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Replacing Home suggests that while "place" may no longer be a sustainable category, being in place and belonging at home are nonetheless possible. By emphasizing reusability rather than fixed constructions, art and architecture together propose various systems of replacing home in which sites can be revisited, material structures can be renewed, and dwellers can come back into contact over time. Bringing together a range of objects and events, Johung considers the structural replacements of home as evident in artistic analogies of the prehistoric hut, modular homes, transformable garments, and digitally networked sites.
In charting these intersections between contemporary art and architecture, Replacing Home introduces a new framework for reconceptualizing spatial situation; at the same time, it presents a new way to experience being and belonging within our globally expanded environments.
Replacing Home suggests that while "place" may no longer be a sustainable category, being in place and belonging at home are nonetheless possible. By emphasizing reusability rather than fixed constructions, art and architecture together propose various systems of replacing home in which sites can be revisited, material structures can be renewed, and dwellers can come back into contact over time. Bringing together a range of objects and events, Johung considers the structural replacements of home as evident in artistic analogies of the prehistoric hut, modular homes, transformable garments, and digitally networked sites.
In charting these intersections between contemporary art and architecture, Replacing Home introduces a new framework for reconceptualizing spatial situation; at the same time, it presents a new way to experience being and belonging within our globally expanded environments.
Jennifer Johung is assistant professor of art history at the University of Wisconsin, Milwaukee and director of the Art History Gallery.
Contents
Introduction: Replacing Home
1. Returning to the Hut: Dan Graham’s Two Way Mirror Cylinder Inside Cube
2. Reusable Sites: Gordon Matta-Clark’s Fake Estatesand the Odd LotsExhibition
3. In and out of Place: Modular Architecture and Reintegration
4. Visibly Skinned: Body Architecture and Transformable Clothing
5. Networked Dependencies: Rafael Lozano-Hemmer’s Relational Architecture
Epilogue: Almost Home
Acknowledgments
Notes
Bibliography
Index
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780816672882 |
ISBN-10: | 0816672881 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Johung, Jennifer |
Hersteller: | University of Minnesota Press |
Maße: | 229 x 152 x 14 mm |
Von/Mit: | Jennifer Johung |
Erscheinungsdatum: | 05.12.2011 |
Gewicht: | 0,368 kg |
Jennifer Johung is assistant professor of art history at the University of Wisconsin, Milwaukee and director of the Art History Gallery.
Contents
Introduction: Replacing Home
1. Returning to the Hut: Dan Graham’s Two Way Mirror Cylinder Inside Cube
2. Reusable Sites: Gordon Matta-Clark’s Fake Estatesand the Odd LotsExhibition
3. In and out of Place: Modular Architecture and Reintegration
4. Visibly Skinned: Body Architecture and Transformable Clothing
5. Networked Dependencies: Rafael Lozano-Hemmer’s Relational Architecture
Epilogue: Almost Home
Acknowledgments
Notes
Bibliography
Index
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780816672882 |
ISBN-10: | 0816672881 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Johung, Jennifer |
Hersteller: | University of Minnesota Press |
Maße: | 229 x 152 x 14 mm |
Von/Mit: | Jennifer Johung |
Erscheinungsdatum: | 05.12.2011 |
Gewicht: | 0,368 kg |