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Cover: 9783898218122 | Visual Paranoia in Rear Window, Blow-Up and The Truman Show. | Schwarz
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Visual Paranoia in Rear Window, Blow-Up and The Truman Show.
Taschenbuch von Eva Schwarz
Sprache: Englisch

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Lieferzeit 4-7 Werktage

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Beschreibung
Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia. Her study is based on a detailed analysis of three films: Alfred Hitchcock's Rear Window (USA, 1954), Michelangelo Antonioni's Blow-up (GB, 1966) and Peter Weir's The Truman Show (USA, 1998). The starting point of all three analyses is the representation of the postmodern media and information age as an incisive culture of the visual, which coincides with the general socio-political trend of cultural paranoia, the roots of which are to be found in American politics and society of the late 1940s and which has since permeated Anglo-American culture.The discourse on the truthfulness of images, the reality of visual representations and the visual as such forms the context out of which the theory of the development of visual paranoia arises. While other paranoia films, usually thrillers or science fiction films, concern themselves with the sociopolitical manifestation of cultural paranoia, the three films chosen for Schwarz's study focus on the fundamental crisis of the visual as such, from scopophilic paranoia in Rear Window to photographic paranoia in Blow-Up, culminating in the scopophobic manifestation of visual paranoia in The Truman Show.The once valid saying, "seeing is believing", can no longer be taken for granted. In postmodern times, the visual cannot be trusted any more.
Against the backdrop of recent postmodern discourse on cultural theory, Eva Schwarz provides a gripping analysis of the concept of what she describes as visual paranoia. Her study is based on a detailed analysis of three films: Alfred Hitchcock's Rear Window (USA, 1954), Michelangelo Antonioni's Blow-up (GB, 1966) and Peter Weir's The Truman Show (USA, 1998). The starting point of all three analyses is the representation of the postmodern media and information age as an incisive culture of the visual, which coincides with the general socio-political trend of cultural paranoia, the roots of which are to be found in American politics and society of the late 1940s and which has since permeated Anglo-American culture.The discourse on the truthfulness of images, the reality of visual representations and the visual as such forms the context out of which the theory of the development of visual paranoia arises. While other paranoia films, usually thrillers or science fiction films, concern themselves with the sociopolitical manifestation of cultural paranoia, the three films chosen for Schwarz's study focus on the fundamental crisis of the visual as such, from scopophilic paranoia in Rear Window to photographic paranoia in Blow-Up, culminating in the scopophobic manifestation of visual paranoia in The Truman Show.The once valid saying, "seeing is believing", can no longer be taken for granted. In postmodern times, the visual cannot be trusted any more.
Über den Autor
Eva Schwarz, born in 1972, studied German and English/American Literature and Cultural Studies at Leibniz Universität Hannover. Her special interest is film and cinema. In addition to theoretical film analysis she also participated in the production of several short films, which were presented at various film festivals.
Details
Erscheinungsjahr: 2011
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: 144 S.
mit zahlr. Abb.
ISBN-13: 9783898218122
ISBN-10: 3898218120
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Schwarz, Eva
Hersteller: ibidem
ibidem-Verlag
Jessica Haunschild u. Christian Sch”n GbR
Maße: 210 x 148 x 8 mm
Von/Mit: Eva Schwarz
Erscheinungsdatum: 01.02.2011
Gewicht: 0,202 kg
Artikel-ID: 107135501
Über den Autor
Eva Schwarz, born in 1972, studied German and English/American Literature and Cultural Studies at Leibniz Universität Hannover. Her special interest is film and cinema. In addition to theoretical film analysis she also participated in the production of several short films, which were presented at various film festivals.
Details
Erscheinungsjahr: 2011
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: 144 S.
mit zahlr. Abb.
ISBN-13: 9783898218122
ISBN-10: 3898218120
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Schwarz, Eva
Hersteller: ibidem
ibidem-Verlag
Jessica Haunschild u. Christian Sch”n GbR
Maße: 210 x 148 x 8 mm
Von/Mit: Eva Schwarz
Erscheinungsdatum: 01.02.2011
Gewicht: 0,202 kg
Artikel-ID: 107135501
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