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- CONTENTS
- PREFACE
- INTRODUCTION
- CHAPTER ONE
- Beginnings:
- Understanding Sound
- Toward Recording
- The Phonograph
- The First Producers
- CHAPTER TWO
- The acoustic period:
- Acoustic Recording
- International Expansion
- The Third Major Label
- The Sooys
- Documentation of Cultural Expression
- The End of an Era
- CHAPTER THREE
- The Electric period:
- Toward Electric Recording
- Better Sound
- Country Music
- Further Technological Foundations
- The Calm before the Storm
- The Thirties and Forties
- Radio, Film, and Tape Innovations
- CHAPTER FOUR
- Economic and Societal Overlay:
- Cyclical Decline
- One Thing after Another: The Thirties through the War
- Recovery
- CHAPTER FIVE
- The Studio is Interactive
- Toward Greater Control
- Magnetic Tape Recording
- Defining Some Terms
- Mastering
- Editing
- Sound on Sound
- Overdubbing
- Summing up of Tape's Impact
- The Microgroove LP
- CHAPTER SIX
- The Post World War II Reconstruction of the Recording Industry
- After the War
- The Boom in Independent Labels
- The Fifties
- Radio DJs
- CHAPTER SEVEN
- Mobile Music
- More Music for More People
- Music Anywhere: Radio on the Move
- My Music on the Move
- My Music Anywhere
- CHAPTER EIGHT
- Expanding the Palette
- Electric Instruments and Amplifiers
- Synthesizers
- Genre Hybridization
- CHAPTER NINE
- Some Key Producers
- The Objective
- Review of Early Producers
- Mitch Miller
- Leiber and Stoller
- Phil Spector
- Sam Phillips
- Steve Sholes
- Norrie Paramor
- Joe Meek
- Brian Wilson
- George Martin
- Holland, Dozier and Holland
- Teo Macero
- King Tubby
- Prince
- Rick Rubin
- Quincy Jones
- Robert John "Mutt" Lange
- Dr Dre
- Max Martin
- CHAPTER TEN
- The Sixties and Seventies
- Cultural and Creative Revolution
- The Sixties
- Mix Automation
- The Seventies
- CHAPTER ELEVEN
- Toward the Digital Age
- Digital Recording:
- Hip Hop:
- The State of the Eighties:
- The Sound of the Eighties:
- The Look of the Eighties:
- Shiny Silver Discs:
- Singles:
- Mixing:
- Dance Music:
- Remixes:
- Further Eighties Developments
- Mergers and Acquisitions
- The Internet and the World Wide Web
- CHAPTER TWELVE
- The Nineties
- The Corporate State
- The Charts and SoundScan
- Alternative Rock
- Toward Music Online
- Progress with Digitized Data
- Digital Radio
- Millennials
- Preparing the way for Napster
- CHAPTER THIRTEEN
- Periods of standards and stability
- Proprietary versus Open Systems
- Standards
- CHAPTER FOURTEEN
- Deconstructing the Studio
- Democratizing Technologies
- Improvised Environments
- When is a Home not a Home?
- Freedom
- CHAPTER FIFTEEN
- Random Access Recording Technology
- Why Random Access?
- The Beginnings of Random Access for Producers
- Drum Machines, Next Generation Sequencers and MIDI
- The Beginnings of Random Access Digital Recording
- Convergence and Integration
- CHAPTER SIXTEEN
- Transformative/Disruptive Technologies and the Value of Music
- Definitions of Terms
- The Industry at the Turn of the 21st Century
- Missed Opportunity
- Oh wait.
- No Big Surprises
- What a Great Idea
- What Happened to Vertical Integration?
