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Beschreibung
But you can't do this to us - my partner is about to have a baby and we need to eat and pay rent - and we need to eat - how is this legal!

In the run-up to Christmas, three families are placed into cramped temporary accommodation.

A middle-aged man and his elderly mum, a young family with a baby on the way, a newly arrived woman from Sudan. Strangers. Forced together. No space is personal.

In this play by Alexander Zeldin, written through a devising process, the audience are invited to bear witness to an intimate story of family love for our times.

Love received its world premiere at the National Theatre, London, in the Dorfman Theatre, on 13 December 2016 and opened at Birmingham Rep on 26 January 2017.
But you can't do this to us - my partner is about to have a baby and we need to eat and pay rent - and we need to eat - how is this legal!

In the run-up to Christmas, three families are placed into cramped temporary accommodation.

A middle-aged man and his elderly mum, a young family with a baby on the way, a newly arrived woman from Sudan. Strangers. Forced together. No space is personal.

In this play by Alexander Zeldin, written through a devising process, the audience are invited to bear witness to an intimate story of family love for our times.

Love received its world premiere at the National Theatre, London, in the Dorfman Theatre, on 13 December 2016 and opened at Birmingham Rep on 26 January 2017.
Über den Autor
At university, Alexander Zeldin created a production of Calderon de La Barca's Constant Prince in Cairo, working with local musicians. After graduating, he began work at the Mariinsky Opera directing the Russian premiere of Powder her Face, as well as works by Puccini and Ravel. In 2010 he was selected to helm the European Theatre Company at the Napoli Teatro Festival Italia, collaborating again with artists from the Middle East on a production of Romeo and Juliet in Arabic and Italian. In 2011, he was invited to South Korea to direct Macbeth with Yi Youn Taek's Goripae Group (Korean Critics' Choice) and in January 2012, he created a new music and dance-theatre work, "Shemehé", for the British Council-National Theatre Studio-Rustaveli, National Theatre Georgia and Black Battles with Dogs at the Southwark Playhouse. In 2013, he assisted Peter Brook and Marie Helène Estienne on their revival of A Magic Flute. He has also collaborated with dancer Mélanie Lomoff on Code Unknown (Opera Estate/ Bassano Del Grappa, Mousonturm Frankfurt). Since 2011, Alexander Zeldin has formed an ensemble of actors in the UK. Their projects include Doing the Idiots (National Theatre Studio 2012 - a response to Lars Von Trier's film The Idiots), Shemehe and Beyond Caring (Yard Theatre, 2013). His work has been recognised by a nomination to the Rolex Mentor Protege Award in 2012, for the leading young artistic voices of the future.
Zusammenfassung
Once more, Zeldin turns his focus to those in society who may be otherwise ignored - the marginalised, the downtrodden, the precariats
Details
Erscheinungsjahr: 2017
Genre: Importe, Romane & Erzählungen
Rubrik: Belletristik
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781350041431
ISBN-10: 1350041432
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Zeldin, Alexander
Auflage: 2. Auflage
Hersteller: Bloomsbury 3PL
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 198 x 129 x 5 mm
Von/Mit: Alexander Zeldin
Erscheinungsdatum: 01.05.2017
Gewicht: 0,098 kg
Artikel-ID: 108227441