Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
29,70 €*
Versandkostenfrei per Post / DHL
Aktuell nicht verfügbar
Kategorien:
Beschreibung
Musician's Record
It takes many years to excel at recording (whether at home or in a commercial facility), and if you desire to become a professional recordist then that's what's required. But if you're a musician who wants to garner a reaction to your song, then you don't have time for that. You need to make a Killer Record right now. But how? First, stop thinking like a recordist.
If you're a musician, and you record, this book will prove an invaluable resource (I encourage you to read the reviews. People love this book). I explain all the things that I've learned as a high-level professional recordist, mixer, and producer over the course of decades, but as they relate to you as a musician, your songs, and the long view of your recording [...] Goal
The stated goal of this book is to convert recording decisions into musical ones, and technical decisions into practical ones. Not only do I explain the musical strategies for making a Killer Record, I also break the technical information down to its core so that you can strategize based on your recording reality. So long as you have what you need to make a record, I can help you make it a Killer Record. This is the only additional gear you'll require to greatly improve the quality of your [...] am I?
I'm Mixerman, a gold and multi-platinum award winning producer, mixer, and recordist. I was in precisely your position at the early stages of my career. I was a musician, frustrated that I could write a good song, only to feel the record itself fell short of it's potential. Over the course of my decades recording, I noticed that the performance and arrangement had a far greater impact on the sound than anything I did on the engineering side. The more musical my decisions, the better my [...] You Can Expect
This Studio Field Manual is chock full of recording, mixing, and producing strategies designed to keep recording a fun and focused process. You will return to this manual time and time again to help you overcome any impediment--technical or musical--that might prevent you from achieving the results you seek, regardless of your recording environment, regardless of what equipment you're using, and regardless of your current skillset.
You can make a Killer Record under nearly any circumstance. It just requires the right mindset. Enjoy, Mixerman
It takes many years to excel at recording (whether at home or in a commercial facility), and if you desire to become a professional recordist then that's what's required. But if you're a musician who wants to garner a reaction to your song, then you don't have time for that. You need to make a Killer Record right now. But how? First, stop thinking like a recordist.
If you're a musician, and you record, this book will prove an invaluable resource (I encourage you to read the reviews. People love this book). I explain all the things that I've learned as a high-level professional recordist, mixer, and producer over the course of decades, but as they relate to you as a musician, your songs, and the long view of your recording [...] Goal
The stated goal of this book is to convert recording decisions into musical ones, and technical decisions into practical ones. Not only do I explain the musical strategies for making a Killer Record, I also break the technical information down to its core so that you can strategize based on your recording reality. So long as you have what you need to make a record, I can help you make it a Killer Record. This is the only additional gear you'll require to greatly improve the quality of your [...] am I?
I'm Mixerman, a gold and multi-platinum award winning producer, mixer, and recordist. I was in precisely your position at the early stages of my career. I was a musician, frustrated that I could write a good song, only to feel the record itself fell short of it's potential. Over the course of my decades recording, I noticed that the performance and arrangement had a far greater impact on the sound than anything I did on the engineering side. The more musical my decisions, the better my [...] You Can Expect
This Studio Field Manual is chock full of recording, mixing, and producing strategies designed to keep recording a fun and focused process. You will return to this manual time and time again to help you overcome any impediment--technical or musical--that might prevent you from achieving the results you seek, regardless of your recording environment, regardless of what equipment you're using, and regardless of your current skillset.
You can make a Killer Record under nearly any circumstance. It just requires the right mindset. Enjoy, Mixerman
Musician's Record
It takes many years to excel at recording (whether at home or in a commercial facility), and if you desire to become a professional recordist then that's what's required. But if you're a musician who wants to garner a reaction to your song, then you don't have time for that. You need to make a Killer Record right now. But how? First, stop thinking like a recordist.
If you're a musician, and you record, this book will prove an invaluable resource (I encourage you to read the reviews. People love this book). I explain all the things that I've learned as a high-level professional recordist, mixer, and producer over the course of decades, but as they relate to you as a musician, your songs, and the long view of your recording [...] Goal
The stated goal of this book is to convert recording decisions into musical ones, and technical decisions into practical ones. Not only do I explain the musical strategies for making a Killer Record, I also break the technical information down to its core so that you can strategize based on your recording reality. So long as you have what you need to make a record, I can help you make it a Killer Record. This is the only additional gear you'll require to greatly improve the quality of your [...] am I?
