Larry Sitsky

Preface
Abbreviations
Acknowledgments
Historical Background: Anatoliy V. Lunacharsky, the Cultured Commissar
The Precursors
Vladimir I. Rebikov: The Inventor of Whole-Tone Music
Aleksei V. Stanchinskiy: The Diatonic Webern
The Big Three
Nikolai A. Roslavets: The Russian Schoenberg
Aleksandr V. Mosolov: The Man of Steel
Arthur V. Lourie: The Decadent Out of Place
The Smaller Five
Leonid A. Polovinkin: The Partial Avant-Gardist
Vladimir V. Shcherbachev: Old Wine in New Vessels
Lev K. Knipper: Wind from the West
Boris N. Liatoshinski: The Passionate Slav
Vladimir M. Deshevov: The Man of the Theater
The Reluctant Avant-Gardists
Samuil E. Feinberg: The Post-Scriabin Pianist
Anatoliy N. Aleksandrov: The Post-Rachmaninovian
Boris A. Aleksandrov: Son of the Composer of the Soviet Anthem
The Jewish School
Aleksandr A. Krein: Voice in the Wilderness
Grigoriy A. Krein: Toward Assimilation
Yulian G. Krein: Precocious Cosmopolitan
Aleksandr M. Veprik: The Ukrainian Bartok and Bloch
Mikhail F. Gnessin: The Jewish Glinka
Composers in Exile
Ivan A. Vishnegradsky: Microtones
Nikolai Obukhov: Mystic Beyond Scriabin
Iosif M. Schillinger: Gershwin's Teacher
Aleksandr N. Tcherepnine: Suave Internationalist
Musicologists and Transients
Sergei V. Protopopov: The Post-Scriabin Composer
Leonid L. Sabaneev: Would-be Scientist Becomes Critic
Dmitriy M. Melkikh: Rhapsodist
Gavrill N. Popov: Contrapuntalist
Aleksei S. Zhivotov: Notorious for One Piece
Efim Golyshchev: The First Serialist?
Georgi M. Rimsky-Korsakov: Microtonist
Appendix: Further Scores for Study and Reference
Index