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Englisch
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Beschreibung
I want to give my country a model of perfection. My country needs cheering up. I'm the man to do it.
In 1934, John Christie embarks on building an opera house on his Sussex estate, his vision of the sublime realised by a group of refugees from Nazi Germany, with his wife, necessarily, cast in the lead. The Moderate Soprano tells how Glyndebourne, this most English of institutions, derives its character firstly from a woman and secondly from an Austrian and two Germans. The play premiered at Hampstead Theatre in 2015, and opened at the Duke of York's Theatre, London, in 2018.
In 1934, John Christie embarks on building an opera house on his Sussex estate, his vision of the sublime realised by a group of refugees from Nazi Germany, with his wife, necessarily, cast in the lead. The Moderate Soprano tells how Glyndebourne, this most English of institutions, derives its character firstly from a woman and secondly from an Austrian and two Germans. The play premiered at Hampstead Theatre in 2015, and opened at the Duke of York's Theatre, London, in 2018.
I want to give my country a model of perfection. My country needs cheering up. I'm the man to do it.
In 1934, John Christie embarks on building an opera house on his Sussex estate, his vision of the sublime realised by a group of refugees from Nazi Germany, with his wife, necessarily, cast in the lead. The Moderate Soprano tells how Glyndebourne, this most English of institutions, derives its character firstly from a woman and secondly from an Austrian and two Germans. The play premiered at Hampstead Theatre in 2015, and opened at the Duke of York's Theatre, London, in 2018.
In 1934, John Christie embarks on building an opera house on his Sussex estate, his vision of the sublime realised by a group of refugees from Nazi Germany, with his wife, necessarily, cast in the lead. The Moderate Soprano tells how Glyndebourne, this most English of institutions, derives its character firstly from a woman and secondly from an Austrian and two Germans. The play premiered at Hampstead Theatre in 2015, and opened at the Duke of York's Theatre, London, in 2018.
Über den Autor
David Hare has written over thirty stage plays and thirty screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn, The Moderate Soprano, I'm Not Running and Beat the Devil. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy, Collateral and Roadkill. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Importe, Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780571348343 |
| ISBN-10: | 0571348343 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hare, David |
| Auflage: | Main |
| Hersteller: | Faber & Faber |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 135 x 263 x 16 mm |
| Von/Mit: | David Hare |
| Erscheinungsdatum: | 05.04.2018 |
| Gewicht: | 0,146 kg |