Brian Yecies is a Senior Lecturer in Cultural Studies at the University of Wollongong, Australia.

Aegyung Shim is a past Korea Foundation Postdoctoral Research Fellow at the Institute for Social Transformation Research (ISTR) at the University of Wollongong, Australia.

Introduction: Introducing "Planet Hallyuwood" Part 1: The Golden Age of the 1960s 1 Hypergrowth of the Propaganda Factory and the Producing Paradox 2 At the Crossroads of Directing and Politics 3 Genre Intersections and the Literary Film 4 Feasting on Asian Alliances: Hong Kong Co-productions and Japanese Remakes Part 2: The Dark Age of the 1970s and Hollywood's Domination in the Aftermath 5 Policy and Producing Under Hollywood's Shadow in the 1970s and 1980s 6 Robust Invalids in a New Visual Era: Directing in the 1970s and 1980s 7 Weapons of Mass Distraction: The Erotic Film Genres of the 1970s and 1980s Part 3: The Golden Age of the Post-censorship Era 8 The Rise of the New Corporate and Female Producers 9 The Rise of the Female Writer-Director and the Changing Face of Korean Cinema10 Genre Transformations in Contemporary Korean Cinema 11 Korean Transnational Cinema and the Renewed Tilt Toward China 12 Conclusion Welcome to Planet Hallyuwood