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Beschreibung
Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.
Examines the economic and spatial importance of performance arts in West Africa through a close analysis of the masquerade culture of Calabar, the capital city of Nigeria's Cross River State.
Über den Autor
JORDAN A. FENTON is Associate Professor of Art History at Miami University (Ohio). He has carried out fieldwork in Calabar (Nigeria) since 2008.
Inhaltsverzeichnis
Preface and Acknowledgments
Part I: Setting the Urban Stage
Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City
Chapter 2: "Face No Fear Face:" Unmasking Youths
Part II: Space
Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space
Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance
Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance
Part III: Money
Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa
Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies
Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage
Part IV: Local Voices
Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation
Coda: "I Think About my Kids and Feeding Them"
References
Part I: Setting the Urban Stage
Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City
Chapter 2: "Face No Fear Face:" Unmasking Youths
Part II: Space
Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space
Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance
Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance
Part III: Money
Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa
Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies
Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage
Part IV: Local Voices
Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation
Coda: "I Think About my Kids and Feeding Them"
References
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Fachbereich: | Allgemeines |
| Genre: | Importe, Wirtschaft |
| Rubrik: | Recht & Wirtschaft |
| Medium: | Buch |
| ISBN-13: | 9781648250262 |
| ISBN-10: | 1648250262 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Fenton, Jordan |
| Hersteller: | Boydell & Brewer |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 231 x 156 x 30 mm |
| Von/Mit: | Jordan Fenton |
| Erscheinungsdatum: | 08.02.2022 |
| Gewicht: | 0,884 kg |
Über den Autor
JORDAN A. FENTON is Associate Professor of Art History at Miami University (Ohio). He has carried out fieldwork in Calabar (Nigeria) since 2008.
Inhaltsverzeichnis
Preface and Acknowledgments
Part I: Setting the Urban Stage
Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City
Chapter 2: "Face No Fear Face:" Unmasking Youths
Part II: Space
Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space
Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance
Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance
Part III: Money
Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa
Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies
Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage
Part IV: Local Voices
Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation
Coda: "I Think About my Kids and Feeding Them"
References
Part I: Setting the Urban Stage
Chapter 1: Introduction, Masquerade as an Artistic Pulse of the City
Chapter 2: "Face No Fear Face:" Unmasking Youths
Part II: Space
Chapter 3: "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space
Chapter 4: "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance
Chapter 5: "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance
Part III: Money
Chapter 6: "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa
Chapter 7: "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies
Chapter 8: "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage
Part IV: Local Voices
Chapter 9: "I know Myself:" Masquerade as an Artistic Transformation
Coda: "I Think About my Kids and Feeding Them"
References
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Fachbereich: | Allgemeines |
| Genre: | Importe, Wirtschaft |
| Rubrik: | Recht & Wirtschaft |
| Medium: | Buch |
| ISBN-13: | 9781648250262 |
| ISBN-10: | 1648250262 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Fenton, Jordan |
| Hersteller: | Boydell & Brewer |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 231 x 156 x 30 mm |
| Von/Mit: | Jordan Fenton |
| Erscheinungsdatum: | 08.02.2022 |
| Gewicht: | 0,884 kg |
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