- An Idea Whose Time Had Come
- Denial and Inaction
- The Consequences
- The Digital Disruption and Producer Income
- Performance Royalties
- Direct versus Statutory Licenses
- CHAPTER SEVENTEEN
- Post-Millennial Business Models
- American Idol
- Downloads
- Streaming Audio
- Non interactive streams
- Streaming on demand
- Web 2.0, Social Networking and Social Media
- Commonalities
- CHAPTER EIGHTEEN
- The Unfinished Work
- Sampling, Mash-ups and Remixes
- Using Records as Raw Material
- Disco
- Hip hop
- Adapting compositions
- Adapting Recordings
- The Question of Creativity
- The Question of Legality
- CONCLUSION
- ABOUT THE AUTHOR
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 264 |
| Inhalt: | Buch |
| ISBN-13: | 9780199357178 |
| ISBN-10: | 019935717X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Burgess, Richard James |
| Komponist: | Richard James Burgess |
| Hersteller: | Oxford University Press, USA |
| Maße: | 233 x 154 x 22 mm |
| Von/Mit: | Richard James Burgess |
| Erscheinungsdatum: | 25.07.2014 |
| Gewicht: | 0,361 kg |
- CONTENTS
- PREFACE
- INTRODUCTION
- CHAPTER ONE
- Beginnings:
- Understanding Sound
- Toward Recording
- The Phonograph
- The First Producers
- CHAPTER TWO
- The acoustic period:
- Acoustic Recording
- International Expansion
- The Third Major Label
- The Sooys
- Documentation of Cultural Expression
- The End of an Era
- CHAPTER THREE
- The Electric period:
- Toward Electric Recording
- Better Sound
- Country Music
- Further Technological Foundations
- The Calm before the Storm
- The Thirties and Forties
- Radio, Film, and Tape Innovations
- CHAPTER FOUR
- Economic and Societal Overlay:
- Cyclical Decline
- One Thing after Another: The Thirties through the War
- Recovery
- CHAPTER FIVE
- The Studio is Interactive
- Toward Greater Control
- Magnetic Tape Recording
- Defining Some Terms
- Mastering
- Editing
- Sound on Sound
- Overdubbing
- Summing up of Tape's Impact
- The Microgroove LP
- CHAPTER SIX
- The Post World War II Reconstruction of the Recording Industry
- After the War
- The Boom in Independent Labels
- The Fifties
- Radio DJs
- CHAPTER SEVEN
- Mobile Music
- More Music for More People
- Music Anywhere: Radio on the Move
- My Music on the Move
- My Music Anywhere
- CHAPTER EIGHT
- Expanding the Palette
- Electric Instruments and Amplifiers
- Synthesizers
- Genre Hybridization
- CHAPTER NINE
- Some Key Producers
- The Objective
- Review of Early Producers
- Mitch Miller
- Leiber and Stoller
- Phil Spector
- Sam Phillips
- Steve Sholes
- Norrie Paramor
- Joe Meek
- Brian Wilson
- George Martin
- Holland, Dozier and Holland
- Teo Macero
- King Tubby
- Prince
- Rick Rubin
- Quincy Jones
- Robert John "Mutt" Lange
- Dr Dre
- Max Martin
- CHAPTER TEN
- The Sixties and Seventies
- Cultural and Creative Revolution
- The Sixties
- Mix Automation
- The Seventies
- CHAPTER ELEVEN
- Toward the Digital Age
- Digital Recording:
- Hip Hop:
- The State of the Eighties:
- The Sound of the Eighties:
- The Look of the Eighties:
- Shiny Silver Discs:
- Singles:
- Mixing:
- Dance Music:
- Remixes:
- Further Eighties Developments
- Mergers and Acquisitions
- The Internet and the World Wide Web
- CHAPTER TWELVE
- The Nineties
- The Corporate State
- The Charts and SoundScan
- Alternative Rock
- Toward Music Online
- Progress with Digitized Data
- Digital Radio
- Millennials
- Preparing the way for Napster
- CHAPTER THIRTEEN
- Periods of standards and stability
- Proprietary versus Open Systems
- Standards
- CHAPTER FOURTEEN
- Deconstructing the Studio
- Democratizing Technologies
- Improvised Environments
- When is a Home not a Home?
- Freedom
- CHAPTER FIFTEEN
- Random Access Recording Technology
- Why Random Access?
- The Beginnings of Random Access for Producers
- Drum Machines, Next Generation Sequencers and MIDI
- The Beginnings of Random Access Digital Recording
- Convergence and Integration
- CHAPTER SIXTEEN
- Transformative/Disruptive Technologies and the Value of Music
- Definitions of Terms
- The Industry at the Turn of the 21st Century
- Missed Opportunity
- Oh wait.
- No Big Surprises
- What a Great Idea
- What Happened to Vertical Integration?
- An Idea Whose Time Had Come
- Denial and Inaction
- The Consequences
- The Digital Disruption and Producer Income
- Performance Royalties
- Direct versus Statutory Licenses
- CHAPTER SEVENTEEN
- Post-Millennial Business Models
- American Idol
- Downloads
- Streaming Audio
- Non interactive streams
- Streaming on demand
- Web 2.0, Social Networking and Social Media
- Commonalities
- CHAPTER EIGHTEEN
- The Unfinished Work
- Sampling, Mash-ups and Remixes
- Using Records as Raw Material
- Disco
- Hip hop
- Adapting compositions
- Adapting Recordings
- The Question of Creativity
- The Question of Legality
- CONCLUSION
- ABOUT THE AUTHOR
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Seiten: | 264 |
| Inhalt: | Buch |
| ISBN-13: | 9780199357178 |
| ISBN-10: | 019935717X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Burgess, Richard James |
| Komponist: | Richard James Burgess |
| Hersteller: | Oxford University Press, USA |
| Maße: | 233 x 154 x 22 mm |
| Von/Mit: | Richard James Burgess |
| Erscheinungsdatum: | 25.07.2014 |
| Gewicht: | 0,361 kg |
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