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Beschreibung
Covering titles ranging from Rocketship X-M (1950) to Wall-E (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway's relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (2001: A Space Odyssey) and Bernard Herrmann (The Day the Earth Stood Still).
Covering titles ranging from Rocketship X-M (1950) to Wall-E (2008), these insightful essays measure the relationship between music and science fiction film from a variety of academic perspectives. Thematic sections survey specific compositions utilized in science fiction movies; Broadway's relationship with the genre; science fiction elements in popular songs; the conveyance of subjectivity and identity through music; and such individual composers as Richard Strauss (2001: A Space Odyssey) and Bernard Herrmann (The Day the Earth Stood Still).
Über den Autor
Mathew J. Bartkowiak is a former associate professor of English at the University of Wisconsin-Marshfield/Wood County. He received his Ph.D. from the Department of American Studies at Michigan State University.
Inhaltsverzeichnis
Table of Contents
Acknowledgments
Introduction
-Mathew J. Bartkowiak
PART I. "OPEN THE POD DOOR, HAL": A SURVEY OF MUSIC'S ROLE IN SCIENCE FICTION FILM
1. A Familiar Sound in a New Place: The Use of the Musical Score Within the Science Fiction Film
-Cara Marisa Deleon
2. A Popular Avant-Garde: The Paradoxical Tradition of Electronic and Atonal Sounds in Sci-Fi Music Scoring
-Lisa M. Schmidt
PART II. "GIVE MY REGARDS TO THE BARYCENTER": BROADWAY'S RELATION TO SCIENCE FICTION FILM
3. "Hello WALL-E!": Nostalgia, Utopia, and the Science Fiction Musical
-Kathryn A.T. Edney and Kit Hughes
4. Just Imagine: The Musical Effacement of Dystopia in an Early Sound Film
-Katherine Spring
PART III. BECOMING THE STAR-CHILD: MUSIC AND THE CONSTRUCTION OF SUBJECTIVITY
5. Ambient Reverberations: Diegetic Music, Science Fiction, and Otherness
-Seth Mulliken
6. Sci-Fi Film and Sounds of the Future
-Matthias Konzett
PART IV. MOON/SPOON/CROON: SCIENCE FICTION AND POPULAR MUSIC
7. "It's Hip to Be Square": Rock and Roll and the Future
-Cynthia J. Miller and A. Bowdoin Van Riper
8. The Intergalactic Lounge: Barbarella and Hearing the Future
-Mathew J. Bartkowiak
9. Proposing an Alter-Destiny: Science Fiction in the Art and Music of Sun Ra
-Jerome J. Langguth
PART V. "ALL THOSE MOMENTS": INSTANCES THAT SHAPED OUR AUDITORY FUTURE
10. Suspended Motion in the Title Scene from The Day the Earth Stood Still
-Stephen Husarik
11. Strauss, Kubrick and Nietzsche: Recurrence and Reactivity in the Dance of Becoming That Is 2001: A Space Odyssey
-Gregg Redner
PART VI. "SETTING THE CONTROLS FOR THE HEART OF THE SUN": COMPOSERS AND COMPOSITIONS IN SCIENCE FICTION FILM
12. Rocketship X-M: The Sounds of a Martian Breeze
-John C. Tibbetts
13. Seeing Beyond His Own Time: The Sounds of Jerry Goldsmith
-Cynthia J. Miller
About the Contributors
Index
Acknowledgments
Introduction
-Mathew J. Bartkowiak
PART I. "OPEN THE POD DOOR, HAL": A SURVEY OF MUSIC'S ROLE IN SCIENCE FICTION FILM
1. A Familiar Sound in a New Place: The Use of the Musical Score Within the Science Fiction Film
