Christina Stojanova, Introduction

Part I. Modernism/ Minimalism

1.Dominique Nasta, Beyond Modernity: The Stylistic Divide and the New Romanian Cinema

2. Ioana Trocan, Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged?

3. Ioana Uricaru, No Melo - Minimalism and Melodrama in New Romanian Cinema

Part II. Intermediality/ Intertextuality

4. Ágnes Petho, 'Exhibited Space' and Intermediality in the films of Corneliu Porumboiu

5.Katalin Sándor, Filming the Camera: Reflexivity and Reenactment in Lucian Pintilie's Reconstruction (1969) and Niki and Flo (2003)

6. Melinda Blos-Jáni, Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil's Films

7. Liviu Lutas, Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu

Part III. Ethics/ New Aesthetics

8. Christina Stojanova, Authenticity in New Romanian Cinema: 'Ethics and Aesthetics are One'

9. Ioana Uricaru, The Square and the Screen: The Ethical Dimension of the New Romanian Cinema

10. Kalling Heck, Cristian Mungiu's Beyond the Hills and Austerity Politics

Part IV. Gender/ Genre

11. Dana Duma, Woman Films: Body and Will

12. Andrea Virginas, Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity

Part V. National/Place and Transnational/Space

13. Mircea Deaca, Kitchen Encounters: Scenes of Face to Face Dialogues in Films of the New Romanian Cinema

14. Marian ¿u¿ui and Raluca Iacob, New Romanian Cinema: Geography and Identity

15. Doru Pop, The 'Transnational Turn': New Urban Identities and the Transformation of Contemporary Romanian Cinema

Part VI. Christina Stojanova, Historical Overview of Romanian Cinema

COMBINED BIBLIOGRAPHY

NEW ROMANIAN CINEMA FILMOGRAPHY (Compiled by Raluca Iacob)

GENERAL FILMOGRAPHY (Compiled by Raluca Iacob)

NOTES ON CONTRIBUTORS

INDEX