84,60 €*
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Ellen Rosand, George A. Saden Professor of Music at Yale University, is the author of Opera in Seventeenth-Century Venice: the Creation of a Genre (1991) and Monteverdi's Last Operas: A Venetian Trilogy (2007). She is the general editor of the new Baerenreiter edition of the operas of Francesco Cavalli, a composer with whom she has been associated since her Ph.D. dissertation days.
Contents: Preface; Introduction, Ellen Rosand; Part I Historiography of Performances and Editions: Cavalli's operas: notes from a performing editor, Jane Glover; Editing Cavalli's operas: fashion or necessity, Álvaro Torrente; After the premiere: the use of alternative sources in revivals of Cavalli's operas, Dinko Fabris. Part II The Manuscript Scores: Inside Cavalli's workshop: copies and copyists, Jennifer Williams Brown; Maria Cavalli: in the shadow of Francesco, Christine Jeanneret; Editing the performance score: toward a new understanding of 17th-century work concepts, Hendrik Schulze. Part III Giasone, Production and Interpretation: Behind the scenes of Cavalli's Giasone of 1649, Beth L. Glixon; Spectacle and drama, or, how many sets do we really need to perform 17th-century opera?, Jonathan Glixon; Hysipyle, Medea, and the Ovidian imagination: taming the epic hero on Cavalli's Giasone, Wendy Heller; Shakespeare and the Golden Fleece, Lawrence Manley. Part IV Making Librettos: Plotting the myth of Giasone, Fausta Antonucci and Lorenzo Bianconi; Cicognini's Giasone: between music and theater, Anna Tedesco; 'Ecco reciso alfine il groppo de l'inganno': Giovanni Faustini's Euripo from the sources to the plot, Nicola Badolato. Part V Cavalli Beyond Venice: Giasone: a source overview, Thomas Lin and Joseph Salem; Balbi's Febiarmonici and the first 'road shows' of Giasone (1649-1653), Nicola Michelassi; Orione in Milan: a Cavalli premiere, Davide Daolmi; 'Ercole amante sconosciuto': reconstructing the revised version of Cavalli's Parisian opera, Michael Klaper; Ercole amante, the first tragédie en musique?, Barbara Nestola; Select bibliography; Index.
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781138270664 |
ISBN-10: | 1138270660 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Rosand, Ellen |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 24 mm |
Von/Mit: | Ellen Rosand |
Erscheinungsdatum: | 09.09.2016 |
Gewicht: | 0,667 kg |
Ellen Rosand, George A. Saden Professor of Music at Yale University, is the author of Opera in Seventeenth-Century Venice: the Creation of a Genre (1991) and Monteverdi's Last Operas: A Venetian Trilogy (2007). She is the general editor of the new Baerenreiter edition of the operas of Francesco Cavalli, a composer with whom she has been associated since her Ph.D. dissertation days.
Contents: Preface; Introduction, Ellen Rosand; Part I Historiography of Performances and Editions: Cavalli's operas: notes from a performing editor, Jane Glover; Editing Cavalli's operas: fashion or necessity, Álvaro Torrente; After the premiere: the use of alternative sources in revivals of Cavalli's operas, Dinko Fabris. Part II The Manuscript Scores: Inside Cavalli's workshop: copies and copyists, Jennifer Williams Brown; Maria Cavalli: in the shadow of Francesco, Christine Jeanneret; Editing the performance score: toward a new understanding of 17th-century work concepts, Hendrik Schulze. Part III Giasone, Production and Interpretation: Behind the scenes of Cavalli's Giasone of 1649, Beth L. Glixon; Spectacle and drama, or, how many sets do we really need to perform 17th-century opera?, Jonathan Glixon; Hysipyle, Medea, and the Ovidian imagination: taming the epic hero on Cavalli's Giasone, Wendy Heller; Shakespeare and the Golden Fleece, Lawrence Manley. Part IV Making Librettos: Plotting the myth of Giasone, Fausta Antonucci and Lorenzo Bianconi; Cicognini's Giasone: between music and theater, Anna Tedesco; 'Ecco reciso alfine il groppo de l'inganno': Giovanni Faustini's Euripo from the sources to the plot, Nicola Badolato. Part V Cavalli Beyond Venice: Giasone: a source overview, Thomas Lin and Joseph Salem; Balbi's Febiarmonici and the first 'road shows' of Giasone (1649-1653), Nicola Michelassi; Orione in Milan: a Cavalli premiere, Davide Daolmi; 'Ercole amante sconosciuto': reconstructing the revised version of Cavalli's Parisian opera, Michael Klaper; Ercole amante, the first tragédie en musique?, Barbara Nestola; Select bibliography; Index.
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781138270664 |
ISBN-10: | 1138270660 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: | Rosand, Ellen |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 24 mm |
Von/Mit: | Ellen Rosand |
Erscheinungsdatum: | 09.09.2016 |
Gewicht: | 0,667 kg |