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Unprecedented in scope – like its companion volume on the High Renaissance, Mannerism – this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.
It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years´ War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome – Maderno, Cortona, Borromini and Bernini – and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters – above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter´s followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North – the Netherlands, Denmark, Sweden and Britain; the Divided Centre – the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South – the Iberian kingdoms and their dominions in southern Italy and the Americas.
|• This sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.• Illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era.
Unprecedented in scope – like its companion volume on the High Renaissance, Mannerism – this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.
It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years´ War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome – Maderno, Cortona, Borromini and Bernini – and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters – above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter´s followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North – the Netherlands, Denmark, Sweden and Britain; the Divided Centre – the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South – the Iberian kingdoms and their dominions in southern Italy and the Americas.
|• This sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.• Illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era.
| Erscheinungsjahr: | 2017 |
|---|---|
| Medium: | Taschenbuch |
| Reihe: | Architecture in Context |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138038950 |
| ISBN-10: | 1138038954 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Christopher Tadgell |
| Auflage: | 1. Auflage |
| Hersteller: | Taylor & Francis |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Abbildungen: | 415 schwarz-weiß Illustrationen|2244 farbige Illustrationen|2244 Farbfotos|415 schwarz-weiß Zeichnungen |
| Maße: | 210 x 180 x 55 mm |
| Von/Mit: | Christopher Tadgell |
| Erscheinungsdatum: | 01.06.2017 |
| Gewicht: | 2,245 kg |
| Erscheinungsjahr: | 2017 |
|---|---|
| Medium: | Taschenbuch |
| Reihe: | Architecture in Context |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138038950 |
| ISBN-10: | 1138038954 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Christopher Tadgell |
| Auflage: | 1. Auflage |
| Hersteller: | Taylor & Francis |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Abbildungen: | 415 schwarz-weiß Illustrationen|2244 farbige Illustrationen|2244 Farbfotos|415 schwarz-weiß Zeichnungen |
| Maße: | 210 x 180 x 55 mm |
| Von/Mit: | Christopher Tadgell |
| Erscheinungsdatum: | 01.06.2017 |
| Gewicht: | 2,245 kg |
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