Sara Heinämaa is a Professor of Philosophy at the University of Jyväskylä and an Academy Professor (2017-2021). She specializes in classical and contemporary phenomenology, existentialism, and the history of philosophy, and has published extensively in these fields, especially on normativity, emotion, embodiment, and intersubjectivity. She is co-author of Birth, Death, and Femininity (Indiana UP, 2010), and author of Toward a Phenomenology of Sexual Difference (Rowman & Littlefield, 2003), and has co-edited several volumes, including Contemporary Phenomenologies of Normativity (Routledge, 2022), Phenomenology as Critique (Routledge 2022), and Phenomenology and the Transcendental (Routledge, 2014) and Consciousness (Springer, 2007).

Anthony J. Steinbock is Professor of Philosophy, at Stony Brook University and Director, of the Phenomenology Research Center. He works in the areas of phenomenology, social ontology, aesthetics, and religious philosophy. His publications include works on generative phenomenology, religious experience, and emotions. He is the author of six books, most recently, Knowing by Heart: Loving as Participation and Critique (Northwestern University Press, 2021) and is the translator of Edmund Husserl's Analyses Concerning Passive and Active Synthesis (Kluwer, 2001). He is Editor-in-Chief, of Continental Philosophy Review, and General Editor, of Northwestern University Press "SPEP" Series.

Andrew D. Barrette is currently an Assistant Professor of the Practice in the Philosophy Department at Boston College. He wrote his dissertation on Edmund Husserl's analyses of inquiry and history at Southern Illinois University Carbondale. During that research, he studied at the Husserl-Archives in Leuven, first as a Fulbright Scholar, then again as an International Research Fellow. He then did post-doctorate work at the Lonergan Institute and the Institute for Advanced Jesuit Studies, both at Boston College.

Introduction. Section I: The Foundations of a Phenomenological Theory of Perception. 1. Fundamental Determinations of Outer Perception. 2. The Methodological Possibility of the Analysis of Perception. Section II: Analysis of Unchanged Outer Perception. 3. The Elements of Perceptual Correlation. 4. The Constitution of the Temporal and Spatial Extension of the Appearance. Section III: Analysis of the Kinetic Synthesis of Perception. Changes in Perception and Changes in Appearance. 5. The Givenness of the Thing at Rest in Continuous Courses of Perception. 6. The Possibility and Sense of an Adequate Perception of Spatial Things. 7. Recapitulation. The Analyses of Perception in the Framework of the Phenomenological Reduction. Section IV: The Significance of the Kinaesthetic Systems for the Constitution of the Perceived Object. 8. The Phenomenological Concept of Kinaesthesis. 9. The Correlation Between the Visual Field and the Kinaesthetic Sequences. 10. The Thing as Unity in the Kinaesthetically Motivated Manifold of Appearances. Section V: The Transition from the Oculomotor Field to Objective Space. The Constitution of Three-Dimensional, Spatial Corporeality. 11. Amplifications of the Oculomotor Field. 12. The Typicality of the Modifications of Appearances in the Oculomotor Field. 13. The Constitution of Space Through the Conversion of the Oculomotor Field Into an Expansional and Turning Manifold. 14. Supplementary Considerations. Section VI: The Constitution of Objective Change. 15. Qualitative Changes of the Perceptual Object. 16. The Constitution of Mere Movement. Supplementary Texts. A. Essays. B. Appendices. Index.