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THE AKIRA BOOK
Katsuhiro Otomo: The Movie and the Manga
Buch von Jeremy Mark Robinson
Sprache: Englisch

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THE AKIRA BOOK

KATSUHIRO OTOMO: THE MOVIE AND THE MANGA: A CRITICAL STUDY

by Jeremy Mark Robinson

This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954). There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically.

Akira is a GIANT of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the film-makers have given their all.

Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic.

In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence.

Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is.

Volume one of the manga of Akira was published in Young Magazine in 1982-83, by Kodansha (one of the big three among manga publishers in Japan - the other two are Sogakkan and Shueisha), when Katsuhiro Otomo was 28.

The Akira Book includes chapters on: Katsuhiro Otomo's other manga and movies; his inspirations and influences; the contemporary anime industry; and a section of the views of critics and fans. Every aspect of the Akira movie is explored (animation, sound, music, voices, story, themes, etc).

Fully illustrated, including many images of the Akira movie, the Akira manga, Otomo's other works in comics and cinema, Otomo's inspirations, etc.

Bibliography, resources and notes. With a full colour laminate hardcover. 760 pages.

[...]

THE AKIRA BOOK

KATSUHIRO OTOMO: THE MOVIE AND THE MANGA: A CRITICAL STUDY

by Jeremy Mark Robinson

This is a book about Akira - the manga of 1982-90 and the movie of 1988, and about the creator of Akira, the genius artist Katsuhiro Otomo (b. 1954). There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically.

Akira is a GIANT of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the film-makers have given their all.

Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic.

In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence.

Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is.

Volume one of the manga of Akira was published in Young Magazine in 1982-83, by Kodansha (one of the big three among manga publishers in Japan - the other two are Sogakkan and Shueisha), when Katsuhiro Otomo was 28.

The Akira Book includes chapters on: Katsuhiro Otomo's other manga and movies; his inspirations and influences; the contemporary anime industry; and a section of the views of critics and fans. Every aspect of the Akira movie is explored (animation, sound, music, voices, story, themes, etc).

Fully illustrated, including many images of the Akira movie, the Akira manga, Otomo's other works in comics and cinema, Otomo's inspirations, etc.

Bibliography, resources and notes. With a full colour laminate hardcover. 760 pages.

[...]

