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"How Soviet-era family photographs complicate official historical memory-producing forms of individual agency within controlled narratives of history"-- Provided by publisher.
"How Soviet-era family photographs complicate official historical memory-producing forms of individual agency within controlled narratives of history"-- Provided by publisher.
Über den Autor
Oksana Sarkisova is Research Fellow at the Vera and Donald Blinken Open Society Archives and cofounder of the Visual Studies Platform at Central European University. She is the author of Screening Soviet Nationalities and coeditor of Past for the Eyes.
Olga Shevchenko is Paul H. Hunn ’55 Professor in Social Studies at the Department of Anthropology and Sociology at Williams College. She is the author of Crisis and the Everyday in Postsocialist Moscow and the editor of Double Exposure: Memory and Photography.
Olga Shevchenko is Paul H. Hunn ’55 Professor in Social Studies at the Department of Anthropology and Sociology at Williams College. She is the author of Crisis and the Everyday in Postsocialist Moscow and the editor of Double Exposure: Memory and Photography.
Inhaltsverzeichnis
Preface (xi)
Introduction (xiii)
Part I: The Soviet Past in the Domestic Archive
1 Time to Choose Your Past (3)
2 Do-It-Yourself Universe (21)
3 Material Lives, Transitional Moments (79)
4 Spaces of Belonging (125)
Part II: Questioning "Transmission"
5 Seeing Silence (185)
6 Landscapes of Local Memory (233)
7 Generational Frames (257)
8 The Album as Performance (285)
Part III: A Different Kind of Presence
9 Labors of Care and Repair (309)
10 Photographs on the March (347)
Coda (395)
Acknowledgments (403)
Appendix: Notes on Method (409)
Notes (413)
Index (453)
Introduction (xiii)
Part I: The Soviet Past in the Domestic Archive
1 Time to Choose Your Past (3)
2 Do-It-Yourself Universe (21)
3 Material Lives, Transitional Moments (79)
4 Spaces of Belonging (125)
Part II: Questioning "Transmission"
5 Seeing Silence (185)
6 Landscapes of Local Memory (233)
7 Generational Frames (257)
8 The Album as Performance (285)
Part III: A Different Kind of Presence
9 Labors of Care and Repair (309)
10 Photographs on the March (347)
Coda (395)
Acknowledgments (403)
Appendix: Notes on Method (409)
Notes (413)
Index (453)
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Geschichte, Importe |
Jahrhundert: | Neuzeit |
Rubrik: | Geisteswissenschaften |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780262048279 |
ISBN-10: | 0262048272 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Sarkisova, Oksana
Shevchenko, Olga |
Hersteller: | MIT Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 183 x 30 mm |
Von/Mit: | Oksana Sarkisova (u. a.) |
Erscheinungsdatum: | 03.10.2023 |
Gewicht: | 1,202 kg |
Über den Autor
Oksana Sarkisova is Research Fellow at the Vera and Donald Blinken Open Society Archives and cofounder of the Visual Studies Platform at Central European University. She is the author of Screening Soviet Nationalities and coeditor of Past for the Eyes.
Olga Shevchenko is Paul H. Hunn ’55 Professor in Social Studies at the Department of Anthropology and Sociology at Williams College. She is the author of Crisis and the Everyday in Postsocialist Moscow and the editor of Double Exposure: Memory and Photography.
Olga Shevchenko is Paul H. Hunn ’55 Professor in Social Studies at the Department of Anthropology and Sociology at Williams College. She is the author of Crisis and the Everyday in Postsocialist Moscow and the editor of Double Exposure: Memory and Photography.
Inhaltsverzeichnis
Preface (xi)
Introduction (xiii)
Part I: The Soviet Past in the Domestic Archive
1 Time to Choose Your Past (3)
2 Do-It-Yourself Universe (21)
3 Material Lives, Transitional Moments (79)
4 Spaces of Belonging (125)
Part II: Questioning "Transmission"
5 Seeing Silence (185)
6 Landscapes of Local Memory (233)
7 Generational Frames (257)
8 The Album as Performance (285)
Part III: A Different Kind of Presence
9 Labors of Care and Repair (309)
10 Photographs on the March (347)
Coda (395)
Acknowledgments (403)
Appendix: Notes on Method (409)
Notes (413)
Index (453)
Introduction (xiii)
Part I: The Soviet Past in the Domestic Archive
1 Time to Choose Your Past (3)
2 Do-It-Yourself Universe (21)
3 Material Lives, Transitional Moments (79)
4 Spaces of Belonging (125)
Part II: Questioning "Transmission"
5 Seeing Silence (185)
6 Landscapes of Local Memory (233)
7 Generational Frames (257)
8 The Album as Performance (285)
Part III: A Different Kind of Presence
9 Labors of Care and Repair (309)
10 Photographs on the March (347)
Coda (395)
Acknowledgments (403)
Appendix: Notes on Method (409)
Notes (413)
Index (453)
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Geschichte, Importe |
Jahrhundert: | Neuzeit |
Rubrik: | Geisteswissenschaften |
Medium: | Buch |
Inhalt: | Einband - fest (Hardcover) |
ISBN-13: | 9780262048279 |
ISBN-10: | 0262048272 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Sarkisova, Oksana
Shevchenko, Olga |
Hersteller: | MIT Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 183 x 30 mm |
Von/Mit: | Oksana Sarkisova (u. a.) |
Erscheinungsdatum: | 03.10.2023 |
Gewicht: | 1,202 kg |
Sicherheitshinweis