
17. The Tristan Project: Time in Wagner and Viola Jeongwon Joe
18. "The Threshold of the Visible World": Wagner, Bill Viola, and Tristan Lawrence Kramer
Postlude: Looking for Richard: An Archival Search for Wagner Warren M. Sherk
Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception Sander L. Gilman
Interview with Bill Viola Jeongwon Joe
Filmography Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin
List of Contributors
Index
Foreword by Tony Palmer
Introduction: Why Wagner and Cinema? Tolkien Was Wrong Jeongwon Joe
Part 1. Wagner and the Silent Film
1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908¿1913 James Buhler
2. Underscoring DramäPicturing Music Peter Franklin
3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter Paul Fryer
4. Listening for Wagner in Fritz Lang's Die Nibelungen Adeline Mueller
Part 2. Wagnerian Resonance in Film Scoring
5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner David Neumeyer
6. Wagner's Influence on Gender Roles in Early Hollywood Film Eva Rieger
7. The Penumbra of Wagner's Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still William H. Rosar
Part 3. Wagner in Hollywood
8. "Soll ich lauschen?": Love-Death in Humoresque Marcia J. Citron
9. Hollywood's German Fantasy: Ridley Scott's Gladiator Marc A. Weiner
10. Reading Wagner in Bugs Bunny Nips the Nips (1944) Neil Lerner
11. Piercing Wagner: The Ring in Golden Earrings Scott D. Paulin
Part 4. Wagner in German Cinema
12. Wagner as Leitmotif: The New German Cinema and Beyond Roger Hillman
13. The Power of Emotion: Wagner and Film Jeremy Tambling
14. Wagner in East Germany: Joachim Herz's Der fliegende Holländer (1964) Joy H. Calico
Part 5. Wagner beyond the Soundtrack
15. Nocturnal Wagner: The Cultural Survival of Tristan und Isolde in Hollywood Elisabeth Bronfen
16. Ludwig's Wagner and Visconti's Ludwig Giorgio Biancorosso
17. The Tristan Project: Time in Wagner and Viola Jeongwon Joe
18. "The Threshold of the Visible World": Wagner, Bill Viola, and Tristan Lawrence Kramer
Postlude: Looking for Richard: An Archival Search for Wagner Warren M. Sherk
Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception Sander L. Gilman
Interview with Bill Viola Jeongwon Joe
Filmography Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin
List of Contributors
Index
Empfohlen (von): | 18 |
---|---|
Erscheinungsjahr: | 2010 |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780253221636 |
ISBN-10: | 0253221633 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Joe, Jeongwon
Gilman, Sander L. |
Hersteller: | Indiana University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 28 b&w illus., 35 musical exx. |
Maße: | 229 x 152 x 27 mm |
Von/Mit: | Jeongwon Joe (u. a.) |
Erscheinungsdatum: | 02.09.2010 |
Gewicht: | 0,748 kg |
Empfohlen (von): | 18 |
---|---|
Erscheinungsjahr: | 2010 |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780253221636 |
ISBN-10: | 0253221633 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Joe, Jeongwon
Gilman, Sander L. |
Hersteller: | Indiana University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | 28 b&w illus., 35 musical exx. |
Maße: | 229 x 152 x 27 mm |
Von/Mit: | Jeongwon Joe (u. a.) |
Erscheinungsdatum: | 02.09.2010 |
Gewicht: | 0,748 kg |