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•
• Setting the Stage
• Part One: Contextualizing Theory and Analysis; Fundamentals
• Chapter 1: Musical Time and Space
• The metrical realm
• Accent in music
• Temporal accents
• Non-temporal accents
• Metrical disturbance
• The pitch realm
• Pitches and pitch classes
• Scales
• Keys
• Intervals
• Consonance and dissonance
• Melody: Characteristics and writing
• Chapter 2: Harnessing Musical Time and Space
• Species counterpoint
• First-species (1:1) counterpoint
• Contrapuntal motions
• Rules and guidelines
• Second-species (2;1) counterpoint
• Rules and guidelines
• Adding voices: Triads and seventh chords
• Triads
• Figured bass
• Triads and the scale: Harmonic analysis
• Seventh chords
• Musical texture
• Chapter 3: Making Choices: When Harmony, Melody, and Rhythm Merge
• Tonal hierarchy in music
• Tones of figuration
• Melodic fluency
• Part Two: Diatonic Harmony: Functions, Expansions, and the Phrase Model
• Chapter 4: Composition and Analysis: Using I, V, and V7
• Tonic and dominant as tonal pillars and introduction to voice leading
• The cadence
• Introduction to voice leading
• Texture and register
• Spacing
• Summary of voice-leading rules and guidelines
• The dominant seventh and chordal dissonance
• Part writing with the dominant seventh chord
• Analytical extension: The interaction of harmony, melody, meter, and rhythm
• Embellishment
• Reduction
• Second-level analysis
• Chapter 5: Contrapuntal Expansions of Tonic and Dominant
• Contrapuntal expansions with first inversion triads
• Chordal leaps in the bass: I6 and V6
• Neighboring tones in the bass: V6
• Structural and subordinate harmonies
• Passing tones in the bass: vii°6 and IV6
• Tonic expansion with arpeggiating bass: IV6
• Contrapuntal expansions with seventh chords
• V7 and its inversions
• Voice leading inversions of V7
• Leading-tone seventh chords: vii°7
• Analytical extension: Invertible counterpoint
• Invertible counterpoint below the music's
• surface
•
- •
•
• Setting the Stage
• Part One: Contextualizing Theory and Analysis; Fundamentals
• Chapter 1: Musical Time and Space
• The metrical realm
• Accent in music
• Temporal accents
• Non-temporal accents
• Metrical disturbance
• The pitch realm
• Pitches and pitch classes
• Scales
• Keys
• Intervals
• Consonance and dissonance
• Melody: Characteristics and writing
• Chapter 2: Harnessing Musical Time and Space
• Species counterpoint
• First-species (1:1) counterpoint
• Contrapuntal motions
• Rules and guidelines
• Second-species (2;1) counterpoint
• Rules and guidelines
• Adding voices: Triads and seventh chords
• Triads
• Figured bass
• Triads and the scale: Harmonic analysis
• Seventh chords
• Musical texture
• Chapter 3: Making Choices: When Harmony, Melody, and Rhythm Merge
• Tonal hierarchy in music
• Tones of figuration
• Melodic fluency
• Part Two: Diatonic Harmony: Functions, Expansions, and the Phrase Model
• Chapter 4: Composition and Analysis: Using I, V, and V7
• Tonic and dominant as tonal pillars and introduction to voice leading
• The cadence
• Introduction to voice leading
• Texture and register
• Spacing
• Summary of voice-leading rules and guidelines
• The dominant seventh and chordal dissonance
• Part writing with the dominant seventh chord
• Analytical extension: The interaction of harmony, melody, meter, and rhythm
• Embellishment
• Reduction
• Second-level analysis
• Chapter 5: Contrapuntal Expansions of Tonic and Dominant
• Contrapuntal expansions with first inversion triads
• Chordal leaps in the bass: I6 and V6
• Neighboring tones in the bass: V6
• Structural and subordinate harmonies
• Passing tones in the bass: vii°6 and IV6
• Tonic expansion with arpeggiating bass: IV6
• Contrapuntal expansions with seventh chords
• V7 and its inversions
• Voice leading inversions of V7
• Leading-tone seventh chords: vii°7
• Analytical extension: Invertible counterpoint
• Invertible counterpoint below the music's
• surface
•
| Erscheinungsjahr: | 2009 |
|---|---|
| Genre: | Musiktheorie |
| Medium: | Buch |
| Inhalt: | Buch |
| ISBN-13: | 9780195376982 |
| ISBN-10: | 0195376986 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Laitz, Steven G.
Barlette, Chris |
| Hersteller: | Oxford University Press |
| Abbildungen: | 12 black and white line illustrations, music examples |
| Maße: | 260 x 210 x 22 mm |
| Von/Mit: | Steven G. Laitz (u. a.) |
| Erscheinungsdatum: | 02.04.2009 |
| Gewicht: | 0,748 kg |
| Erscheinungsjahr: | 2009 |
|---|---|
| Genre: | Musiktheorie |
| Medium: | Buch |
| Inhalt: | Buch |
| ISBN-13: | 9780195376982 |
| ISBN-10: | 0195376986 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Laitz, Steven G.
Barlette, Chris |
| Hersteller: | Oxford University Press |
| Abbildungen: | 12 black and white line illustrations, music examples |
| Maße: | 260 x 210 x 22 mm |
| Von/Mit: | Steven G. Laitz (u. a.) |
| Erscheinungsdatum: | 02.04.2009 |
| Gewicht: | 0,748 kg |
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