Photography Reframed: Always, Already, Again, Ben Burbridge and Annebella PollenSection I. New Ontologies: Photography between the Archive and the Network1. Technology and Interaction: Penelope Umbricös TVs from Craigslist, Duncan Wooldridge2. Post-representational Photography, or the Grin of Schrödingers Cat, Daniel Rubinstein3. Archival Measures: Photography Collections in a New Media Age, Tina Di Carlo4. The Grain of Ephemera/Event: Thinking Digital Archive through Photography, Sen Uesaki and Jelena Stojkovic5. Tomorrows Headlines Are Todays Fish and Chip Papers: Some Thoughts on `Response-ability David Campany interviewed by Duncan WooldridgeSection II. Mass Culture and the Politics of Distinction6. Popular Photographic Cultures in Photography Studies, Gil Pasternak7. The Photographer as Reader: The Aspirational Amateur in the Photo-Magazines, Peter Buse8. Mrs Wagners Aspirations: The Album as Monument, Martha Langford9. When is a Cliché not a Cliché?: Reconsidering Mass-produced Sunsets, Annebella PollenSection III. (Networked) Society and the Spectacle: Photography and Exhibitionism10. The Shirt Off His Back: Male Torsos on Display in Contemporary Visual Culture, Marvin Heiferman11. The Politics of Amateurism in Online Pornography, Feona Attwood12 What a Body Can Do: From the Frenzy of the Communicative to the Visual Bond, Francis Summers 13. Hating Habermas: On Exhibitionism, Shame and Life on the Actually Existing Internet, Theresa M. Senft14. Paradise Lost: Exhibitionism and the Work of Nan Goldin, Ben BurbridgeSection IV. Documentary Photography and Global Crisis15. The Déjà Vu of September 11: An Essay on Inter-iconicity, Clément Chéroux16. Facing War: Photography and Humanism, Iain Boal and Julian Stallabrass17. War Primers, David Evans18. Immigration Photography in Italy, Andrea Pogliano 19. Landscape Photographys `New Humanism, Chad EliasSection V. Citizens? Photography, Resistance and Control20. Dead End Streets: Photography, Protest and Social Control, David Hoffman21. Escaping the Panopticon, Pauline Hadaway22 `You Dont Even Represent Us: Picturing the Moscow Protests, Aglaya Glebova23. Occupy the Image, Liam Devlin24. The Becoming-Photographer in Technoculture, Sarah KemberClosing Reflections, Ronnie Close, Catherine Grant, Sarah E. James and Sandra PlummerAfterword, Charlotte CottonList of IllustrationsAcknowledgementsCreditsContributor BiographiesIndex