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Cover: 9780521602839 | Mahler's Sixth Symphony | A Study in Musical Semiotics | Samuels
Rückseite: 9780521602839 | Mahler's Sixth Symphony | A Study in Musical Semiotics | Samuels
Cover: 9780521602839 | Mahler's Sixth Symphony | A Study in Musical Semiotics | Samuels
Rückseite: 9780521602839 | Mahler's Sixth Symphony | A Study in Musical Semiotics | Samuels
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Mahler's Sixth Symphony
A Study in Musical Semiotics
Taschenbuch von Robert Samuels
Sprache: Englisch

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Beschreibung
The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape the categories of conventional analysis. This study uses a semiotic theory of signification in order to investigate different types of musical communication. Musical meaning is defined on several levels from structures immanent to the work, through questions of tradition and genre, to consideration of the symphony as a narrative alongside other contemporary non-musical texts. Ideas from Eco, Barthes, and Derrida are deployed within the context of close analysis of the score in order to unite specifically analytical insights with cultural hermeneutics.
The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape the categories of conventional analysis. This study uses a semiotic theory of signification in order to investigate different types of musical communication. Musical meaning is defined on several levels from structures immanent to the work, through questions of tradition and genre, to consideration of the symphony as a narrative alongside other contemporary non-musical texts. Ideas from Eco, Barthes, and Derrida are deployed within the context of close analysis of the score in order to unite specifically analytical insights with cultural hermeneutics.
Inhaltsverzeichnis
1. Music, theory and signification; 2. Motive as sign: an analysis of the Andante; 3. Coding of musical form: the finale; 4. Genre and presupposition in the Mahlerian Scherzo; 5. Musical narrative and the suicide of the symphony; 6. Coda; Bibliography.
Details
Erscheinungsjahr: 2004
Genre: Importe, Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9780521602839
ISBN-10: 0521602831
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Samuels, Robert
Redaktion: Bent, Ian
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 246 x 189 x 11 mm
Von/Mit: Robert Samuels
Erscheinungsdatum: 02.02.2004
Gewicht: 0,383 kg
Artikel-ID: 102481827
Inhaltsverzeichnis
1. Music, theory and signification; 2. Motive as sign: an analysis of the Andante; 3. Coding of musical form: the finale; 4. Genre and presupposition in the Mahlerian Scherzo; 5. Musical narrative and the suicide of the symphony; 6. Coda; Bibliography.
Details
Erscheinungsjahr: 2004
Genre: Importe, Musik
Rubrik: Kunst & Musik
Medium: Taschenbuch
ISBN-13: 9780521602839
ISBN-10: 0521602831
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Samuels, Robert
Redaktion: Bent, Ian
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 246 x 189 x 11 mm
Von/Mit: Robert Samuels
Erscheinungsdatum: 02.02.2004
Gewicht: 0,383 kg
Artikel-ID: 102481827
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