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Cover: 9781349444175 | Mise en Scène and Film Style | A. Martin | Taschenbuch | Paperback
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Mise en Scène and Film Style
From Classical Hollywood to New Media Art
Taschenbuch von A. Martin
Sprache: Englisch

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Beschreibung
Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Über den Autor

Adrian Martin is Professor of Film Studies at Goethe University, Germany, and Monash University, Australia. His books include Phantasms, Once Upon a Time in America, The Mad Max Movies, Last Day Every Day and What is Modern Cinema?. He is co-editor of the online film journal LOLA and the book Movie Mutations.

Inhaltsverzeichnis
Contents List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scène? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scène 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography
Details
Erscheinungsjahr: 2014
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Reihe: Palgrave Close Readings in Film and Television
Inhalt: xviii
235 S.
ISBN-13: 9781349444175
ISBN-10: 1349444170
Sprache: Englisch
Herstellernummer: 978-1-349-44417-5
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Martin, A.
Hersteller: Palgrave Macmillan
Palgrave Macmillan UK
Palgrave Close Readings in Film and Television
Maße: 216 x 140 x 15 mm
Von/Mit: A. Martin
Erscheinungsdatum: 04.11.2014
Gewicht: 0,327 kg
Artikel-ID: 103824342
Über den Autor

Adrian Martin is Professor of Film Studies at Goethe University, Germany, and Monash University, Australia. His books include Phantasms, Once Upon a Time in America, The Mad Max Movies, Last Day Every Day and What is Modern Cinema?. He is co-editor of the online film journal LOLA and the book Movie Mutations.

Inhaltsverzeichnis
Contents List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scène? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scène 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography
Details
Erscheinungsjahr: 2014
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Reihe: Palgrave Close Readings in Film and Television
Inhalt: xviii
235 S.
ISBN-13: 9781349444175
ISBN-10: 1349444170
Sprache: Englisch
Herstellernummer: 978-1-349-44417-5
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Martin, A.
Hersteller: Palgrave Macmillan
Palgrave Macmillan UK
Palgrave Close Readings in Film and Television
Maße: 216 x 140 x 15 mm
Von/Mit: A. Martin
Erscheinungsdatum: 04.11.2014
Gewicht: 0,327 kg
Artikel-ID: 103824342
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