-Cara Marisa Deleon
2. A Popular Avant-Garde: The Paradoxical Tradition of Electronic and Atonal Sounds in Sci-Fi Music Scoring
-Lisa M. Schmidt
PART II. "GIVE MY REGARDS TO THE BARYCENTER": BROADWAY'S RELATION TO SCIENCE FICTION FILM
3. "Hello WALL-E!": Nostalgia, Utopia, and the Science Fiction Musical
-Kathryn A.T. Edney and Kit Hughes
4. Just Imagine: The Musical Effacement of Dystopia in an Early Sound Film
-Katherine Spring
PART III. BECOMING THE STAR-CHILD: MUSIC AND THE CONSTRUCTION OF SUBJECTIVITY
5. Ambient Reverberations: Diegetic Music, Science Fiction, and Otherness
-Seth Mulliken
6. Sci-Fi Film and Sounds of the Future
-Matthias Konzett
PART IV. MOON/SPOON/CROON: SCIENCE FICTION AND POPULAR MUSIC
7. "It's Hip to Be Square": Rock and Roll and the Future
-Cynthia J. Miller and A. Bowdoin Van Riper
8. The Intergalactic Lounge: Barbarella and Hearing the Future
-Mathew J. Bartkowiak
9. Proposing an Alter-Destiny: Science Fiction in the Art and Music of Sun Ra
-Jerome J. Langguth
PART V. "ALL THOSE MOMENTS": INSTANCES THAT SHAPED OUR AUDITORY FUTURE
10. Suspended Motion in the Title Scene from The Day the Earth Stood Still
-Stephen Husarik
11. Strauss, Kubrick and Nietzsche: Recurrence and Reactivity in the Dance of Becoming That Is 2001: A Space Odyssey
-Gregg Redner
PART VI. "SETTING THE CONTROLS FOR THE HEART OF THE SUN": COMPOSERS AND COMPOSITIONS IN SCIENCE FICTION FILM
12. Rocketship X-M: The Sounds of a Martian Breeze
-John C. Tibbetts
13. Seeing Beyond His Own Time: The Sounds of Jerry Goldsmith
-Cynthia J. Miller
About the Contributors
Index
Details
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| ISBN-13: | 9780786444809 |
| ISBN-10: | 0786444800 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Bartkowiak, Mathew J. |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 14 mm |
| Von/Mit: | Mathew J. Bartkowiak |
| Erscheinungsdatum: | 09.03.2010 |
| Gewicht: | 0,396 kg |
Über den Autor
Mathew J. Bartkowiak is a former associate professor of English at the University of Wisconsin-Marshfield/Wood County. He received his Ph.D. from the Department of American Studies at Michigan State University.
Inhaltsverzeichnis
Table of Contents
Acknowledgments
Introduction
-Mathew J. Bartkowiak
PART I. "OPEN THE POD DOOR, HAL": A SURVEY OF MUSIC'S ROLE IN SCIENCE FICTION FILM
1. A Familiar Sound in a New Place: The Use of the Musical Score Within the Science Fiction Film
-Cara Marisa Deleon
2. A Popular Avant-Garde: The Paradoxical Tradition of Electronic and Atonal Sounds in Sci-Fi Music Scoring
-Lisa M. Schmidt
PART II. "GIVE MY REGARDS TO THE BARYCENTER": BROADWAY'S RELATION TO SCIENCE FICTION FILM
3. "Hello WALL-E!": Nostalgia, Utopia, and the Science Fiction Musical
-Kathryn A.T. Edney and Kit Hughes
4. Just Imagine: The Musical Effacement of Dystopia in an Early Sound Film
-Katherine Spring
PART III. BECOMING THE STAR-CHILD: MUSIC AND THE CONSTRUCTION OF SUBJECTIVITY
5. Ambient Reverberations: Diegetic Music, Science Fiction, and Otherness
-Seth Mulliken
6. Sci-Fi Film and Sounds of the Future
-Matthias Konzett
