Ruth Pelzer-Montada is an artist and Lecturer in Contemporary Art and Visual Culture at Edinburgh College of Art, The University of Edinburgh

Introduction
Part I: Genealogy
Beat Wyss - Fragments for an art history of media: electr(on)ic thinking (1997)
Ernst Rebel - The technical gaze: the parallel world of photography (2003)
Frances Robertson - Post-print culture? (2013)
Part II: Debates
Ruth Weisberg - The syntax of the print: in search of an aesthetic context (1986)
Richard S. Field - Sentences on printed art (1994)
Kathryn Reeves - The re-vision of printmaking (1999)
Andrzrej Bednarczyk - The shape of graphic art (2010)
José Roca - The graphic unconscious or the how and why of a print triennial (2011)
Richard Harding - Print as other: the future is queer (2013)
Barbara Balfour - The what and the why of print (2016)
Part III: Keywords
Ernst Rebel - Coordinates of a history of the technical image (2003)
Susan Lambert - The status of the reproduction (1988)
Clare Humphries - Benjamin's blindspot: aura and reproduction in the post-print age (2015)
K. E. Gover - Are all multiples the same? The problematic nature of the limited edition (2015)
Frieder Nake - Printing plates and pixel matrix: the mechanisation of memory (2010)
Georges Didi-Huberman - Opening up an anachronistic point of view (1997)
Deirdre Brollo - Untying the knot: memory and forgetting in contemporary print work (2013)
Yara Flores - Spirit duplication (2010)
Catherine Brooks - Three ways to use yellow (2014)
Amze Emmons, R.L. Tillman and Jason Urban - On the manual (In the manual) (2014)
Nicky Coutts - Animal print suicide (2014)
Part IV: The field
Daniel F. Herrmann - Edinburgh Printmakers and the notion of the workshop (2007)
Jeremy Lewison - Projects and portfolios: narrative and structure (1995)
Gill Saunders - Lasting impressions? A museum perspective on digital fine art printmaking (2009)
Sheryl Conkelton - Print and the public sphere (2011)
Johanna Drucker - The work event: art in the distributed field and systems of production (2013)
Eric Triantafillou - All the instruments agree (2010)
Mari Carmen Ramírez - Stamping (molding) marks: the San Juan Triennial tracking the new century (2004)
Shang Hui - Chinese printmaking in the twenty-first century: new horizons and energies (2011)
Matthew Perkins - What is 'studio' in the post-disciplinary age? (2011)
Amanda Thomson - Making a place: art and a multi-modal, multi-disciplinary approach (2014)
R. L. Tillman - Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014)
Index