I'm Mixerman, a gold and multi-platinum award winning producer, mixer, and recordist. I was in precisely your position at the early stages of my career. I was a musician, frustrated that I could write a good song, only to feel the record itself fell short of it's potential. Over the course of my decades recording, I noticed that the performance and arrangement had a far greater impact on the sound than anything I did on the engineering side. The more musical my decisions, the better my [...] You Can Expect
This Studio Field Manual is chock full of recording, mixing, and producing strategies designed to keep recording a fun and focused process. You will return to this manual time and time again to help you overcome any impediment--technical or musical--that might prevent you from achieving the results you seek, regardless of your recording environment, regardless of what equipment you're using, and regardless of your current skillset.
You can make a Killer Record under nearly any circumstance. It just requires the right mindset. Enjoy, Mixerman
It takes many years to excel at recording (whether at home or in a commercial facility), and if you desire to become a professional recordist then that's what's required. But if you're a musician who wants to garner a reaction to your song, then you don't have time for that. You need to make a Killer Record right now. But how? First, stop thinking like a recordist.
If you're a musician, and you record, this book will prove an invaluable resource (I encourage you to read the reviews. People love this book). I explain all the things that I've learned as a high-level professional recordist, mixer, and producer over the course of decades, but as they relate to you as a musician, your songs, and the long view of your recording [...] Goal
The stated goal of this book is to convert recording decisions into musical ones, and technical decisions into practical ones. Not only do I explain the musical strategies for making a Killer Record, I also break the technical information down to its core so that you can strategize based on your recording reality. So long as you have what you need to make a record, I can help you make it a Killer Record. This is the only additional gear you'll require to greatly improve the quality of your [...] am I?
I'm Mixerman, a gold and multi-platinum award winning producer, mixer, and recordist. I was in precisely your position at the early stages of my career. I was a musician, frustrated that I could write a good song, only to feel the record itself fell short of it's potential. Over the course of my decades recording, I noticed that the performance and arrangement had a far greater impact on the sound than anything I did on the engineering side. The more musical my decisions, the better my [...] You Can Expect
This Studio Field Manual is chock full of recording, mixing, and producing strategies designed to keep recording a fun and focused process. You will return to this manual time and time again to help you overcome any impediment--technical or musical--that might prevent you from achieving the results you seek, regardless of your recording environment, regardless of what equipment you're using, and regardless of your current skillset.
You can make a Killer Record under nearly any circumstance. It just requires the right mindset. Enjoy, Mixerman
Über den Autor
Mixerman here. My friends call me by my given name, Eric Sarafin. I've worked with many gold and platinum selling national and international acts, including The Pharcyde, Ben Harper, Spearhead, Jeff Lorber, Tone Loc, Lifehouse, Barenaked Ladies, Amy Grant, Pete Murray, and Foreigner, and that's just to name a few.
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
Details
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780692194393 |
ISBN-10: | 0692194398 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mixerman |
Hersteller: | Mixerman Publishes |
Maße: | 229 x 152 x 19 mm |
Von/Mit: | Mixerman |
Erscheinungsdatum: | 17.10.2018 |
Gewicht: | 0,506 kg |
Über den Autor
Mixerman here. My friends call me by my given name, Eric Sarafin. I've worked with many gold and platinum selling national and international acts, including The Pharcyde, Ben Harper, Spearhead, Jeff Lorber, Tone Loc, Lifehouse, Barenaked Ladies, Amy Grant, Pete Murray, and Foreigner, and that's just to name a few.
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
I gained notoriety as Mixerman when I published my diary The Daily Adventures of Mixerman, which was posted online to the delight of over 150,000 fans. Since that time I've written a number of books on the recording arts, including this one.
Details
Erscheinungsjahr: | 2018 |
---|---|
Genre: | Musik |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780692194393 |
ISBN-10: | 0692194398 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Mixerman |
Hersteller: | Mixerman Publishes |
Maße: | 229 x 152 x 19 mm |
Von/Mit: | Mixerman |
Erscheinungsdatum: | 17.10.2018 |
Gewicht: | 0,506 kg |
Warnhinweis