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Eric Wilson's compelling study of the film examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of 'point blank'. On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness.
He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favouring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity.
Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.
Eric Wilson's compelling study of the film examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of 'point blank'. On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness.
He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favouring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity.
Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.
Introduction: Two Shots
1. Trauma
2. What You See Is What You See
3. Repetition
4. Color
5. Topsy-Turvydom
Conclusion: Wide Shot
Notes
Credits
Bibliography
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 112 |
| Reihe: | BFI Film Classics |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839025761 |
| ISBN-10: | 183902576X |
| Sprache: | Englisch |
| Herstellernummer: | 670139 |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Wilson, Eric G. |
| Hersteller: |
Bloomsbury Academic
British Film Institute |
| Abbildungen: | 60 colour illus |
| Maße: | 185 x 131 x 9 mm |
| Von/Mit: | Eric G. Wilson |
| Erscheinungsdatum: | 07.09.2023 |
| Gewicht: | 0,182 kg |
Introduction: Two Shots
1. Trauma
2. What You See Is What You See
3. Repetition
4. Color
5. Topsy-Turvydom
Conclusion: Wide Shot
Notes
Credits
Bibliography
| Erscheinungsjahr: | 2023 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 112 |
| Reihe: | BFI Film Classics |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839025761 |
| ISBN-10: | 183902576X |
| Sprache: | Englisch |
| Herstellernummer: | 670139 |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Wilson, Eric G. |
| Hersteller: |
Bloomsbury Academic
British Film Institute |
| Abbildungen: | 60 colour illus |
| Maße: | 185 x 131 x 9 mm |
| Von/Mit: | Eric G. Wilson |
| Erscheinungsdatum: | 07.09.2023 |
| Gewicht: | 0,182 kg |
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