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Taschenbuch von Benjamin Jeffery Shute
Sprache: Englisch

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Beschreibung
One of the jewels in the crown of Johann Sebastian Bach's sacred music is its use of astonishingly subtle and complex allegorical and representational devices. But when similar devices appear in the context of one of Bach's untexted, secular, instrumental collections such as the Six Solos (sonatas and partitas) for violin, the question arises whether he might be intending to embed discernible theological significances there as well, thus infusing the secular with the sacred. Such designs would be reasonably plausible within Bach's musical, cultural, and religious context.

Shute carefully investigates the extent to which musical features of the Six Solos that seem to invite theological parallels might indeed have been intended to do so. Although the precise extent of Bach's intentions cannot be ascertained with certainty, the degree of correlation among strong potential signifiers would seem to suggest that they, and many other features of the Six Solos, are best explained as the product of extensive theological-allegorical designs on Bach's part, like those evident in his texted vocal music.
One of the jewels in the crown of Johann Sebastian Bach's sacred music is its use of astonishingly subtle and complex allegorical and representational devices. But when similar devices appear in the context of one of Bach's untexted, secular, instrumental collections such as the Six Solos (sonatas and partitas) for violin, the question arises whether he might be intending to embed discernible theological significances there as well, thus infusing the secular with the sacred. Such designs would be reasonably plausible within Bach's musical, cultural, and religious context.

Shute carefully investigates the extent to which musical features of the Six Solos that seem to invite theological parallels might indeed have been intended to do so. Although the precise extent of Bach's intentions cannot be ascertained with certainty, the degree of correlation among strong potential signifiers would seem to suggest that they, and many other features of the Six Solos, are best explained as the product of extensive theological-allegorical designs on Bach's part, like those evident in his texted vocal music.
Über den Autor
Benjamin J. Shute is active as a violinist on modern and period instruments, having served as a concertmaster of the Boston Chamber Orchestra and as a faculty member at Dickinson College and Cairn University, where he currently teaches. He is also the author of forthcoming critical reconstructions of Bach's lost D-minor violin concerto (BWV 1052R) and incompletely surviving D-major Sinfonia (BWV 1045).
Details
Erscheinungsjahr: 2016
Genre: Religion & Theologie
Religion: Christentum
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Seiten: 296
ISBN-13: 9781498239417
ISBN-10: 1498239412
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Shute, Benjamin Jeffery
Hersteller: Pickwick Publications
Maße: 229 x 152 x 17 mm
Von/Mit: Benjamin Jeffery Shute
Erscheinungsdatum: 16.06.2016
Gewicht: 0,432 kg
preigu-id: 103660633
Über den Autor
Benjamin J. Shute is active as a violinist on modern and period instruments, having served as a concertmaster of the Boston Chamber Orchestra and as a faculty member at Dickinson College and Cairn University, where he currently teaches. He is also the author of forthcoming critical reconstructions of Bach's lost D-minor violin concerto (BWV 1052R) and incompletely surviving D-major Sinfonia (BWV 1045).
Details
Erscheinungsjahr: 2016
Genre: Religion & Theologie
Religion: Christentum
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Seiten: 296
ISBN-13: 9781498239417
ISBN-10: 1498239412
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Shute, Benjamin Jeffery
Hersteller: Pickwick Publications
Maße: 229 x 152 x 17 mm
Von/Mit: Benjamin Jeffery Shute
Erscheinungsdatum: 16.06.2016
Gewicht: 0,432 kg
preigu-id: 103660633
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