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Editor's Foreword
Acknowledgments
Introduction
List of Abbreviations
Division One Heidegger and the Politics of Productionist Metaphysics: The Longing for a New World of Work
Chapter 1: Germany's Confrontation with Modernity
Chapter 2: Political Aspects of Heidegger's Early Critique of Modern Technology
Chapter 3: Heidegger, National Socialism, and Modern Technology
Chapter 4: Junger and the Gestalt of the Worker
Chapter 5: Heidegger's Appropriation of Junger's Thought, 1933-34
Chapter 6: Junger's Thought in Heidegger's Mature Concept of Technology
Chapter 7: National Socialism, Nietzsche, and the Work of Art
Chapter 8: Holderlin and the Saving Power of Art
Divison Two Heidegger's Critique of Productionist Metaphysics
Chapter 9: Equipment, Work, World, and Being
Chapter 10: Being and Time: Penultimate Stage of Productionist Metaphysics?
Chapter 11: The History of Productionist Metaphysics
Chapter 12: Production Cycles of the "Laboring Animal": A Manifestation of the Will to Will
Chapter 13: How Modern Technology Transforms the Everyday World-and Points to a New One
Chapter 14: Authentic Production: Techne as the Art of Ontological Disclosure
Conclusion: Critical Reflections on Heidegger's Concept of Modern Technology
Notes
Index
Editor's Foreword
Acknowledgments
Introduction
List of Abbreviations
Division One Heidegger and the Politics of Productionist Metaphysics: The Longing for a New World of Work
Chapter 1: Germany's Confrontation with Modernity
Chapter 2: Political Aspects of Heidegger's Early Critique of Modern Technology
Chapter 3: Heidegger, National Socialism, and Modern Technology
Chapter 4: Junger and the Gestalt of the Worker
Chapter 5: Heidegger's Appropriation of Junger's Thought, 1933-34
Chapter 6: Junger's Thought in Heidegger's Mature Concept of Technology
Chapter 7: National Socialism, Nietzsche, and the Work of Art
Chapter 8: Holderlin and the Saving Power of Art
Divison Two Heidegger's Critique of Productionist Metaphysics
Chapter 9: Equipment, Work, World, and Being
Chapter 10: Being and Time: Penultimate Stage of Productionist Metaphysics?
Chapter 11: The History of Productionist Metaphysics
Chapter 12: Production Cycles of the "Laboring Animal": A Manifestation of the Will to Will
Chapter 13: How Modern Technology Transforms the Everyday World-and Points to a New One
Chapter 14: Authentic Production: Techne as the Art of Ontological Disclosure
Conclusion: Critical Reflections on Heidegger's Concept of Modern Technology
Notes
Index
Empfohlen (von): | 22 |
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Erscheinungsjahr: | 1990 |
Medium: | Taschenbuch |
Reihe: | Indiana Series in the Philosop |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780253205582 |
ISBN-10: | 0253205581 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Michael E. Zimmerman |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | black & white illustrations |
Maße: | 232 x 167 x 18 mm |
Von/Mit: | Michael E. Zimmerman |
Erscheinungsdatum: | 22.05.1990 |
Gewicht: | 0,5 kg |
Empfohlen (von): | 22 |
---|---|
Erscheinungsjahr: | 1990 |
Medium: | Taschenbuch |
Reihe: | Indiana Series in the Philosop |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780253205582 |
ISBN-10: | 0253205581 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Michael E. Zimmerman |
Hersteller: | INDIANA UNIV PR |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | black & white illustrations |
Maße: | 232 x 167 x 18 mm |
Von/Mit: | Michael E. Zimmerman |
Erscheinungsdatum: | 22.05.1990 |
Gewicht: | 0,5 kg |