PART IV. MOON/SPOON/CROON: SCIENCE FICTION AND POPULAR MUSIC
7. "It's Hip to Be Square": Rock and Roll and the Future
-Cynthia J. Miller and A. Bowdoin Van Riper
8. The Intergalactic Lounge: Barbarella and Hearing the Future
-Mathew J. Bartkowiak
9. Proposing an Alter-Destiny: Science Fiction in the Art and Music of Sun Ra
-Jerome J. Langguth
PART V. "ALL THOSE MOMENTS": INSTANCES THAT SHAPED OUR AUDITORY FUTURE
10. Suspended Motion in the Title Scene from The Day the Earth Stood Still
-Stephen Husarik
11. Strauss, Kubrick and Nietzsche: Recurrence and Reactivity in the Dance of Becoming That Is 2001: A Space Odyssey
-Gregg Redner
PART VI. "SETTING THE CONTROLS FOR THE HEART OF THE SUN": COMPOSERS AND COMPOSITIONS IN SCIENCE FICTION FILM
12. Rocketship X-M: The Sounds of a Martian Breeze
-John C. Tibbetts
13. Seeing Beyond His Own Time: The Sounds of Jerry Goldsmith
-Cynthia J. Miller
About the Contributors
Index
Acknowledgments
Introduction
-Mathew J. Bartkowiak
PART I. "OPEN THE POD DOOR, HAL": A SURVEY OF MUSIC'S ROLE IN SCIENCE FICTION FILM
1. A Familiar Sound in a New Place: The Use of the Musical Score Within the Science Fiction Film
-Cara Marisa Deleon
2. A Popular Avant-Garde: The Paradoxical Tradition of Electronic and Atonal Sounds in Sci-Fi Music Scoring
-Lisa M. Schmidt
PART II. "GIVE MY REGARDS TO THE BARYCENTER": BROADWAY'S RELATION TO SCIENCE FICTION FILM
3. "Hello WALL-E!": Nostalgia, Utopia, and the Science Fiction Musical
-Kathryn A.T. Edney and Kit Hughes
4. Just Imagine: The Musical Effacement of Dystopia in an Early Sound Film
-Katherine Spring
PART III. BECOMING THE STAR-CHILD: MUSIC AND THE CONSTRUCTION OF SUBJECTIVITY
5. Ambient Reverberations: Diegetic Music, Science Fiction, and Otherness
-Seth Mulliken
6. Sci-Fi Film and Sounds of the Future
-Matthias Konzett
PART IV. MOON/SPOON/CROON: SCIENCE FICTION AND POPULAR MUSIC
7. "It's Hip to Be Square": Rock and Roll and the Future
-Cynthia J. Miller and A. Bowdoin Van Riper
8. The Intergalactic Lounge: Barbarella and Hearing the Future
-Mathew J. Bartkowiak
9. Proposing an Alter-Destiny: Science Fiction in the Art and Music of Sun Ra
-Jerome J. Langguth
PART V. "ALL THOSE MOMENTS": INSTANCES THAT SHAPED OUR AUDITORY FUTURE
10. Suspended Motion in the Title Scene from The Day the Earth Stood Still
-Stephen Husarik
11. Strauss, Kubrick and Nietzsche: Recurrence and Reactivity in the Dance of Becoming That Is 2001: A Space Odyssey
-Gregg Redner
PART VI. "SETTING THE CONTROLS FOR THE HEART OF THE SUN": COMPOSERS AND COMPOSITIONS IN SCIENCE FICTION FILM
12. Rocketship X-M: The Sounds of a Martian Breeze
-John C. Tibbetts
13. Seeing Beyond His Own Time: The Sounds of Jerry Goldsmith
-Cynthia J. Miller
About the Contributors
Index
Details
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| ISBN-13: | 9780786444809 |
| ISBN-10: | 0786444800 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Bartkowiak, Mathew J. |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 14 mm |
| Von/Mit: | Mathew J. Bartkowiak |
| Erscheinungsdatum: | 09.03.2010 |
| Gewicht: | 0,396 kg |
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