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A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.
Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.
A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.
Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.
Introduction
Part one Listening
Being Honeyed
To Listen
Dynamic Things and Places
Critique of a Remote Critic
Listening to the Soundscape Recorded
Listening to the Radio
Conclusion: Sonic Solitude
Part two Noise
Bad Taste
Noisy Non-Sense
How can you hear it when you do not know what you are listening for? - Noise and Modernism
Noise and Postmodernism
Sonic Noise
Conclusion: Noisy Voices
Part three Silence
Conceptual Silence
When there is nothing to hear you start hearing things
The silent "I"/ Sonic Subjectivity
Crickets
Silent Duration
Symbolic, Semiotic and Social Sound
Moments of Coincidence
Radiophonic Silence
Conclusion: Silence as Context of Auditory Aesthetics
Part four Time and Space
Sitting in Rooms
Resonating Places; Sounding Time
Geography of Timespace
Inhabiting a Playfull Agonism
Building Sonic Bridges and Towns
A Sonic Sensibility for New Media Art
Narrating temporal places/ migration
The Timespace of Radio
Conclusion: Into the Now of Listening
Part five Now
Sonic Pasts: an Afterthought
Perception and Sensation
Sound as 'Pathetic Trigger'
The Duration of Perception
The Refrain of Now
Bibliography
List of Works
Notes
Index
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 256 |
| ISBN-13: | 9781441162076 |
| ISBN-10: | 1441162070 |
| Sprache: | Englisch |
| Originalsprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Voegelin, Salome |
| Hersteller: | Bloomsbury Academic |
| Maße: | 230 x 154 x 25 mm |
| Von/Mit: | Salome Voegelin |
| Erscheinungsdatum: | 05.2010 |
| Gewicht: | 0,398 kg |
Introduction
Part one Listening
Being Honeyed
To Listen
Dynamic Things and Places
Critique of a Remote Critic
Listening to the Soundscape Recorded
Listening to the Radio
Conclusion: Sonic Solitude
Part two Noise
Bad Taste
Noisy Non-Sense
How can you hear it when you do not know what you are listening for? - Noise and Modernism
Noise and Postmodernism
Sonic Noise
Conclusion: Noisy Voices
Part three Silence
Conceptual Silence
When there is nothing to hear you start hearing things
The silent "I"/ Sonic Subjectivity
Crickets
Silent Duration
Symbolic, Semiotic and Social Sound
Moments of Coincidence
Radiophonic Silence
Conclusion: Silence as Context of Auditory Aesthetics
Part four Time and Space
Sitting in Rooms
Resonating Places; Sounding Time
Geography of Timespace
Inhabiting a Playfull Agonism
Building Sonic Bridges and Towns
A Sonic Sensibility for New Media Art
Narrating temporal places/ migration
The Timespace of Radio
Conclusion: Into the Now of Listening
Part five Now
Sonic Pasts: an Afterthought
Perception and Sensation
Sound as 'Pathetic Trigger'
The Duration of Perception
The Refrain of Now
Bibliography
List of Works
Notes
Index
| Erscheinungsjahr: | 2010 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 256 |
| ISBN-13: | 9781441162076 |
| ISBN-10: | 1441162070 |
| Sprache: | Englisch |
| Originalsprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Voegelin, Salome |
| Hersteller: | Bloomsbury Academic |
| Maße: | 230 x 154 x 25 mm |
| Von/Mit: | Salome Voegelin |
| Erscheinungsdatum: | 05.2010 |
| Gewicht: | 0,398 kg |
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