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This survey of utopias, which spans from Plato to the twentieth century, was Lewis Mumford's first success. He was particularly interested in what he calls utopias of reconstruction, models for reshaping an imperfect world. Beginning with a survey of famous utopian ideas and writings, he moves from Plato's Republic, More's Utopia, Andreæ's Christianopolis, Bacon's New Atlantis, Campanella's City of the Sun, Fourier's phalanxes, Cabet's Icaria, Bellamy's Looking Backward, Morris's News from Nowhere, and finally on to H.G. Wells's utopian fiction. He then produces the essence of a checklist for assessing how closely a society comes to utopian ideals, looking at work and standards of living, housing, democratic (or not) governance, sex and marriage, the raising of children, our relationship with nature, and the importance of the arts and creativity. A century later, the book stands not only as an introduction to the work of a maverick scholar who had worldwide influence, but also suggests ways to approach a future even more challenging than that faced by Mumford's post-war generation. Mumford delves into issues that remain relevant today: social equity in his chapter on the country house, for example, and the relationship between science and the arts in his concluding chapter about how we can find, or build, utopia.
Mumford was thinking, as many of us are, about the practical lessons offered by imagined utopias. He posits that there are utopias of escape and utopias of "reconstruction," and was particularly interested in these utopias of reconstruction, models for reshaping an imperfect world:
The utopia of reconstruction is what its name implies: a vision of a reconstituted environment which is better adapted to the nature and aims of the human beings who dwell within it than the actual one; and not merely better adapted to their actual nature, but better fitted to their possible developments. If the first utopia [of escape] leads backward into the utopian's ego, the second leads outward-outward into the world.
In contrast with The Waste Land by T. S. Eliot, also published in 1922 by Boni & Liveright and republished by Berkshire Publishing Group in 2022, The Story of Utopias is largely about this idea of reconstruction, rather than the disillusion that Eliot's poem so powerfully captures.
Mumford was thinking, as many of us are, about the practical lessons offered by imagined utopias. He posits that there are utopias of escape and utopias of "reconstruction," and was particularly interested in these utopias of reconstruction, models for reshaping an imperfect world:
The utopia of reconstruction is what its name implies: a vision of a reconstituted environment which is better adapted to the nature and aims of the human beings who dwell within it than the actual one; and not merely better adapted to their actual nature, but better fitted to their possible developments. If the first utopia [of escape] leads backward into the utopian's ego, the second leads outward-outward into the world.
In contrast with The Waste Land by T. S. Eliot, also published in 1922 by Boni & Liveright and republished by Berkshire Publishing Group in 2022, The Story of Utopias is largely about this idea of reconstruction, rather than the disillusion that Eliot's poem so powerfully captures.
This survey of utopias, which spans from Plato to the twentieth century, was Lewis Mumford's first success. He was particularly interested in what he calls utopias of reconstruction, models for reshaping an imperfect world. Beginning with a survey of famous utopian ideas and writings, he moves from Plato's Republic, More's Utopia, Andreæ's Christianopolis, Bacon's New Atlantis, Campanella's City of the Sun, Fourier's phalanxes, Cabet's Icaria, Bellamy's Looking Backward, Morris's News from Nowhere, and finally on to H.G. Wells's utopian fiction. He then produces the essence of a checklist for assessing how closely a society comes to utopian ideals, looking at work and standards of living, housing, democratic (or not) governance, sex and marriage, the raising of children, our relationship with nature, and the importance of the arts and creativity. A century later, the book stands not only as an introduction to the work of a maverick scholar who had worldwide influence, but also suggests ways to approach a future even more challenging than that faced by Mumford's post-war generation. Mumford delves into issues that remain relevant today: social equity in his chapter on the country house, for example, and the relationship between science and the arts in his concluding chapter about how we can find, or build, utopia.
Mumford was thinking, as many of us are, about the practical lessons offered by imagined utopias. He posits that there are utopias of escape and utopias of "reconstruction," and was particularly interested in these utopias of reconstruction, models for reshaping an imperfect world:
The utopia of reconstruction is what its name implies: a vision of a reconstituted environment which is better adapted to the nature and aims of the human beings who dwell within it than the actual one; and not merely better adapted to their actual nature, but better fitted to their possible developments. If the first utopia [of escape] leads backward into the utopian's ego, the second leads outward-outward into the world.
