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Cover: 9781108407571 | Polyphony in Medieval Paris | Catherine A. Bradley | Taschenbuch
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Polyphony in Medieval Paris
Taschenbuch von Catherine A. Bradley
Sprache: Englisch

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Beschreibung
Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Über den Autor
Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.
Inhaltsverzeichnis
List of figures; List of tables; List of musical examples; Acknowledgements; Manuscript sigla; Abbreviations; A note on transcriptions and numbering systems; Introduction; 1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets; 2. Mini clausulae and the Magnus Liber Organi; 3. Texting clausulae: repetition and regularity on the Regnat tenor; 4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae; 5. Framing motets: quoting and crafting refrains against plainchant tenors; 6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor; 7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet; 8. Conclusions; Bibliography; Index.
Details
Erscheinungsjahr: 2020
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 300
ISBN-13: 9781108407571
ISBN-10: 1108407579
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Bradley, Catherine A.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 17 mm
Von/Mit: Catherine A. Bradley
Erscheinungsdatum: 23.01.2020
Gewicht: 0,522 kg
preigu-id: 117981880
Über den Autor
Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.
Inhaltsverzeichnis
List of figures; List of tables; List of musical examples; Acknowledgements; Manuscript sigla; Abbreviations; A note on transcriptions and numbering systems; Introduction; 1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets; 2. Mini clausulae and the Magnus Liber Organi; 3. Texting clausulae: repetition and regularity on the Regnat tenor; 4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae; 5. Framing motets: quoting and crafting refrains against plainchant tenors; 6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor; 7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet; 8. Conclusions; Bibliography; Index.
Details
Erscheinungsjahr: 2020
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 300
ISBN-13: 9781108407571
ISBN-10: 1108407579
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Bradley, Catherine A.
Hersteller: Cambridge University Press
Maße: 244 x 170 x 17 mm
Von/Mit: Catherine A. Bradley
Erscheinungsdatum: 23.01.2020
Gewicht: 0,522 kg
preigu-id: 117981880
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