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Industry professionals immediately identified with the empirical details, and the uninitiated were equally drawn in by this rubbernecking view of making records. There was clattering speculation as to the who, when, and where of it, but everyone knew Mixerman was not a poseur. To those who knew him personally, he was an established, respected professional. To those who didn't, it was clear he was no Trojan horse.
By its fourth week, the diary was drawing attention from every stripe of the music business, as well as other bloggers, Internet junkies, and insiders. It was a phenomenon.
In this book, for the first time, we now have the completed diary as God and Mixerman himself intended. The final chapter is here, too, for new readers, as well as the more than 140,000 Web readers who may have lost a night's sleep here or there, wondering what became of their all-too-human, less-than-gifted cast of characters.
Rock and roll is dead. Consider this its autopsy.
(From the Forward by Philip Stevenson)
Industry professionals immediately identified with the empirical details, and the uninitiated were equally drawn in by this rubbernecking view of making records. There was clattering speculation as to the who, when, and where of it, but everyone knew Mixerman was not a poseur. To those who knew him personally, he was an established, respected professional. To those who didn't, it was clear he was no Trojan horse.
By its fourth week, the diary was drawing attention from every stripe of the music business, as well as other bloggers, Internet junkies, and insiders. It was a phenomenon.
In this book, for the first time, we now have the completed diary as God and Mixerman himself intended. The final chapter is here, too, for new readers, as well as the more than 140,000 Web readers who may have lost a night's sleep here or there, wondering what became of their all-too-human, less-than-gifted cast of characters.
Rock and roll is dead. Consider this its autopsy.
(From the Forward by Philip Stevenson)
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780960040506 |
| ISBN-10: | 0960040501 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Mixerman |
| Hersteller: | Mixerman Publishes |
| Maße: | 229 x 152 x 21 mm |
| Von/Mit: | Mixerman |
| Erscheinungsdatum: | 30.11.2018 |
| Gewicht: | 0,569 kg |
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| ISBN-13: | 9780960040506 |
| ISBN-10: | 0960040501 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Mixerman |
| Hersteller: | Mixerman Publishes |
| Maße: | 229 x 152 x 21 mm |
| Von/Mit: | Mixerman |
| Erscheinungsdatum: | 30.11.2018 |
| Gewicht: | 0,569 kg |
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