VIVID, EFFERVESCENT AND NERVOUS: MEDIATED ARCHITECTURE presents the Theatre of Immanence (2007), an installation and exhibition project in Städelschule's Portikus gallery; Digital Bodies (2013-14), an experimental research project in transformational modelling; and Orkhestra (2014), which was an installation on a large, public square in Frankfurt and part of 'Luminale', Biennale of Lighting Culture. The projects vary in scale and nature from gallery installation via laboratory-style modelling experiment to an urban intervention. They span a period in which architecture's contribution to the production of space has become increasingly mediated by technology. Each in their own way, the three projects probe this condition and explore new design opportunities given to architecture. The results are vivid, effervescent and nervous - and always a mediated architecture. Accompanying extensive portfolios of drawings and pictures that document the respective design processes and their results, are texts that expound on the theoretical and practical implications of each project.

Text contributors to SAC JOURNAL No. 2 include: Sanford Kwinter, Daniel Birnbaum, Maraike Bückling, Sebastian Oschatz, Mathias Wollin, Mirco Becker and Johan Bettum.