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Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" -referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Barthes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" -referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Barthes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read.
2. Voices and Existential Spaces:The Fabric of Everyday Worlds
3. Singing Along:The Emergence of Mystical Bodies
4. Voices in History:Living Through Ontological Discontinuity
5. Voices and Imagining:On the Verge of Agency
6. Voices with Neutral Perfection:The Address of Transcendental Authority
7. Overwhelming Voices:An Unconcealment of Closeness
Gratitude for Intellectual Closeness
Notes
| Erscheinungsjahr: | 2025 |
|---|---|
| Genre: | Importe, Philosophie |
| Jahrhundert: | 19. Jh. |
| Rubrik: | Geisteswissenschaften |
| Medium: | Buch |
| Inhalt: | Einband - fest (Hardcover) |
| ISBN-13: | 9781503642485 |
| ISBN-10: | 1503642488 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Gumbrecht, Hans Ulrich |
| Hersteller: | Stanford University Press |
| Verantwortliche Person für die EU: | Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk |
| Maße: | 234 x 155 x 20 mm |
| Von/Mit: | Hans Ulrich Gumbrecht |
| Erscheinungsdatum: | 15.04.2025 |
| Gewicht: | 0,431 kg |
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