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Visual Culture and the German Middle Ages
Buch von K. Starkey
Sprache: Englisch

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Beschreibung
This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.
This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.
Über den Autor
KATHRYN STARKEY is Assistant Professor at the University of North Carolina, USA.
Zusammenfassung

Part of the strong selling New Middle Ages series

An international cast of contributors

Inhaltsverzeichnis
Introduction: Visual Culture in the Middle Ages PART I: NEW VISIONS IN MEDIEVAL STUDIES Word and Image as a Research Field: Sound Methodologies or Just a Fashionable Trend?; N.[...] PART II: INTERMEDIALITY Writing Speech-Image: The Concurrence of Signs; J.Muller The Shield as a Poetic Screen: Early Blazon and the Visualisation of Medieval German Literature, 1150-1300; H.Wandhoff Intermediality in the Middle Ages: Representations of Writing in the Illustrated Epic; [...] PART III: RETHINKING MANUSCRIPT CULTURE Images at the Interface: Orality, Literacy and the Pictoralization of the Roland Material; J.Rushing Visualizing Performance?: Of Music, Word and Manuscripts; V.Mertens PART IV: SPIRITUAL VISIONS The 'Handwritings of Humanity': Johannes Tauler on Hildegard of Bingern's Liber Scivias; J.F.Hamburger Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama; N.Largier PART V: WORD, IMAGE, AND TECHNOLOGY Logos and the Press: Christ in the Wine Press and the Development of Printing; H.Wenzel From God's Word to Emblem: Justifying the Printed Word; T.Cramer Contributor Notes
Details
Erscheinungsjahr: 2005
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Buch
Inhalt: xii
290 S.
ISBN-13: 9781403964441
ISBN-10: 1403964440
Sprache: Englisch
Einband: Gebunden
Autor: Starkey, K.
Redaktion: Starkey, Kathryn
Auflage: 2005 edition
Hersteller: Palgrave Macmillan
Palgrave MacMillan Us
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 209 x 150 x 22 mm
Von/Mit: K. Starkey
Erscheinungsdatum: 15.06.2005
Gewicht: 0,454 kg
Artikel-ID: 102401554
Über den Autor
KATHRYN STARKEY is Assistant Professor at the University of North Carolina, USA.
Zusammenfassung

Part of the strong selling New Middle Ages series

An international cast of contributors

Inhaltsverzeichnis
Introduction: Visual Culture in the Middle Ages PART I: NEW VISIONS IN MEDIEVAL STUDIES Word and Image as a Research Field: Sound Methodologies or Just a Fashionable Trend?; N.[...] PART II: INTERMEDIALITY Writing Speech-Image: The Concurrence of Signs; J.Muller The Shield as a Poetic Screen: Early Blazon and the Visualisation of Medieval German Literature, 1150-1300; H.Wandhoff Intermediality in the Middle Ages: Representations of Writing in the Illustrated Epic; [...] PART III: RETHINKING MANUSCRIPT CULTURE Images at the Interface: Orality, Literacy and the Pictoralization of the Roland Material; J.Rushing Visualizing Performance?: Of Music, Word and Manuscripts; V.Mertens PART IV: SPIRITUAL VISIONS The 'Handwritings of Humanity': Johannes Tauler on Hildegard of Bingern's Liber Scivias; J.F.Hamburger Scripture, Vision, Performance: Visionary Texts and Medieval Religious Drama; N.Largier PART V: WORD, IMAGE, AND TECHNOLOGY Logos and the Press: Christ in the Wine Press and the Development of Printing; H.Wenzel From God's Word to Emblem: Justifying the Printed Word; T.Cramer Contributor Notes
Details
Erscheinungsjahr: 2005
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Buch
Inhalt: xii
290 S.
ISBN-13: 9781403964441
ISBN-10: 1403964440
Sprache: Englisch
Einband: Gebunden
Autor: Starkey, K.
Redaktion: Starkey, Kathryn
Auflage: 2005 edition
Hersteller: Palgrave Macmillan
Palgrave MacMillan Us
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 209 x 150 x 22 mm
Von/Mit: K. Starkey
Erscheinungsdatum: 15.06.2005
Gewicht: 0,454 kg
Artikel-ID: 102401554
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