In contrast with The Waste Land by T. S. Eliot, also published in 1922 by Boni & Liveright and republished by Berkshire Publishing Group in 2022, The Story of Utopias is largely about this idea of reconstruction, rather than the disillusion that Eliot's poem so powerfully captures.
Mumford was thinking, as many of us are, about the practical lessons offered by imagined utopias. He posits that there are utopias of escape and utopias of "reconstruction," and was particularly interested in these utopias of reconstruction, models for reshaping an imperfect world:
The utopia of reconstruction is what its name implies: a vision of a reconstituted environment which is better adapted to the nature and aims of the human beings who dwell within it than the actual one; and not merely better adapted to their actual nature, but better fitted to their possible developments. If the first utopia [of escape] leads backward into the utopian's ego, the second leads outward-outward into the world.
In contrast with The Waste Land by T. S. Eliot, also published in 1922 by Boni & Liveright and republished by Berkshire Publishing Group in 2022, The Story of Utopias is largely about this idea of reconstruction, rather than the disillusion that Eliot's poem so powerfully captures.
Über den Autor
Lewis Mumford (1895-1990) was a world-renowned historian, sociologist, philosopher, and critic who refused to be defined by any of those titles. He is perhaps best known for his studies of the city in history and for his writing on, and criticism of, technological society, and was the architectural critic and also art critic at the New Yorker for forty years. His thinking on ecological planning and design had considerable influence on the international green movement. Mumford was born in New York City and educated at Stuyvesant High School and the City College of New York, but never received a degree. He later taught at the University of Pennsylvania (which now holds his archives), Stanford, and MIT. Mumford and his wife Sophia were prominent in efforts to bring the United States into the fight against Hitler and after the war campaigned against nuclear weapons. Later, he was an early and vocal critic of the Vietnam War. His honors include the Presidential Medal of Freedom, National Award for Literature, National Medal for the Arts, Prix Mondial Cino Del Duca, Gold Medal of the Royal Institute of British Architects, and a KBE from Queen Elizabeth II. His 1961 book, The City in History, received the National Book Award.
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Architektur |
Medium: | Taschenbuch |
ISBN-13: | 9781614720492 |
ISBN-10: | 1614720495 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mumford, Lewis |
Hersteller: | Berkshire Publishing Group LLC |
Maße: | 203 x 127 x 20 mm |
Von/Mit: | Lewis Mumford |
Erscheinungsdatum: | 26.09.2022 |
Gewicht: | 0,391 kg |
Über den Autor
Lewis Mumford (1895-1990) was a world-renowned historian, sociologist, philosopher, and critic who refused to be defined by any of those titles. He is perhaps best known for his studies of the city in history and for his writing on, and criticism of, technological society, and was the architectural critic and also art critic at the New Yorker for forty years. His thinking on ecological planning and design had considerable influence on the international green movement. Mumford was born in New York City and educated at Stuyvesant High School and the City College of New York, but never received a degree. He later taught at the University of Pennsylvania (which now holds his archives), Stanford, and MIT. Mumford and his wife Sophia were prominent in efforts to bring the United States into the fight against Hitler and after the war campaigned against nuclear weapons. Later, he was an early and vocal critic of the Vietnam War. His honors include the Presidential Medal of Freedom, National Award for Literature, National Medal for the Arts, Prix Mondial Cino Del Duca, Gold Medal of the Royal Institute of British Architects, and a KBE from Queen Elizabeth II. His 1961 book, The City in History, received the National Book Award.
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Architektur |
Medium: | Taschenbuch |
ISBN-13: | 9781614720492 |
ISBN-10: | 1614720495 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mumford, Lewis |
Hersteller: | Berkshire Publishing Group LLC |
Maße: | 203 x 127 x 20 mm |
Von/Mit: | Lewis Mumford |
Erscheinungsdatum: | 26.09.2022 |
Gewicht: | 0,391 kg |
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