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Beschreibung
A groundbreaking text on the history of the use of patents in architecture.

Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects’ engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In Prior Art, scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.

Christensen’s method, a site-oriented approach steeped in multinational and multilingual archival work, is geared toward unifying fractured global histories of architectural patents through the distinct union of architectural, cultural, and legal history. Prior Art offers a record of the marriage of intellectual property and architectural invention—a momentous, understudied, and still underutilized aspect of architectural culture in the nineteenth and twentieth centuries—and the ways in which it influenced how buildings are conceived, designed, engineered, constructed, and promoted.
A groundbreaking text on the history of the use of patents in architecture.

Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects’ engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In Prior Art, scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.

Christensen’s method, a site-oriented approach steeped in multinational and multilingual archival work, is geared toward unifying fractured global histories of architectural patents through the distinct union of architectural, cultural, and legal history. Prior Art offers a record of the marriage of intellectual property and architectural invention—a momentous, understudied, and still underutilized aspect of architectural culture in the nineteenth and twentieth centuries—and the ways in which it influenced how buildings are conceived, designed, engineered, constructed, and promoted.
Über den Autor
Peter H. Christensen
Inhaltsverzeichnis
Introduction
1 The Home
2 The Studio
3 The Corporate Lab
4 The Repository
5 The Patent Office
6 The Courtroom
7 The Commons
Coda
Acknowledgments
List of Abbreviations
Notes
Bibliography
Index
Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Architektur
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780262048958
ISBN-10: 0262048957
Sprache: Englisch
Einband: Gebunden
Autor: Christensen, Peter H
Hersteller: The MIT Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 13 color illustrations, 93 b&w illustrations
Maße: 248 x 169 x 35 mm
Von/Mit: Peter H Christensen
Erscheinungsdatum: 07.05.2024
Gewicht: 0,997 kg
Artikel-ID: 129040117