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Preliminary Table of Contents:
Introduction
Musical Initiations
Subjects and Subjectivity
A Philosophical Outlook
1. Signs of Subjectivity
Physical Disciplines and Signs
A Semiotic View of Musical Subjectivity
Expressive Individuation and Uncertainty
2. Listening Subjects and Semiotic Worlds
The Uncertainties of Musical Signification
Interntionality and Metaphor
Subjects and First-person Authority
Regaining an Interpretive "I"
3. Musical Signs
Signs and Objects
Questions and Typologies
4. Naming Qualities; Hearing Signs
Qualities and Qualities-as-Signs
Disciplinary Boundaries: How Does Semiotics Relate to Psychology?
5. Gesturing
Gesture as Performance and Convention
To Perform or to Dissimulate?
Voice and Gesture as Virtualities
6. Framing Willfulness in Tonal Law
Theorists: Giving Roles to Rules
The Dialectics of Tonal Semiosis
7. Complex Syntheses
Expressive Complexity and Musical "Personae"
Modes of Synthesis
8. Culturally Embedded Signs
Emergent Qualities
Skeptical Issues
9. Values and Personal Categories
Sounds and Sensuality
Encounters
Rehabilitating the Subject
Appendix: Theorizing Generals
Real or Nominal Rules?
Finding Constancies, Explaining What One Hears, or Seeking Enlightenment?
Preliminary Table of Contents:
Introduction
Musical Initiations
Subjects and Subjectivity
A Philosophical Outlook
1. Signs of Subjectivity
Physical Disciplines and Signs
A Semiotic View of Musical Subjectivity
Expressive Individuation and Uncertainty
2. Listening Subjects and Semiotic Worlds
The Uncertainties of Musical Signification
Interntionality and Metaphor
Subjects and First-person Authority
Regaining an Interpretive "I"
3. Musical Signs
Signs and Objects
Questions and Typologies
4. Naming Qualities; Hearing Signs
Qualities and Qualities-as-Signs
Disciplinary Boundaries: How Does Semiotics Relate to Psychology?
5. Gesturing
Gesture as Performance and Convention
To Perform or to Dissimulate?
Voice and Gesture as Virtualities
6. Framing Willfulness in Tonal Law
Theorists: Giving Roles to Rules
The Dialectics of Tonal Semiosis
7. Complex Syntheses
Expressive Complexity and Musical "Personae"
Modes of Synthesis
8. Culturally Embedded Signs
Emergent Qualities
Skeptical Issues
9. Values and Personal Categories
Sounds and Sensuality
Encounters
Rehabilitating the Subject
Appendix: Theorizing Generals
Real or Nominal Rules?
Finding Constancies, Explaining What One Hears, or Seeking Enlightenment?
Empfohlen (von): | 22 |
---|---|
Erscheinungsjahr: | 2001 |
Medium: | Buch |
Reihe: | Advances in Semiotics |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780253337542 |
ISBN-10: | 0253337542 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Naomi Cumming |
Auflage: | Indiana Univ PR |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 241 x 162 x 29 mm |
Von/Mit: | Naomi Cumming |
Erscheinungsdatum: | 22.01.2001 |
Gewicht: | 0,75 kg |
Empfohlen (von): | 22 |
---|---|
Erscheinungsjahr: | 2001 |
Medium: | Buch |
Reihe: | Advances in Semiotics |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780253337542 |
ISBN-10: | 0253337542 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Naomi Cumming |
Auflage: | Indiana Univ PR |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 241 x 162 x 29 mm |
Von/Mit: | Naomi Cumming |
Erscheinungsdatum: | 22.01.2001 |
Gewicht: | 0,75 kg |