Über den Autor
JEREMY ROBINSON has published poetry, ¿ction, and studies of J.R.R. Tolkien, Samuel Beckett, Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Akira Book ¿ The Art of Katsuhiro Otomo ¿ The Art of Masamune Shirow ¿ The Ghost In the Shell Book ¿ Fullmetal Alchemist ¿ Cowboy Bebop: The Anime and Movie ¿ The Cinema of Hayao Miyazaki ¿ Hayao Miyazaki: Pocket Guide ¿ Princess Mononoke: Pocket Movie Guide ¿ Spirited Away: Pocket Movie Guide ¿ Blade Runner and the Cinema of Philip K. Dick ¿ Blade Runner: Pocket Movie Guide ¿ The Cinema of Donald Cammell ¿ Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide ¿ Pasolini: Il Cinema di Poesia/ The Cinema of Poetry ¿ Salo: Pocket Movie Guide ¿ The Trilogy of Life Movies: Pocket Movie Guide ¿ The Gospel According To Matthew: Pocket Movie Guide ¿ The Ecstatic Cinema of Tony Ching Siu-tung ¿ Tsui Hark: The Dragon Master of Chinese Cinema ¿ The Swordsman: Pocket Movie Guide ¿ A Chinese Ghost Story: Pocket Movie Guide ¿ Ken Russell: England's Great Visionary Film Director and Music Lover ¿ Tommy: Ken Russell: The Who: Pocket Movie Guide ¿ Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide ¿ The Devils: Ken Russell: Pocket Movie Guide ¿ Walerian Borowczyk: Cinema of Erotic Dreams ¿ The Beast: Pocket Movie Guide ¿ The Lord of the Rings Movies ¿ The Fellowship of the Ring: Pocket Movie Guide ¿ The Two Towers: Pocket Movie Guide ¿ The Return of the King: Pocket Movie Guide ¿ Jean-Luc Godard: The Passion of Cinema ¿ The Sacred Cinema of Andrei Tarkovsky ¿ Andrei Tarkovsky: Pocket Guide.
Details
Erscheinungsjahr: 2017
Produktart: Humor, Comics & Cartoons
Rubrik: Belletristik
Medium: Buch
ISBN-13: 9781861716866
ISBN-10: 1861716869
Sprache: Englisch
Ausstattung / Beilage: HC gerader Rücken kaschiert
Einband: Gebunden
Autor: Robinson, Jeremy Mark
Hersteller: Crescent Moon Publishing
Maße: 209 x 132 x 44 mm
Von/Mit: Jeremy Mark Robinson
Erscheinungsdatum: 03.11.2017
Gewicht: 0,895 kg
Artikel-ID: 110439398
Über den Autor
JEREMY ROBINSON has published poetry, ¿ction, and studies of J.R.R. Tolkien, Samuel Beckett, Thomas Hardy, André Gide and D.H. Lawrence. Robinson has edited poetry books by Novalis, Ursula Le Guin, Friedrich Hölderlin, Francesco Petrarch, Dante Alighieri, Arseny Tarkovsky, and Rainer Maria Rilke. Books on film and animation include: The Akira Book ¿ The Art of Katsuhiro Otomo ¿ The Art of Masamune Shirow ¿ The Ghost In the Shell Book ¿ Fullmetal Alchemist ¿ Cowboy Bebop: The Anime and Movie ¿ The Cinema of Hayao Miyazaki ¿ Hayao Miyazaki: Pocket Guide ¿ Princess Mononoke: Pocket Movie Guide ¿ Spirited Away: Pocket Movie Guide ¿ Blade Runner and the Cinema of Philip K. Dick ¿ Blade Runner: Pocket Movie Guide ¿ The Cinema of Donald Cammell ¿ Performance: Donald Cammell: Nic Roeg: Pocket Movie Guide ¿ Pasolini: Il Cinema di Poesia/ The Cinema of Poetry ¿ Salo: Pocket Movie Guide ¿ The Trilogy of Life Movies: Pocket Movie Guide ¿ The Gospel According To Matthew: Pocket Movie Guide ¿ The Ecstatic Cinema of Tony Ching Siu-tung ¿ Tsui Hark: The Dragon Master of Chinese Cinema ¿ The Swordsman: Pocket Movie Guide ¿ A Chinese Ghost Story: Pocket Movie Guide ¿ Ken Russell: England's Great Visionary Film Director and Music Lover ¿ Tommy: Ken Russell: The Who: Pocket Movie Guide ¿ Women In Love: Ken Russell: D.H. Lawrence: Pocket Movie Guide ¿ The Devils: Ken Russell: Pocket Movie Guide ¿ Walerian Borowczyk: Cinema of Erotic Dreams ¿ The Beast: Pocket Movie Guide ¿ The Lord of the Rings Movies ¿ The Fellowship of the Ring: Pocket Movie Guide ¿ The Two Towers: Pocket Movie Guide ¿ The Return of the King: Pocket Movie Guide ¿ Jean-Luc Godard: The Passion of Cinema ¿ The Sacred Cinema of Andrei Tarkovsky ¿ Andrei Tarkovsky: Pocket Guide.
Details
Erscheinungsjahr: 2017
Produktart: Humor, Comics & Cartoons
Rubrik: Belletristik
Medium: Buch
ISBN-13: 9781861716866
ISBN-10: 1861716869
Sprache: Englisch
Ausstattung / Beilage: HC gerader Rücken kaschiert
Einband: Gebunden
Autor: Robinson, Jeremy Mark
Hersteller: Crescent Moon Publishing
Maße: 209 x 132 x 44 mm
Von/Mit: Jeremy Mark Robinson
Erscheinungsdatum: 03.11.2017
Gewicht: 0,895 kg
Artikel-ID: 110439398
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